Anoniem Brussel ca. 1460-1470

Two Church Fathers (interior left wing); Madonna in Mandorla (interior left upper wing); The Flagellation, The Carrying of the Cross, The Crucifixion, The Descent from the Corss, The Lamentation (centre); Two Church Fathers (interior right wing); God the Father (interior right upper wing), ca. 1460-1470
Helsinki, National Museum of Finland, [..]
Object information
Object category
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.

retable, open

panel, oil paint, wood, carved (sculpture technique), polychromed, gilded
D'Hainaut-Zveny 2005
other 190 x 230 cm
when closed (D'Hainaut-Zveny 2005)
Information about the signature, dating, inscription or any other mark on the front or back of the art work
  • mark : mallet
    three times on the back of sculptures (D'Hainaut-Zveny 2005)
  • mark : Greek cross
    D'Hainaut-Zveny 2005
Current attribution
Anoniem (Brussel) ca. 1460-1470
sculpture and painting (D'Hainaut-Zveny 2005)
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
c. 1460-1470 (1460 - 1470)
D'Hainaut-Zveny 2005
Exhibitions and literature
Visual documentation
Entered on: 2018-03-08; Last modification: 2018-06-22


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