Discover court architect, architect, draftsperson Daniël Marot (I)

Qualifications: court architect, architect, draftsperson, etcher, engraver (printmaker)

Nationality/school: French, North Netherlandish (school)
naturalized in 1707 (Scheen 1981)

Born: Paris 1661/1664
Ozinga: c. 1661, Scheen 1981: c. 1664

Deceased: The Hague (city) 1752-06-04
buried on 14th of June, 1752

Family relationships this field records any family relationship to one or more other artist(s).: son (and apprentice) of engraver Jean Marot and Charlotte Garbrand, brother of Emmanuel Marot. Married in Amsterdam on 23 October 1693 to Catharina Maria Gole (born 1668), father of Daniël II (1695-1769) and Jacob (1697-1761), brother-in-law of Jacob Gole (De Vries 1885)

See also In this field, you will find references to names of groups or to the artists that made/make up groups. You may also come across references to other artists if there was/is question of collaboration without a joint name. This is the case, for instance, with artists who rendered parts of works by other artists (such as with P.P Rubens and J. Brueghel I).

This person/entity in other databases

57 hits in RKDimages as artist
6 hits in RKDlibrary as subject
173 hits in RKDexcerpts as artist

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Biographical information

Active in

Parijs 1682 - 1685
Fled to The Hague after the revocation of the Edict of Nantes in October 1685
Den Haag (stad) 1685 - 1694
1685-1694
Londen (Engeland) 1694 - 1689
worked for the court of William III and Mary II in England (went to England on Queen Mary's behest); his son Daniel II was born in England (Ozinga 1938, p. 19). The drawing in Boijmans proves that he was already in England in August 1689 (earlier than Ozinga realized) (Jackson-Stops 1980, p. 244).
Amsterdam (stad) 1697-09-01 - 1697-12-18
son Jacob was baptized on 1st of September, 1697 in the Walenkerk; testament for both Daniel I Marot and his wife Catharina Maria Gole signed on 18th of December 1697 (Ozinga 1938, p. 20).
Londen (Engeland) 1698
The theory that he definitely was back in Amsterdam seems to be disproved by a large payment made to him on behalf of William III in £ sterling, in March 1698, likely for further works on the gardens of Hampton Court (Jackson-Stops 1980, p. 244-245).
Den Haag (stad) 1698 - 1705
working on Huis ten Bosch (Schmidt 2015)
Amsterdam (stad) 1706 - 1720
Londen (Engeland) 1706
active for the Montague family (Jackson-Stops 1980)
Diez an der Lahn 1707
designed Castle Oranienstein for Albertine Agnes of Oranje-Nassau
Den Haag (stad) 1720 - 1752

born in

active in

died in

Connections with other artists

Pupil of This field mentions the names of teachers or masters. What is at issue are the teachers who made a significant contribution to the development of a students, as opposed to every instructor they ever had. See also the 'Education' field.: Berain, Jean (I)
Marot, Jean
Teacher of This field mentions the names of pupils. What is at issue are the pupils who were significantly influenced by a teacher as opposed to every student someone ever had. See also the 'Education' field.: Dusart, Felix
Lange, Philip de
Followed by This field mentions the artist’s emulators. Although students can naturally also be followers, they are not mentioned again here. What is meant by followers are those who continue to work in the spirit of a predecessor. Sometimes this may happen a century later; there is no time limit. What is at issue, however, is that someone’s oeuvre must substantially follow in the manner of the artist emulated.: Blancard, Frans
Coulon, Anthony
Terwesten, Mattheus
Influenced by In contrast with ‘follower of’, we speak of ‘influenced by’ when an artist was influenced outside the context of an educational setting or servile following. An artist can be influenced by several artists at once, or in succession. In addition, there may be question of a transition to a personal style which may demonstrate development.: Lepautre, Antoine
Berain, Jean (I)
Aviler, Charles Augustin d'
Influence on This field specifies the artists influenced by the artist in question, without there being question of an educational setting or servile following.: Bodt, Jean de

Subjects This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.: landscape (genre), winter landscape, interior view

