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Rembrandt

David playing the harp for Saul, 1629/1630
Frankfurt am Main, Städel Museum, inv./cat.nr. [..]
<a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a> <a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a>
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Object information
Object category
painting
Support/medium
panel (oak), oil paint
Shape/dimensions
rectangle (portrait format) 62 x 50,1 cm
Signature/inscription
Information about the signature, dating, inscription or any other mark on the front or back of the art work
Current attribution
Rembrandt
Rejected attribution
Salomon Koninck
In 1817 the painting was bought as a work attributed to Rembrandt from the collection of Sophia Franziska de Neufville-Gontard. In 1844, this attribution was doubted in the collection catalogue of the Städel Museum, and the work was attributed instead to Rembrandt’s studio, probably by Salomon Koninck (Passavant 1844, no 205; Krempel/Neumeister 2005-, vol. 1 (2005), p. 368). This attribution lingered (Van Dyke 1923, p. 112), but changed when some authors saw the work as an early Rembrandt, which is the prevailing opinion today (Bode 1881, p. 71; Corpus of Rembrandt Paintings 1982-2015, vol. 1 (1982), no. A 25; Krempel/Neumeister 2005-, vol. 1 (2005), p. 368).
Date
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
1629/1630 (1629 - 1630)
Artistically related
Artistically related to other work
Such as a preparatory studie, comparable composition, other version, or copy of the artwork in this record.
  • copied in print by
    Willem van der Leeuw, David speelt harp voor koning Saul (1 Samuël 16:23 of 1 Samuël 18:10 of 1 Samuël 19:9)
    This print has been taken in the literature as a reproduction after Rembrandt's painting, but the members of the RRP proposed it is rather a print after a copy by an unknown artist, possibly Lievens according to Bauch (Bauch 1967B, p. 166; Corpus of Rembrandt Paintings 1982-2015, vol. 1 (1982), no. A 25).

  • used as model for
    Anoniem
    canvas, 167 x 131 cm; fragment of a very large version on canvas, extending from David's head to halfway along Saul's left shoulder (Bauch 1967B, p. 165)

    With art dealer P. de Boer in Amsterdam in 1969. The authors of the RRP suggest that the etching by De Leeuw is made after this copy, which dates the latter to the 1630s. They disagree with Bauch's attribution of the work to Lievens, because they are of the opinion that it lacks any foundation (Bauch 1967B, p. 166; Corpus of Rembrandt Paintings 1982-2015, vol. 1 (1982), no. A 25).

  • used as model for
    after Rembrandt, Koning Saul
    Corpus of Rembrandt Paintings 1982-2015, vol. 1 (1982), no. A 25

  • used as model for
    Johann Friedrich Morgenstern
    on panel, 13 x 10.7 cm, 1825

    Part of the Morgenstern Cabinet of Miniatures, cabinet III, right wing, in the Historisches Museum Frankfurt (inv. no. B 81:11) (Krempel/Neumeister 2005-, vol. 1 (2005), p. 366)

Provenance
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Visual documentation
Technical documentation
The RKD manages a collection of technical documentation that has been given to us by external researchers and museums or which stems from the RKD's own research with infrared reflectography. Documentation can be accessed by appointment at the RKD. While not all technical documentation has been entered in the database at present, new data is added on a regular basis.
Entered on: 2002-04-11; Last modification: 2018-05-02

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