Discover pastelist, painter Jean Baptiste Siméon Chardin

Name variations

This field records and makes accessible name variations, as found in sources. Alternate spellings, nicknames, maiden names - with or without the married name - are included in this category.

: Chardin, Jean-Siméon

Qualifications: pastelist, painter

Nationality/school: French

Born: Paris 1699-11-02
was adopted on 03-11-1699

Deceased: Paris 1779-12-06

Family relationships this field records any family relationship to one or more other artist(s).: Father of Pierre-Jean-Baptiste Chardin

This person/entity in other databases

22 hits in RKDimages as artist
45 hits in RKDlibrary as subject
4 hits in RKDexcerpts as artist

Suggested searches in RKDartists&

Biographical information

Education: Académie Royale de Peinture et de Sculpture (Parijs)

Active in

Parijs 1714 - 1779
since c. 1714
Parijs 1758 - 1770
galeries du Louvre (Anon [Diderot] 1776, p. 74)

born in

active in

died in

Connections with other artists

Pupil of This field mentions the names of teachers or masters. What is at issue are the teachers who made a significant contribution to the development of a students, as opposed to every instructor they ever had. See also the 'Education' field.: Cazes, Pierre Jacques
Teacher of This field mentions the names of pupils. What is at issue are the pupils who were significantly influenced by a teacher as opposed to every student someone ever had. See also the 'Education' field.: Canot, Philippe
Duvivier, Thomas Germain Joseph
Fragonard, Jean Honoré
Hilleström, Per
Influenced by In contrast with ‘follower of’, we speak of ‘influenced by’ when an artist was influenced outside the context of an educational setting or servile following. An artist can be influenced by several artists at once, or in succession. In addition, there may be question of a transition to a personal style which may demonstrate development.: Desportes, François
Rembrandt
Influence on This field specifies the artists influenced by the artist in question, without there being question of an educational setting or servile following.: Whalley, John
Duvivier, Pierre Charles
Jeaurat, Etienne
Bénard, Jean Baptiste
Bilcoq, Marie Marc Antoine
Chantereau, Jérome François
Danloux, Henri Pierre
Drölling, Martin
Vallayer-Coster, Anne
Aubry, Étienne
Walton, Henry (1746-1813)
Marcolesco
Venetsianov, Aleksei Gavrilovich
Bonvin, François
Duparc, Françoise
Picasso, Pablo
Meissonier, Ernest
Dumesnil, Pierre Louis (II)

Subjects This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.: genre, still life, game piece (still life), kitchen piece (still life), trompe-l'oeil (still life)

Member of

Académie Royale de Peinture et de Sculpture (Parijs)
Agréé & Member: 25 September 1728 (Montaiglon 1883)

Literature

Literature in RKDLibrary: 45 hits in RKDlibrary as subject

Thieme/Becker 1907-1950 , vol. 6 (1908), p. 384-387
Gerson 1942/1983 , p. 93, 94, 98, 101, 103, 118-120, 124, 131
Bénézit 1976 , vol. 2, p. 669-671
Witt Checklist 1978 , p. 56
Saur 1992- , vol. 18 (1998), p. 222
Bénézit 1999 , vol. 3, p. 491-493
Göttler/Dupré 2017 , p. 296-316 (essay P. Taylor, 'From mechanism to technique. Diderot, Chardin, and the practice of painting')

Anonymous [Diderot], Almanach Historique et Raisonné des Architectes, Peintres, Sculpteurs, Graveurs et Cizeleurs, Paris 1776, p. 74
Montaiglon (ed), Procès-verbaux de l'Académie royale de peinture et de sculpture 1648-1793, t.5 (1883), p. 47
O. Benesch, 'Rembrandt's Vermächtnis', Belvedere 5 (1924), p. 148-173
D. de Chapeaurouge, Chardins Kinderbilder und die Emblematik', in: G. Rósza (ed.) Évolution Générale et Dévelopements régionaux en Histoire de l 'Art (Actes du XXIIè Gongrès International d'Historie de l'Art, Budapest 1969), 3 vols. (1972), vol.2, p. 51-56
E. Snoep-Reitsma, 'Chardin and the Bourgeois Ideals of his Time 1', Nederlands Kunsthistorisch Jaarboek 24 (1973), p. 147-243
H. Bavelaar, Kroniek van kunst en kultuur, Leiden 1998
F. Bruyant, 'A propos de Chardin et de Marguerite Saintard: éléments biographiques', Bulletin de la Société de l'Histoire de l'Art français, Année 2000 (Paris 2001), p. 105ff
A. von Graevenitz, 'Venus als girlie', Metropolis M 2003, no. 4, p. 96-119
F. Suzman Jowell, 'Thoré-Bürger's art collection: ''a rather unusual gallery of bric-à-brac'' ', Simiolus 30 (2003), no. 1/2, p, 54-119
R. Démoris, 'Inside/interiors: Chardin's images of the family', Art History 28/4 (september 2005), p. 442-467
A.K. Piotrowska, 'Chardin, Vanloo and the Académie royale during the Regency: new archival information', The Burlington Magazine, 150 (mei 2008), p. 296-300
T. Burg, 'Two works by Chardin in the collection of Count Heinrich von Brühl', F. Marandet, 'The banker Charles Godefroy and his dealings in paintings, or the secrets of an account book revealed (1738-48)', The Burlington Magazine 150 (2008), p. 529-533
M. Jonkman, E. Geudeker, Mythen van het atelier. Werkplaats en schilderpraktijk van de negentiende-eeuwse Nederlandse kunstenaar, Zwolle 2010, p. 132
P. Radisich, '"A globe, a bust": Chardin and the Quarrel between the Ancients and Moderns', Simiolus 35 (2011), p. 188-198
E. Faisant, 'De l' intérêt des copies: nouvel indice pour la datation des "Bénédicités" de Chardin (Paris, 1699-1779', Les Cahiers d' Histoire de l' Art, 11 (2013), p. 31-32

Documentation RKD

This field specifies the location of the various RKD documentation materials. Most of the locations refer to our art-historical image documentation. In addition, you will find references to press documentation (clippings and short articles) here.

Project: Gerson Digital : France (Nachwirkung)

Permalink: https://rkd.nl/explore/artists/16407

Creation date: 1991-12-02; Last modified date: 2023-05-16

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Jean Baptiste Siméon Chardin

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