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attributed to Søren Kiær after Gillis Coignet (I)

Sine Cerere et Baccho friget Venus (Terentius, Eunuch, 4:732)
Stockholm, , inv./cat.nr. NM385
created in
provenance
whereabouts
Object information
Object category
painting
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.

part of a series

The painting is identified as part of a series of seven paintings that according to an inventory from 1636 in the room of the queen dowager at Frederiksborg Palace in Denmark would have been. According to this inventory the painting is by Søren Kiaer. Three paintings from this series are preserved and are in the collection of the National Museum in Stockholm (Heiberg/Fritzboeger 1988, p. 75).
Support/medium
panel, oil paint
Shape/dimensions
rectangle (landscape format) 166 x 242 cm
Current attribution
attributed to Søren Kiær
based on an inventory of 1636 (Heiberg/Fritzboeger 1988, p. 75).
after Gillis Coignet (I)
Rejected attribution
free after Gillis Coignet (I)
In catalogue Nationalmuseum Stockholm 1990, p. 83, as a free copy after Gillis Coignet
attributed to Michiel van Mierevelt
Date
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
1609 - 1628
active
Created in
Denmark
Artistically related
Artistically related to other work
Such as a preparatory studie, comparable composition, other version, or copy of the artwork in this record.
  • based on
    Raphael Sadeler (I)
    Raphael Sadeler I after Gillis Coignet, engraving 199 x 246 mm, Venus, Bacchus and Ceres. See: Hollstein, Dutch and Flemish etchings, engravings and woodcuts, vol. 21, p. 248, no. 175 en vol. 22, p. 200, ill.

Provenance
Exhibitions and literature
Documentation
Entered on: 2005-09-16; Last modification: 2016-02-25

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