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Reference in ‘composite artworks’: artworks that are/were connected, such as alterpieces, decorative pieces incorporated in panelling, and works of art that were intended to be displayed together, such as pendants and series.
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In the case of topographical representations, i.e. identified exteriors or interiors, the location depicted is noted in this field
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8 results, 1 - 8 shown , page 1 of 1
Michael Sweerts
Portrait of Willem van der Borcht (1624-1664), ca. 1656
Rome, Gabinetto Nazionale delle Stampe
Portret van Willem van der Borcht (1624-1664)
Paulus Pontius (I) after Anthony van Dyck
Portrait of Daniel Mijtens I, ca. 1630-1645
The Hague, RKD – Nederlands Instituut voor Kunstgeschiedenis (Collectie Iconografisch Bureau)
Portret van Daniël Mijtens I
Paulus Pontius (I) and after Jan Cossiers
Allegory of Death, ca. 1640-1658
London (England), British Museum, inv./cat.nr. 1871,1209.556
Allegorie van de dood
Rembrandt
Peter and John healing the cripple at the gate of the temple, 1659 gedateerd
New York City, The Metropolitan Museum of Art (The Cloisters)
Petrus en Johannes genezen de lamme aan de poort van de tempel
after Margaretha van Godewijk
Portrait of Margaretha van Godewijk (1627-1677), ca. 1677
The Hague, RKD – Nederlands Instituut voor Kunstgeschiedenis (Collectie Iconografisch Bureau)
Portret van Margaretha van Godewijk (1627-1677)
Matthäus Merian (I)
An angel appears to the evangelist St. Matthew, 1627 gedateerd
The Hague, RKD – Netherlands Institute for Art History
Een engel verschijnt aan Matteüs de Evangelist
Wallerant Vaillant published by Josef Friedrich Leopold
Self portrait, ca. 1650-1660
Amsterdam, Rijksmuseum, inv./cat.nr. RP-P-1910-6817
Zelfportret
attributed to Abraham de Bruyn most likely after Balthasar Jenichen
William of Orange (1533-1584), ca. 1560-1570
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-OB-86.370
Willem van Oranje (1533-1584)
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