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Collection documentation
Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1600
1622
1644
1666
1688
1710
1732
372 results, 1 - 50 shown , page 1 of 8
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy
(Andreas Burmester) 1987-01
DI438_3a / Q1222, sample taken from grey blue sky
studio of Rembrandt free after Rembrandt 
The sacrifice of Abraham dated 1636, München, Alte Pinakothek,  inv./cat. no. 438
optical emission spectography
light microscopy
3 file(s)
light microscopy
(Hermann Kühn) 1963-06
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
light microscopy
2 file(s)
light microscopy
(Andreas Burmester) 1986 ‑ 1987
DI1318_1
Rembrandt 
The Holy Family c. 1634, München, Alte Pinakothek,  inv./cat. no. 1318
light microscopy
optical emission spectography
14 file(s)
optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1970 ‑ 1970-10-07
DI2719_01, belt, left of the buckle
DI2719_07, lower left leg
DI2719_06, lower brownish section of his garment
DI2719_08
Rembrandt 
Self portrait as the prodigal son c. 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1559
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1962-10
DI478_01
Rembrandt 
The anatomy lesson of doctor Joan Deyman dated 1656, Amsterdam, Amsterdam Museum,  inv./cat. no. SA 7394
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI614_2, left edge
Rembrandt 
Jacob wrestling with the angel c. 1659, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, optical emission spectography, staining tests
(Hermann Kühn) 1962
attributed to Rembrandt 
Old man with a red cap c. 1650, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 I
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI837_13, bottom right corner
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI837_13, bottom right corner
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
Flora skirt, paint sample of the skirt
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI838_2a, edge of the painting
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI838_2a, edge of the painting
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI839_6, edge of the painting
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI839_6, edge of the painting
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962-11 ‑ 1963
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1970
BStGS_x394_04, sample taken from the area at the lower left
Rembrandt 
The raising of the cross c. 1633, München, Alte Pinakothek,  inv./cat. no. 394
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_01, highlight of the shield of the one of the soldiers on the left
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_02, red drapery on the right shoulder of the figure in the lower centre
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_02, white from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_03, yellow from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-04
BStGS_x11427_04
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-04
BStGS_x11427_05, left shoulder
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_01, Christ's garment
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_02, right wing of the angel left to the centre
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_03, right wing of the angel right to the centre
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1962
BStGS_x398_04, right wing of the angel right to the centre
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, staining tests, light microscopy, optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
BStGS_x393_01, cuff of left arm
Rembrandt 
The adoration of the shepherds dated 1646, München, Alte Pinakothek,  inv./cat. no. 393
micro-chemical or wet chemical tests
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, staining tests, light microscopy, optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
BStGS_x393_02, taken from the oil lamp
Rembrandt 
The adoration of the shepherds dated 1646, München, Alte Pinakothek,  inv./cat. no. 393
micro-chemical or wet chemical tests
optical emission spectography
1 file(s)
optical emission spectography, staining tests, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Hermann Kühn) 1963
BStGS_x6471_01, white garment located on right shoulder
Rembrandt 
Christ resurrected dated 1661, München, Alte Pinakothek,  inv./cat. no. 6471
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Hermann Kühn) 1963
BStGS_x6471_02, strap of garment
Rembrandt 
Christ resurrected dated 1661, München, Alte Pinakothek,  inv./cat. no. 6471
optical emission spectography
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
optical emission spectography
1 file(s)
optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
DI845_1, collar
circle of Rembrandt 
Rembrandt as a young Man c. 1630-1635, New York City, The Metropolitan Museum of Art,  inv./cat. no. 53.18
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1962-11 ‑ 1963
DI847_1
Rembrandt 
Portrait of a man holding gloves dated 16[4]8, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.620
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_2, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, micro-chemical or wet chemical tests, staining tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_3, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_4, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963-06
DI849_1
follower of Rembrandt possibly Abraham van Dijck 
Old woman cutting her nails 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.609
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_1, garment
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
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