Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.
with a companion piece depicting the Abbey of Egmond
panel, oil paint
according to Hofstede de Groot on a Gothic panel, because of the specific bevelling (Wortel 1943)
After 1620, there seems to be a shift in the character of the paintings by Van der Heck. Klinkert/Taatgen 2015 argues that Van der Heck must have started employing assistants and/or pupils from that date onwards, who must have collaborated on many of the paintings signed C. Heck (Klinkert/Taatgen 2015, p. 30).