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Anoniem Brussel ca. 1460-1470

Two Church Fathers (interior left wing); Madonna in Mandorla (interior left upper wing); The Flagellation, The Carrying of the Cross, The Crucifixion, The Descent from the Corss, The Lamentation (centre); Two Church Fathers (interior right wing); God the Father (interior right upper wing), ca. 1460-1470
Helsinki, National Museum of Finland, [..]
Object information
Object category
retable
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.

retable, open

Support/medium
panel, oil paint, wood, carved (sculpture technique), polychromed, gilded
D'Hainaut-Zveny 2005
Shape/dimensions
other 190 x 230 cm
when closed (D'Hainaut-Zveny 2005)
Signature/inscription
Information about the signature, dating, inscription or any other mark on the front or back of the art work
  • mark : mallet
    three times on the back of sculptures (D'Hainaut-Zveny 2005)
  • mark : Greek cross
    D'Hainaut-Zveny 2005
Current attribution
Anoniem (Brussel) ca. 1460-1470
sculpture and painting (D'Hainaut-Zveny 2005)
Date
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
c. 1460-1470 (1460 - 1470)
D'Hainaut-Zveny 2005
Provenance
Exhibitions and literature
Visual documentation
Entered on: 2018-03-08; Last modification: 2018-06-22

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