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Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.
Depicted place
In the case of topographical representations, i.e. identified exteriors or interiors, the location depicted is noted in this field
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8 results, 1 - 8 shown , page 1 of 1
Rembrandt
The Polish rider, ca. 1655
New York City, The Frick Collection, inv./cat.nr. 1910.1.98
De Poolse Ruiter
Rembrandt
The blinding of Samson (Judges 16:21), 1636 gedateerd
Frankfurt am Main, Städel Museum, inv./cat.nr. 1383
De blindmaking van Simson (Richteren 16:21)
Rembrandt
Artist in his studio, ca. 1628
Boston (Massachusetts), Museum of Fine Arts Boston, inv./cat.nr. 38.1838
Schilder in zijn werkplaats
Rembrandt
Winter landscape, 1646 gedateerd
Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel), inv./cat.nr. GK 241
Winterlandschap
Rembrandt
Man in a fur lined coat, ca. 1655-1660
Toledo (Ohio), Toledo Museum of Art, inv./cat.nr. 1977.50
Heupstuk van een man met baret en met bontgevoerde tabberd
Rembrandt
Nocturnal landscape with the rest on the flight into Egypt, 1647 gedateerd
Dublin, National Gallery of Ireland, inv./cat.nr. NGI.215
Nachtlandschap met de rust op de vlucht naar Egypte
Anoniem c. 1640 or school of Rembrandt
View of London with Old St. Paul's, c. 1640
Vienna, Graphische Sammlung Albertina, inv./cat.nr. 8893
Gezicht van Londen met de oude kathedraal van St. Paul
studio of Rembrandt
View of London, c. 1640
Berlin, Kupferstichkabinett der Staatlichen Museen zu Berlin, inv./cat.nr. KdZ 1150
Gezicht op Londen
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