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Monogram
AG
Nationality/school
South Netherlandish
Born
Antwerp (city) 1640-05/1640-05-25
christened 25 May 1640 (Rombouts/Van Lerius 1872, vol.2, p. 414-416, note 1)
Deceased
Antwerp (city) 1723-05-10
He was buried in the Dominican Church (Rombouts/Van Lerius 1872, vol.2, p. 414-416, note 1).
Family relationships
this field records any family relationship to one or more other artist(s).
son of the 'styfselmaker' Peeter Genoels and Cornelia Melis; cousin of Laureys Franck
See also
In this field, you will find references to names of groups or to the artists that made/make up groups. You may also come across references to other artists if there was/is question of collaboration without a joint name. This is the case, for instance, with artists who rendered parts of works by other artists (such as with P.P Rubens and J. Brueghel I).
Genoels painted backgrounds for Le Brun's paintings.
This person/entity in other databases
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Biographical information
Active in
  • Antwerpen (stad)
    in Antwerpen trained by Jacob Backereel and Nicolaes Fierlants
  • Amsterdam (stad) 1659
    According to Houbraken, he travelled over Amsterdam by ship to Rotterdam and Dieppe. His father sent a certain George Remeeus [= Gerogius Remeeus] with him to look after him.
  • Rotterdam (stad) 1659
  • Dieppe (Frankrijk) 1659
  • Parijs 1659 - 1669
    was welcomed here by his cousin Laureys Franck (Houbraken 1721, p. 97). Painted cartons for tapestries and decorations for François-Michel le Tellier, Marquis de Louvois and the Princess of Condé as an assistent of Gilbert de Sève; settled in Faubourg St. Germain, where De Sève lived as well (Houbraken 1721). He became a member of the Académie in Paris in 1665 and worked for the Gobelins. In Rombouts/Van Lerius 1872, vol. 2, p. 414-416, note 1: '4 January 1665, Abraham Genoels from Antwerp, landscapist, left for Antwerp, after having helped M. Charles Lebrun in painting the backgrounds to his paintings' (quoted from L. Dussieux, Documents I, p. 365). How long he stayed in Antwerp before returning to Paris is not mentioned. On 7 May 1662 he was a witnes at the wedding of tapissier Guy de Lanoy in the parish of Saint-Jacques-de-la-Boucherie. On 1 February 1664 he presented his painting of a landscape to the Académie and was accepted as a member (Levert 2017A).
  • Lille (Frankrijk)
    He was sent at the command of Louis XIV to make a drawing of the Castle of Mariemont in Brussels, to be woven in a tapestry, on which journey Jan Huchtenburg and Adriaen Frans Boudewijns accompanied him to Amiens and from there to Lille, Tournai, Mons in Hainaut and so on to Mariemont. There he drew the castle in three views, and arrived in Antwerp after eleven days (Houbraken 1721, p. 99-100).
  • Doornik
  • Mons (België)
  • Mariemont (Morlanwelz)
  • Antwerpen (stad)
    again in Antwerp in 1669
  • Parijs 1670 - 1672-08-18
    On 12 January 1670 he was present at the wedding of his friends Adrian Francois Baudouin, together with the Scotin brothers and François vander Meulen, brother of the bride. On 18 August 1672 he was godfather to Abraham, son of engraver Nicolas Levesque (Levert 2017A).
  • Antwerpen (stad) 1672 - 1674-09-08
    master in the Guild of St. Luke, Antwerp between 18 September 1672 and 18 September 1673 (Rombouts/Van Lerius 1872/1961). On 8 September he travelled to Italy in the company of the Frans Moens from Middelburg, Marselis Liberechts (who had been in Rome before), the sculptor Pieter Verbruggen II, a canon from Lier, the engraver Clovet [Davit Clouet II? rather than Albertus Clouwet, RvL July 2020] Abraham van den Heuvel, who was a merchant of Napels, and Soldiano, a merchant of Venice (Houbraken 1721, p. 100-101).
  • Keulen (stad) 1674
    stayed 4/5 days, then went by boat to Mainz (Houbraken 1721, p. 101)
  • Mainz
    Houbraken 1721, p. 101
  • Frankfurt am Main (stad) 1674
    after a stay if 4 days by carriage to Augsburg (Houbraken 1721, p. 101)
  • Augsburg 1674
    then by way of Tirol, Innsbruck, Trento, Treviso, Mestre, Venice, Ferrara, Bologna, Loreto
  • Tirol (deelstaat) 1674
  • Innsbruck
  • Trento 1674
  • Mestre (Venezia) 1674
    from there by ship to Venice (Houbraken 1721, p. 101)
  • Venetië 1674
  • Ferrara 1674
  • Bologna (stad) 1674
    stay of 4 days, then by carriage to Loreto (Houbraken 1721, p. 101)
  • Loreto (Italië)
  • Rome 1674-11-04 - 1682-05-25
    The company arrived in Rome on 4 November 1674; on 3 January 1675 he was initiated in the Bent, with the nickname Archimedes (Houbraken 1721, p. 101). He lived in Via Sant'Andrea delle Fratte with David de Conick (Noack 1927).
  • Rome 1674-04-11 - 1682-05-25
    lived in the Via San Isidoro (Noack 1927). On April 25, 1682, he left Rome to travel to Paris (Saur 2006). He travelled back from Rome to Paris with Pierre Lavrion and two French sculptors, Caralier and Monier, following the route below (Houbraken 1721).
  • Florence
  • Siena (plaats)
  • Pisa (stad)
  • Livorno (stad)
  • Genua
  • Nice
  • Villefranche-sur-Mer
  • La Ciotat
  • Marseille
    from Marseille on mules to Avignon (Houbraken 1721)
  • Avignon
  • Lyon
    from Lyon on horseback to 'Forraren' (Houbraken 1721)
  • Clermont-Ferrand
    probably, if 'Forraren' mentioned by Houbraken can be identified with Clermond-Ferrand (R. van Leeuwen, June 2021)
  • Orléans (Loiret)
  • Parijs 1682
    After being absent from the city, he wrote a letter to the Académie dated 30 July 1700 to account for his activities (Levert 2017A)
  • Antwerpen (stad) 1682-12-08 - 1723
    On December 8, 1682 he arrived in Antwerp, where he remained (Houbraken 1721).
born in
active in
died in
Subjects
This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.
landscape (genre), architecture (genre), mythology, fruit piece
Medium/technique
oil paint
Creation date: 1991-12-15; Last modified date: 2023-05-16

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