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Anoniem Brussel ca. 1500-1520 or attributed to Jan Borman (III) and Anoniem Mechelen ca. 1500-1520 and circle of Jan van Coninxloo (II) and Anoniem Antwerpen ca. 1500-1520

Passion Altarpice, ca. 1500-1520
Västeras, Kathedraal (Västeras)
Object information
Object category
retable
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.
Support/medium
panel, oil paint, oak, carved (sculpture technique), polychromed, gilded
the painted wings would have emerged from a Malinois workshop; the sculpture of Christ probably belonged previously to a lost altarpiece, the so-called bishop Otto altarpiece (KIK-IRPA; D'Hainaut-Zveny 2005)
Shape/dimensions
other 224.5 x 227 x 27.3 cm
D'Hainaut-Zveny 2005
Current attribution
Anoniem (Brussel) ca. 1500-1520
sculpture (D'Hainaut-Zveny 2005)
or attributed to Jan Borman (III)
sculpture (Roosval 1903; De Borchgrave d'Altena 1948; Jacobs 1998)
and Anoniem (Mechelen) ca. 1500-1520
painting larger upper panels (Périer-d'Ieteren 1984)
and circle of Jan van Coninxloo (II)
painting smaller lower panels of the interior of the wings (Engellau-Gullander 1992)
and Anoniem (Antwerpen) ca. 1500-1520
predella (Ehmke 1960; Périer-d'Ieteren 1984)
Rejected attribution
Jan van Coninxloo (II)
painting wings (Roosval 1903; Roosval 1933; Lindqvist 1958)
Date
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
c. 1500-1520 (1500 - 1520)
Engellau-Gullander 1992; D'Hainaut-Zveny 2005
Provenance
Exhibitions and literature
Visual documentation
Externe links
KIK-IRPA
Entered on: 2000-11-15; Last modification: 2018-07-26

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