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Rembrandt

Homer, 1663 gedateerd
The Hague, Koninklijk Kabinet van Schilderijen [..]
provenance
whereabouts
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Object information
Object category
painting
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.

part of a series

Part of a series of seven paintings, which also included: by Rembrandt, Aristotle with the Bust of Homer (The Metropolitan Museum of Art, New York), Homer (Mauritshuis, The Hague), Alexander the Great (lost); and now unknown works by Guercino (The Cosmographer, 1660), Matia Preti (Dionysius of Syracuse, 1662), Salvator Rosa (The Philosopher Archita Tarantino, 1668), and Giacinto Brandi (The Philosopher or Jerome, 1670) (Giltaij 1999).
Support/medium
canvas, oil paint
Shape/dimensions
rectangle (portrait format) 107 x 82 cm
A piece of the canvas was removed on all sides after the painting was damaged by fire.
Signature/inscription
Information about the signature, dating, inscription or any other mark on the front or back of the art work
Current attribution
Rembrandt
Date
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
dated 1663 (1663)
Artistically related
Artistically related to other work
Such as a preparatory studie, comparable composition, other version, or copy of the artwork in this record.
Provenance
Commissioned by
If the work in question was commissioned, and this is known, then the patron is noted here.
Ruffo, Antonio (1610/11-1678)
An invoice for f 18: - ; - , dated 30 July 1661, is for the canvases of Alexander and Homer. A note at the bottom of the invoice states that Homer is still to be painted by Rembrandt, which he undertakes to do for f 500. A letter dated 1 November 1662 mentions the representation of Homer. The unfinished painting was to be sent from Messina to Amsterdam, to be completed. The painting of Homer was indeed returned on 16 November 1662. Rembrandt finished the canvas in 1663, and it was returned to Messina by 20 May 1664 (Giltaij 1999).
Exhibitions and literature
Visual documentation
Technical documentation
The RKD manages a collection of technical documentation that has been given to us by external researchers and museums or which stems from the RKD's own research with infrared reflectography. Documentation can be accessed by appointment at the RKD. While not all technical documentation has been entered in the database at present, new data is added on a regular basis.
Entered on: 1996-05-15; Last modification: 2019-12-05

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