Discover painter, draftsperson, fresco painter Annibale Carracci

Qualifications: painter, draftsperson, fresco painter, designer

Nationality/school: Italian

Born: Bologna (city) 1560-10/1560-11-03
baptized on 3 November 1560

Deceased: Rome 1609-07-15

Family relationships this field records any family relationship to one or more other artist(s).: brother of Agostino Carracci, cousin of Ludovico Carracci

See also In this field, you will find references to names of groups or to the artists that made/make up groups. You may also come across references to other artists if there was/is question of collaboration without a joint name. This is the case, for instance, with artists who rendered parts of works by other artists (such as with P.P Rubens and J. Brueghel I).

Badalocchio, Sisto

This person/entity in other databases

26 hits in RKDimages as artist
62 hits in RKDlibrary as subject
9 hits in RKDexcerpts as artist

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Biographical information

Active in

Bologna (stad) 1578 - 1595
Parma (stad) 1580
study trip (Saur 1997)
Venetië 1580
study trip (Saur 1997)
Rome 1595 - 1609

born in

active in

died in

Connections with other artists

Pupil of This field mentions the names of teachers or masters. What is at issue are the teachers who made a significant contribution to the development of a students, as opposed to every instructor they ever had. See also the 'Education' field.: Fontana, Prospero
Passarotti, Bartolommeo
Teacher of This field mentions the names of pupils. What is at issue are the pupils who were significantly influenced by a teacher as opposed to every student someone ever had. See also the 'Education' field.: Aloisi Galanini, Baldassare
Badalocchio, Sisto
Bonzi, Pietro Paolo
Domenichino
Fantetti, Cesare
Grimaldi, Giovanni Francesco
Lanfranco, Giovanni
Tacconi, Innocenzo
Vanni, Raffaello
Viola, Giovanni Battista
Followed by This field mentions the artist’s emulators. Although students can naturally also be followers, they are not mentioned again here. What is meant by followers are those who continue to work in the spirit of a predecessor. Sometimes this may happen a century later; there is no time limit. What is at issue, however, is that someone’s oeuvre must substantially follow in the manner of the artist emulated.: Curti, Francesco
Dauphin, Olivier
Influenced by In contrast with ‘follower of’, we speak of ‘influenced by’ when an artist was influenced outside the context of an educational setting or servile following. An artist can be influenced by several artists at once, or in succession. In addition, there may be question of a transition to a personal style which may demonstrate development.: Correggio
Influence on This field specifies the artists influenced by the artist in question, without there being question of an educational setting or servile following.: Albani, Francesco
Altomonte, Martino
Backereel, Gillis
Bisi, Bonaventura (fra)
Corneille, Michel (II)
Corvi, Domenico
Faccini, Pietro
François, Claude
Mignard, Pierre (I)
Monnaville, François
Oost, Jacob van (I)
Procaccini, Camillo
Reni, Guido
Turchi, Alessandro
Tscherning, Eleonore

Subjects This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.: allegory, animal painting (genre), genre, history (genre), landscape (genre), nude figure, portrait, self-portrait, cityscape, kitchen piece (still life)

Product: design for ceiling decoration

Literature

Literature in RKDLibrary: 62 hits in RKDlibrary as subject

Le Comte 1699
Houbraken 1718-1721 , vol. 1 (1718), p. 154, 350; vol. 2 (1719), p. 27, 160, 317-318; vol. 3 (1721), p. 213, 234, 259-260 (as: Carats, Annibal Carrats)
Thieme/Becker 1907-1950 , vol. 6 (1912), p. 55-60
Gerson 1942/1983 , p. 147
Witt Checklist 1978 , p. 52
Salerno 1984 , p. 28-19
Turner et al. 1996 , vol. 5 (1996), p. 858-870
Saur 1992- , vol. 16 (1997), p. 564
Bénézit 2006 , vol. 3 (2006), p. 456-459
Vodret 2011 , passim
Cappelletti et al. 2011 , passim
Trevisan/Zavatta 2013 , p. 53-54
Horn/Van Leeuwen 2021 [Houbraken Translated]

F. Rossi, 'Rappresentazioni del cibo tra riforma e contrariforma, da Pieter Aertsen ad Annibale Carracci, in: A.W.A. Boschloo et al., "Aux quatre vents" A Festschrift for Bert W. Meijer, Florence 2002, p. 219-230
P. Bjurström, 'The Carracci Brothers and Landscape Drawing', Konsthistorisk tidskrift 71 (2002), no. 4, p. 204-217
A-L Collomb, 'Les traités artistiques et la peinture sur pierre (XVIe - XVIIe siècles), Histoire de l'Art 52 (2003) June, p. 111-120
T. Clifford, 'Some Italian drawings in the Musée des Arts Décoratifs, Paris', Apollo 159 (January 2004), p. 3-13
B. Bohn, 'Female self-portraiture in early modern Bologna', Renaissance Studies 18, no. 2 (September 2004), p. 238-286
M. H. Loh, 'New and Improved: Repetition as Originality in Italian Baroque Practice and Theory', The Art Bulletin 86 (September 2004), no. 3, p. 477-504
V. von Flemming, 'Italienische Malerei des 17. und 18. Jahrhunderts', Kunsthistorische Arbeitsblätter November 2004, p. 37-48
J. Coignard, 'La galerie des Carrache au palais Farnèse', Connaissance des Arts, no. 622, December 2004, p. 118-123
H. Raben, 'Bellori's art: the taste and distaste of a seventeenth-century art critic in Rome', Simiolus 32 (2006), p. 126-146
A. Sutherland Harris, 'Annibale's Legacy: Proposals for Giovanni Angelo Canini and Antonio Carracci', Master Drawings 43 (2005), p. 440-487
I. Tozzi, 'Un archetipo d'autore. Il contributo di Annibale Carracci all' iconografia di Santa Caterina d'Alessandria e Santa Margherita d' Antiochia', Arte Cristiana 835 (July August 2006), p. 297-300
A. Weston-Lewis, 'Francesco Albani ''disegnatore'' Some Additions and Clarifications', Master Drawings 44 (2006) no. 3, p. 299-332
L. de Fuccia, 'Pour ''la satisfaction tant attendue'' et ''les désirs passionnés'' du marquis de Seignelay', Revue de L'Art (2006-2), no. 152, p. 37-52
C. Robertson, 'Late Annibale and his workshop: invention, imitation and patronage', Mitteilungen des kunsthistorischen Instituts in Florenz 54/2 (2010-2012), p. 267-294
M. Vaccaro, 'Carracci Studies', Apollo (Sept. 2014), p. 82-87
C. Reid, ‘New documents concerning Annibale Carracci’s ‘Holy Family’ in Melbourne', The Burlington Magazine 157 (2015)1349, p. 532-534

Documentation RKD

This field specifies the location of the various RKD documentation materials. Most of the locations refer to our art-historical image documentation. In addition, you will find references to press documentation (clippings and short articles) here.

Project: Gerson Digital : Italy

External links: this artist in Treccani

Permalink: https://rkd.nl/explore/artists/15558

Creation date: 1991-11-27; Last modified date: 2023-05-16

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Annibale Carracci

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