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Monogram
AA
AA chained/intertwined (ill. in von Wurzbach 1906-1911)
Nationality/school
South Netherlandish
Born
Antwerp 1587-01/1587-01-17
baptized on January 17, 1587 (Rombouts/Van Lerius 1872/1961); in a document dated 20-10-1651 he is mentioned as being 'oudt 60 jaeren' (Duverger 1992, p. 226)
Deceased
Antwerp 1661-10/1661-10-30
buried in the St. Jacobskerk on October 30, 1661 in the St. Jacobuskerk (Van Lerius 1880, p. 399, note 5 and Rombouts/Van Lerius 1872/1961)
Family relationships
this field records any family relationship to one or more other artist(s).
son of Emmanuel Adriaenssen and Sibilla Crelin; older brother of Vincent Adriaenssen; married in Antwerp on 20 February 1611 to Maria Seeldrayers; father of Peter Adriaenssen (born 1617) and Emanuel Adriaenssen (born 1620)
See also
In this field, you will find references to names of groups or to the artists that made/make up groups. You may also come across references to other artists if there was/is question of collaboration without a joint name. This is the case, for instance, with artists who rendered parts of works by other artists (such as with P.P Rubens and J. Brueghel I).
This person/entity in other databases
Biographical information
Period of activity
1623 - 1661
dated works from 1623 to 1661 known
Active in
  • Antwerpen 1610 - 1661-10
    became master of the guild in 1610 as 'waterscilder' (Rombouts / Van Lerius 1872/1961); last mentioned in the Guild between 18 September 1633 and 18 September 1634; in this same period he was received as a new member of the Chamber of Rhetorecians 'De Violieren'; between 18 september 1633 and 18 September 1634 mentioned as having stopped being a member of the Guild (Rombouts/Van Lerius 1872/1961)
born in
active in
died in
Subjects
This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.
still life, fish piece, game piece (still life), fruit piece, flower piece, breakfast piece
best known for fishing and hunting still lifes; the breakfast in Berlin without fish or hunting elements is unusual, given his oeuvre; early flower still lifes from 1636 at an exhibition in Dordrecht in 1955 and by L. Koetser from 1635, three more extensive flower still lifes from 1646 are known (Willigen/Meijer 2003, p. 25); in Duverger 1984-2002 many mentionings of paintings by Adriaenssen in Antwerp inventories of the 17th century
Medium/technique
oil paint
Creation date: 1991-11-20; Last modified date: 2020-06-02

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