Literature

Literature in RKDLibrary: 6 hits in RKDlibrary as subject

Obreen 1877-1890 , vol. 7 (1888-1890), p. 154-155 (A. Bredius, ‘Uit de “Minute octrooien der Staten van Holland van West-Friesland’)
Bredius 1915-1921 , vol. 4 (1917), p. 1452-; vol. 7 (1921), p. 149
Thieme/Becker 1907-1950 , vol. 24 (1930), p. 128-130
Waller 1938/1974 , p. 215
Gerson 1942/1983 , p. 43, 413-414
Hollstein et al. 1949-2010 , vol. 11 [1954], p. 171
Kramm 1857-1864 , vol. 4 (1960), p. 1064
Scheen 1969-1970 , vol. 2, p. 17
Rosenberg/Slive/Ter Kuile 1977 , p. 411-413, fig. 326, 327
Thornton 1978 , p. 44, 50-52, 67, 78, 94, 96, 133, 138, 166, 249, fig. 50, 51, 71-74, 95, 141, 144, 238, 303
Witt Checklist 1978
Scheen 1981 , p. 335 (as: Marot (de Oude), Daniël)
Van der Wyck 1982 , p. 196, 203, 207, 212, 213
Van Raaij/Spies 1988 , p. 21, 22, 32, 37, 45-47, 63, 65, 72, 79, 84, 123-125, 127, 152, 153, ill. p. 63, 124
Hunt 1990 , Haley: p. 3-12, esp. p. 7-9; Oldenburger-Ebbers: p. 159-174, esp. 163, 164, fig. 9 (K.H.D. Haley, 'William III as builder of Het Loo' // C. Oldenburger-Ebbers, 'Notes on plants used in Dutch Gardens in the second half of the seventeenth century' //)
Turner et al. 1996 , p, 458-460, ill. p. 459
Hartkamp-Jonxis/Smit 2004 , no. 42; p. 424
Reinstra 2009 , passim
Koldeweij 2010 , passim
Tromp 2012 , passim
Saur 1992- , vol. 87 (2015), p. 277
Schmidt 2015 , p. 14, 19, 22, 30, 34, 37, 38, 66, 89, 99, 106

A.Bérard, Catalogue de toutes les stampes qui forment l'Œuvre de Daniel Marot, architecte et graveur français, Brussels 1865
A.D. de Vries Azn., 'Biografische aanteekeningen betreffende voornamelijk Amsterdamsche schilders, plaatsnijders, enz. en hunne verwanten' (II), Oud-Holland 3 (1885), p. 135-160; p. 145
W.A. Dyer, Creators of decorative styles : being a survey of the decorative periods in England from 1600 to 1800, with special reference to the masters of applied art who developed the dominant styles, Garden City (NY) 1918
M.D. Ozinga, 'Daniël Marot', Oudheidkundig Jaarboek. Bulletin van den Nederlandschen Oudheidkundigen Bond 2 (1933), p. 19ff
H.E. van Gelder, 'Daniel Marot's Vazen en Potten', Oud-Holland 59 (1942), p. 186
J.G. Avis, 'Daniel Marot en Freerck Hayema', Oud-Holland 62 (1947), p. 208-209
A. Lane, 'Daniel Marot: Designer of Delft Vases and of Gardens at Hampton Court', Connoisseur 123 (1949), p. 19-25
A. Lane, 'Delftse tegels uit Hampton Court en Daniel Marot's werkzaamheid aldaar', Bulletin van het Rijksmuseum 7 (1959), p. 12-21
L.J. van der Klooster, 'Ontwerpen van Daniel Marot voor het huis Rosenburg te Voorschoten', Bulletin Koninklijke Nederlandse Oudheidkundige Bond 15 (1962), kol. 269 e.v.
H.W.M. van der Wyck, 'Het heerlijck Rosendael. Mede in verband met andere jachtverblijven van Willem III', Nederlands Kunsthistorisch Jaarboek 21 (1970), p. 5-38
K. Frematle, 'A visit to the United Provinces and Cleves in the time of William III. Described in Edward Southwell's Journal', Nederlands Kunsthistorisch Jaarboek 21 (1970), p. 39-68
H.W.M. van der Wyck, 'Opmerkingen over Marots en Desgots' plannen voor het park van het Loo', Bulletin KNOB 73 (1974), p. 33-35
L.J. van der Klooster, 'Daniël Marot en de graaf Wassenaar Obdam. Rondom een brief uit 1711', Bulletin KNOB 74 (1975), p. 135-143
G. Jackson-Stops, 'Daniel Marot and the 1st Duke of Montagu', Nederlands Kunsthistorisch Jaarboek 31 (1980), p. 244-262
H.J. Hijmersma, ''Een wijle van rust in de buitensael'. Een gebeeldhouwde tuinbank naar ontwerp van Daniël Marot', Nederlands Kunsthistorisch Jaarboek 31 (1980), p. 279-284
J. Dröge, 'Het ontwerp, de bouw en de inrichting van het Logement van de heren van Amsterdam te 's-Gravenhage', Jaarboek Monumentenzorg 1993, p. 59-84
J. Pijzel-Dominisse, 'Buires, gueridons en cassoletten: 'Frans' zilver in het interieur van stadhouder Willem III', Leids Kunsthistorisch Jaarboek 14 (2007), p. 91-115
W. Frijhoff, 'Utrechts vreugdevuur, masker voor 's Lands neergang?', De achttiende eeuw 40 (2008), no. 2, p. 5-20

Stadsarchief Amsterdam, Amsterdam: DTB-registers (toegangsnummer 5001), 523: 358

Documentation RKD

This field specifies the location of the various RKD documentation materials. Most of the locations refer to our art-historical image documentation. In addition, you will find references to press documentation (clippings and short articles) here.

Witt-microfiches op: French school

Project: Inventory Decorative Interior Paintings in the Netherlands (1600-1940)
Gerson Digital : Germany
Gerson Digital : France
Gerson Digital : United Kingdom

External links: this artist in Ecartico

Permalink: https://rkd.nl/explore/artists/52771

Creation date: 1992-01-18; Last modified date: 2023-02-09

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Daniël Marot (I)

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