Johannes Vermeer

Illustration number 1001089196
Dimensions: 5333x4604 pixels
License under PUB DOM

Illustration number 0000210779
Dimensions: 2890x2515 pixels
License undetermined

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Object information

Object category: painting
Support/medium: canvas, oil paint
Shape/dimensions: rectangle (landscape format) 65 x 77 cm

Current attribution: Johannes Vermeer

Date Exact or approximate dating of the described art work; the search parameters adopted for this art work in this database, are found in brackets.: c. 1658-1660 (1658 - 1660)

c. 1658-1660 (Wheelock 1997); c. 1658-1659 (Liedtke 2008); c. 1659-1660 (Franits 2015)

Subject

Title Title of the art-work in Dutch: Drinkende vrouw met een man in een interieur
English title: The Glass of Wine
Genre: genre
Keywords: genre, interior view, standing (position), sitting, drinking, glass in the hand, chair, table, oriental tablecloth, bench, cushion, cittern, sheet music, jug (vessel), painting (depicted), tiled floor, window, leaded window
Iconclass code Iconclass codes and text contain specific scenes and names. An Iconclass code or notation is a code from the multi-lingual Iconclass system for subject retrieval. For more information about this system, see www.iconclass.nl.: 48C7324
cithern, mandolin, guitar, balalaika

Artistically related

Artistically related to other work Such as a preparatory studie, comparable composition, other version, or copy of the artwork in this record.

inspired by
Gerard ter Borch (II), Jonge man die een dame een glas wijn aanbiedt
Vermeer adopted the subject of a man offering a seated woman something to drink, globally the composition, the positioning of the man and woman in relation to each other, elements from the man's costume (mantle and hat on his head) and the use of full-length figures (as observed by A. Waiboer).
inspired by
Frans van Mieris (I), Man en vrouw met twee hondjes
The subject of a couple in an interior with a man courting a woman (in Vermeer's work he attemps to charm her with a drink, Van Mieris uses the lap dog) corresponds as well as the arrangement of the figures in relation to each other, elements of the costumes of both figures (man in a cloak and hat; woman with a head scarf and the use of reds) and a snare instrument that is left untouched (Naumann 1981, vol. 1, p. 61).
inspired by
Frans van Mieris (I), De oestermaaltijd
Corresponding are the subject of a couple in an interior with a man courting a woman with a drink to charm her, the arrangement of the figures in relation to each other, elements of the costumes of the figures (the man's cloak; the woman's coostume in red and white) and the white jug on the table (Naumann 1981, vol. 1, p. 61).
related to
Gerard ter Borch (II), Drinkend paar aan een tafel
Overeen komen het onderwerp van een man die net het glas van een vrouw heeft gevuld, dat door haar wordt leeggedronken, de lichaamshoudingen van de twee figuren, de wijze waarop de twee figuren tegen een kale of bijna kale wand afsteken en elementen uit hun kleding (zoals de hoed die de man nog op heeft en het hoofddoekje van de jonge vrouw' (Broos et al. 1995, p. 36).
inspired by
Pieter de Hooch, Interieur met een drinkende jonge vrouw, twee mannen en een dienstmeid
Correspondent are the subject of a man offering wine to a seated woman, the general composition, the interior with a table and windows on the left, and the use of full-length figures (Broos et al. 1995, p. 114).
used as model for
Gabriel Metsu, Man die zijn viool stemt en vrouw met bladmuziek
Metsu adopted the subject of an amorous couple, the general composition, the positioning of the figures, the use of full-length figures, elements of the costumes, such as the man's hat and the woman's red gown and bodice, as well as interior elements such as the window on the left, with light falling past a curtain, the painting in a gilded frame on the wall and the table covered by an Oriental carpet (Waiboer 2012, p. 77).
used as model for
Quiringh van Brekelenkam, Interieur met een wijndrinkende vrouw en een man
Brekelenkam repeated the subject of a couple drinking wine in an interior with a window on the left, with a table and a painting in the background. He also adopted the use of full-length figures and motifs such as the open window, the man holding a pitcher, and the seated woman holding a glass (as observed by E. Schavemaker).
used as model for
Cornelis de Man, Interieur met een geleerde in Japonsche rock
De Man adopted the wooden bench with a cushion onthe left, the motif of the opened window and the combination of an oriental carpet on the table, laid with opened and brightly illuminated books (as observed by E. Schavemaker).
used as model for
Cornelis de Man, Interieur met een spelende kat en een doorkijk naar een kamer waarin een dienstmeid de vloer bezemt
De Man adopted the chair carrying a musical instrument in the left foreground and the tiled floor (as observed by E. Schavemaker).
used as model for
Quiringh van Brekelenkam, Wijndrinkend elegant paar in een interieur
Brekelenkam possibly adopted the subject and the composition (as observed by E. Dullaart).

