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  • Abbreviated literature is Winkler 1957


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Physical connection
Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.
Depicted place
In the case of topographical representations, i.e. identified exteriors or interiors, the location depicted is noted in this field
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10 results, 1 - 10 shown , page 1 of 1
The mill, ca. 1645-1648
Washington (D.C.), National Gallery of Art (Washington), inv./ 1942.9.62
De molen
manner of Rembrandt
Bust of Rembrandt, after 1630
Private collection
Buste van Rembrandt
follower of Rembrandt
Bust of a man wearing a gold chain, 17e eeuw
Leiden, Museum De Lakenhal, inv./ S 372
Borststuk van een man met een gouden ketting
attributed to Rembrandt or follower of Rembrandt
Evangelist writing, vroege jaren 1660
Boston (Massachusetts), Museum of Fine Arts Boston, inv./ 39.581
Schrijvende evangelist
follower of Rembrandt or attributed to Rembrandt
Figure of a woman, ca. 1656-1670
Frankfurt am Main, Städel Museum, inv./ LGBRD 4
Halffiguur van een vrouw ("Hendrickje Stoffels")
Portrait of Aletta Adriaensdr, 1639
Rotterdam, Museum Boijmans Van Beuningen, inv./ VdV 64
Portret van Aletta Adriaensdr
attributed to Rembrandt and studio of Rembrandt or studio of Rembrandt
Portrait of a woman, 1641 gedateerd
Amsterdam, Six Stichting
Portret van een vrouw
Self portrait in a flat cap, 1642 gedateerd
Great Britain, The Royal Collection, inv./ RCIN 404120
Zelfportret met platte baret
Rembrandt or studio of Rembrandt
Self portrait in fur with beret and golden chain, 1655 gedateerd
Vienna, Kunsthistorisches Museum, inv./ 9040
Zelfportret in bont, met baret en gouden ketting
attributed to Rembrandt
Half-length figure of a young man with a gorget and baret, ca. 1639
Florence, Galleria degli Uffizi, inv./ cat. 1890, no. 3890; cat. 1989, no. 69.233
Halffiguur van een jongeman met halsberg en baret
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