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possibly Quinten Massijs (I) after Rogier van der Weyden

De kruisafneming (Mattheüs 27:57-58), eerste helft 16de eeuw
Madrid (Spain), , inv./cat.nr. 3015
possibly <a class="recordlink artists" href="/explore/artists/53166" title="Quinten Massijs (I)"><span class="text">Quinten Massijs (I)</span></a> after <a class="recordlink artists" href="/explore/artists/83963" title="Rogier van der Weyden"><span class="text">Rogier van der Weyden</span></a>
provenance
whereabouts
Object information
Object category
painting
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.

centerpiece of a triptych

voor het drieluik in gesloten toestand zie Friedländer 1967-1976, dl. VII, afb. op Pl. 59
Support/medium
panel, oil paint
Shape/dimensions
rectangle (portrait) with rounded upper side 88 x 63,7 cm
Current attribution
possibly Quinten Massijs (I)
volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: '= Massys ?'; Friedländer 1967-1976, dl. II, nr. 98c: '...very finely executed, from the 16th century, apparently by Quentin Massys.'; dl. VII, nr. 61: 'An oft-repeated composition going back to Rogier, here well-elaborated in Quentin's style.'
after Rogier van der Weyden
Date
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
first half 16th century (1500 - 1549)
Artistically related
Artistically related to other work
Such as a preparatory studie, comparable composition, other version, or copy of the artwork in this record.
Provenance
Exhibitions and literature
Documentation
Entered on: 2003-03-14; Last modification: 2015-12-21

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