Provenance

Collection(s)

private collection John Hope, Amsterdam/Den Haag
1774 - 1784 zie Liedtke 2008
Private collection
erfgenamen van John Hope
- 1794 zie Liedtke 2008
private collection Henry Thomas Hope, London/Deepdene(estate)
1862 - zie Liedtke 2008
Private collection
Henrietta Adela; dochter van Henry Thomas Hope
private collection Francis Pelham-Clinton-Hope (8th Duke of Newcastle-under-Lyme), Clumber House (Worksop)
zoon van Henrietta Adela
- 1898 zie Liedtke 2008
art dealer Colnaghi, London/New York
Gemäldegalerie (Staatliche Museen zu Berlin), Berlin , inv./cat.nr 912c
1901 - zie Liedtke 2008

Auction(s)

, Delft (stad), 1736-07-18, lotnr. 16
Contributor: Jan van Loon

Exhibitions and literature

Exhibitions

Exposition Hollandaise (1921) Musée du Jeu de Paume , Paris , 1921-04 - 1921-05 , 105
Exhibition of Dutch art 1450-1900 Royal Academy of Arts , London (England) , 1929 - 1930 , 302
Vermeer tentoonstelling [Rotterdam, 1935] Museum Boymans , Rotterdam (city) , 1935 - 1936 , 81
Masterpieces of Art New York World's Fair , New York City , 1939-05 - 1939-10 , 398
Masterpieces of art from foreign collections : European paintings from the New York and San Francisco World Fairs Detroit Institute of Arts , Detroit (Michigan) , 1939-11-10 - 1939-12-10 , 19
Masterpieces of art from European and American collections : twenty-second loan exhibition of old masters Detroit Institute of Arts , Detroit (Michigan) , 1941-04-01 - 1941-05-31 , 19
Holländer des 17. Jahrhunderts Kunsthaus Zürich , Zürich (city) , 1953-11-04 - 1953-12-20 , 171
Mostra di pittura Olandese del seicento [Palazzo delle Esposizioni, Rome] Palazzo delle Esposizioni , Rome , 1954-01-04 - 1954-02-14 , 176, als 'La cuciniera'
In het licht van Vermeer Koninklijk Kabinet van Schilderijen Mauritshuis , The Hague (city) , 1966 , 2
Johannes Vermeer [Washington, 1995] Koninklijk Kabinet van Schilderijen Mauritshuis , The Hague (city) , 1996-03-01 - 1996-06-02 , 5
Vermeer and the Delft School Metropolitan Museum of Art , New York City , 2001-03-08 - 2001-05-27 , 69
Milkmaid by Vermeer and Dutch genre painting : masterworks form the Rijksmuseum Amsterdam Tokyo National Art Center , Tokyo , 2007-09-26 - 2007-12-17

Literature

Hofstede de Groot 1907-1925 , dl. 1, p. 603, nr. 37
Blankert 1975 , p. 143, nr. 8, met afb. in kleur
Blankert/Ruurs/van de Watering 1977 , p. 50-53, 143, nr. 8
Slatkes 1981 , p. 46-47
Wheelock 1981 (Vermeer) , p. 90-91
Sutton 1984 , nr. 116, afb. 106
Blankert 1987 , p. 100-102, nr. 8, afb. 7
Broos et al. 1995A , nr. 5
Gowing 1997 , p. 112, afb. 18-20
Wheelock 1997 , p. 26, nr. 10, met afb in kleur op p. 27
Liedtke 2000 , p. 150, 215-217
Liedtke et al. 2001 , p. 156-158, 376-379, nr. 70
Rüger 2001 , p. 59-60, nr. 49
Wright 2005 , p. 34, nr. 14, met afb. in kleur op p. 35
Liedtke 2008 , p. 80-83, 195, nr. 8, met afb. in kleur op p. 80

A. Blankert, Vermeer of Delft, Oxford 1978, nr. 8
D.R. Smith, Art Bulletin 69 (1987), p. 407-430, fig. 26
J.M. Nash, Vermeer, London 1991, p. 66, 68-70
E. Goodman, 'The landscape on the Wall in Vermeer', in: W.E. Franits, The Cambridge Companion to Vermeer, Cambridge, New York 2001, p. 75-76

Visual documentation

Visual documentation

Location image Location of the image in the visual documentation.

BD/Digital Collection (img.nr. 1001089196)
, Original location BD/RKD/0558 - ONS/Genre 2: General (img.nr. 0000210779)

Project: Connect Vermeer

Technical documentation

The RKD manages a collection of technical documentation that has been given to us by external researchers and museums or which stems from the RKD's own research with infrared reflectography. Documentation can be accessed by appointment at the RKD. While not all technical documentation has been entered in the database at present, new data is added on a regular basis.

2 hits in RKD technical, relating to:

Technical examination type

Research and restoration projects

scientific research Counting Vermeer: Using Weave Maps to Study Vermeer's Canvases, 2012 — 2017 1 hits
involved_persons: Richard C. Johnson Jr.; William A. Sethares; Walter Liedtke; Arthur Wheelock; Michiel Franken; Petria Noble; Sytske Weidema; Ige Verslype; Rob Erdmann

Permalink: https://rkd.nl/explore/images/242337

Creation date: 2014-01-23; Last modified date: 2022-07-05

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