after Dieric Bouts

Maria als Mater Dolorosa (links), Christus als Man van Smarten (rechts), 16de eeuw
Drouot 1914-05-22, nr. 6
after <a class="recordlink artists" href="/explore/artists/11604" title="Dieric Bouts"><span class="text">Dieric Bouts</span></a>
Object information
Object category
Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.

interior of a diptych

panel, oil paint
rectangle (portrait format) 37 x 28 cm
Current attribution
after Dieric Bouts
Friedländer 1967-1976, dl. III, p. nr. 83d: 'Later, free replicas of both panels. Maybe identical with a version exhibited at the Galerie Charpentier, Paris 1952-1953, no. 94b.'
Rejected attribution
school of Rogier van der Weyden
zie bij veiling: Parijs 1914-05-22
Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.
16th century (1500 - 1599)
zie bij literatuur
Artistically related
Artistically related to other work
Such as a preparatory studie, comparable composition, other version, or copy of the artwork in this record.
  • after unknown original
    Dieric Bouts, Maria als Mater Dolorosa
    Friedländer 1967-1976, dl. III, p. 71, nr. 83: 'This pair were often done in Dieric's workshop.' De composities zijn alleen bekend in replieken en kopieën; zie voor een lijst van de nog bekende exemplaren: Corpus des Primitifs Flamands I: M. Davies, The National Gallery, London, dl. 3, Antwerpen 1954, p.34-36; H. Adhémar, Le Musée National du Louvre, dl. 5, Brussel 1961, p. 57-59; C. Eisler, New England Museums, dl. 4, Brussel 1962, p. 59-61; zie ook L. Campbell, cat. The fifteenth century Netherlandish schools, Londen (National Gallery) 1998, p. 63-66

Exhibitions and literature
Visual documentation
Entered on: 2005-09-27; Last modification: 2016-03-07


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