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Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.
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In the case of topographical representations, i.e. identified exteriors or interiors, the location depicted is noted in this field
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8 results, 1 - 8 shown , page 1 of 1
Anthony van Dyck
The resurrection of Christ, ca. 1630-1632
Hartford (Connecticut), The Wadsworth Atheneum Museum of Art, inv./cat.nr. 1964.1
De wederopstanding van Christus
Pieter Angellis
Groente- en vismarkt nabij een kade en een verdedigingsmuur, 1728 gedateerd
Finarte (Milaan) 1998-04-29, nr. 163
Groente- en vismarkt nabij een kade en een verdedigingsmuur
Anoniem na 1632 after Peter Paul Rubens
Hagar in the wilderness after her expulsion (Genesis 21: 9-19), na 1632
Scarsdale (New York), private collection Seena and Arnold Davis
Hagar vertwijfeld in de woestijn na haar verbanning (Genesis 21 :9-19)
Piet Mondriaan
Seated girl on a chair, ca. 1900
Scarsdale (New York), private collection mr. and mrs. Maxwell S. McKnight
Seated girl on a chair
circle of Anthony van Dyck
The adoration of the Shepherds, na 1630
Christie's (New York City) 2013-01-30 - 2013-01-31, nr. 230
De aanbidding der herders
after Peter Paul Rubens
Christ as the Man of Sorrows, na 1610
Scarsdale (New York), private collection Seena and Arnold Davis
Christus als de man van smarten
Piet Mondriaan
Head of an Achterhoek farm woman, ca. 1899
Christie's (London (England)) 2010-06-24, nr. 131
Head of an Achterhoek farm woman
Piet Mondriaan
Woman with closed eyes and landscape with figure, ca. 1899
Christie's (London (England)) 2010-06-24, nr. 131
Woman with closed eyes and landscape with figure
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