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Documentation type
Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1330
1431
1532
1633
1734
1835
1936
546 results, 1 - 50 shown , page 1 of 11
light microscopy
1 file(s)
light microscopy
(Petria Noble) 2002-07
MH0147_x15, lower left edge, red brown undermodelling left exposed
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
1 file(s)
light microscopy
(Petria Noble) 1998-10-14
MH0598_x05, grey background, top edge, non-blanched, uncleaned area, with B72 removed
Rembrandt 
Laughing man c. 1629/1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 598
light microscopy
light microscopy
1 file(s)
light microscopy
(Petria Noble) 1998-10-14
MH0598_x06, grey background, blanched area, with B72 removed
Rembrandt 
Laughing man c. 1629/1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 598
light microscopy
light microscopy
1 file(s)
light microscopy, SEM-XRF
(Karin Groen) 1980-06
RCE4716, to left of proper right shoulder
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
1 file(s)
light microscopy, micro-chemical or wet chemical tests
(Karin Groen) 1980-06
ZJ1, upper left corner
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a woman dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.4
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04
MMA_ZR7, leaves top right of Flora's hat
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04
MMA_ZR9, below neck area in bodice
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-07
RCE4687, in hands (proper left hand at pinkie)
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
1 file(s)
light microscopy, XRD
(Karin Groen) 1980-07
MMA_YI10, in beard
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
1 file(s)
light microscopy, micro-chemical or wet chemical tests
(Karin Groen) 1980-06
MMA_ZM1, lower right of painting on table
Rembrandt 
Portrait of a young woman with a fan dated 1633, New York City, The Metropolitan Museum of Art,  inv./cat. no. 43.125
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-07-14
MMA_ManinOrientalCostume_XF5, in proper right hand at lower left
Rembrandt 
Man in oriental costume dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 20.155.2
light microscopy
XRD
1 file(s)
XRD
(Karin Groen) 1980-07
Rembrandt 
Man in oriental costume dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 20.155.2
XRD
light microscopy
1 file(s)
light microscopy
(Jørgen Wadum) 2001-09
MH0707_x02, brown background Andromeda
Rembrandt 
Andromeda c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 707
light microscopy
light microscopy
1 file(s)
light microscopy
(Jørgen Wadum) 2001-09-28
MH0707_x04, overpaint feet, foreground
Rembrandt 
Andromeda c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 707
light microscopy
light microscopy
1 file(s)
light microscopy
(Andreas Burmester) 1986-12-19
DI438_2 / Q1221, left wing, at the upper edge
studio of Rembrandt free after Rembrandt 
The sacrifice of Abraham dated 1636, München, Alte Pinakothek,  inv./cat. no. 438
light microscopy
light microscopy
1 file(s)
light microscopy, SEM-EDX
(Karin Groen) 1999
RCE4504, khaki brown area just below the left hand, close to the edge of the composition (see sample map)
Rembrandt 
Portrait of an elderly man dated 1667, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 1118
light microscopy
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1994-05-04
A 387/2
Dieric Bouts 
Christus Salvator Mundi c. 1464, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2442
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1980-07-31
A 164/2
manner of Jan van Scorel 
De kruisdraging, Haarlem, Frans Halsmuseum,  inv./cat. no. OS2006-4
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1980-07-31
A 164/3
manner of Jan van Scorel 
De kruisdraging, Haarlem, Frans Halsmuseum,  inv./cat. no. OS2006-4
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1980-07-31
A 164/4
manner of Jan van Scorel 
De kruisdraging, Haarlem, Frans Halsmuseum,  inv./cat. no. OS2006-4
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1980-07-31
A 164/5
manner of Jan van Scorel 
De kruisdraging, Haarlem, Frans Halsmuseum,  inv./cat. no. OS2006-4
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1980-07-31
A 164/6
manner of Jan van Scorel 
De kruisdraging, Haarlem, Frans Halsmuseum,  inv./cat. no. OS2006-4
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Taco Dibbits) 1990-02-20
A 299/2
Gerard David 
Maria met kind, zittend in een landschap c. 1510-1515, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2446
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Taco Dibbits) 1990-02-20
A 299/3
Gerard David 
Maria met kind, zittend in een landschap c. 1510-1515, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2446
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Taco Dibbits) 1990-02-20
A 299/4
Gerard David 
Maria met kind, zittend in een landschap c. 1510-1515, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2446
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Taco Dibbits) 1990-02-20
A 299/5
Gerard David 
Maria met kind, zittend in een landschap c. 1510-1515, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2446
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Taco Dibbits) 1990-02-20
A 299/6
Gerard David 
Maria met kind, zittend in een landschap c. 1510-1515, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2446
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Julien Chapuis) 1988-12-14
A 276/1 (Magdalena)
A 276/2 (Magdalena)
A 277/1 (Johannes)
A 277/2 (Johannes)
A 277/3 (Johannes)
Stefan Lochner 
Saint Mary Magdalene; Saint John the Evangelist 2e half 1440s, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2458 (Johannes); 2459 (Magdalena)
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Julien Chapuis) 1989-01-25
A 280/2
A 280/3
A 280/4
A 280/5
Albrecht Dürer 
The Holy Family 1509 (dated), Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2447
sample analysis
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/2, The sample was taken from the upper left corner of the painted border (see sample map). At the time three of these borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/3, The sample was taken from canvas in the upper left, ca. 10 from the the upper left corner (see sample map). At the time three of the painted borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/4, upper right, ca. 2 cm from the top
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/5, The sample was taken from the painted border at the lower right (see sample map). At the time three of the painted borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/6, The sample was taken from the bottom edge, 17 from the lower right corner (see sample map). At the time three of the painted borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/8, The sample was taken from the left edge, 20 cm from the lower left corner (see sample map). At the time three of the painted borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/9, The sample was taken from the painted border, 14 cm from the upper left corner (see sample map). At the time three of the painted borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1994-05-04
A 387/1
Dieric Bouts 
Christus Salvator Mundi c. 1464, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2442
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1980-07-31
A 164/1
manner of Jan van Scorel 
De kruisdraging, Haarlem, Frans Halsmuseum,  inv./cat. no. OS2006-4
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer, Taco Dibbits) 1990-02-20
A 299/1
Gerard David 
Maria met kind, zittend in een landschap c. 1510-1515, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2446
sample analysis
light microscopy
1 file(s)
light microscopy
(Matthijs de Keijzer, Jaap A. Mosk) 1981-11
1208/1, The sample was taken from the painted border on the right, ca. 10 cm from top (see sample map). At the time three of these borders were folded to the sides of the painting. In 2005 the dark borders were unfolded and brought to the front of the painting.
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-07-26 ‑ 1993-08-13
A367/1
Piet Mondriaan 
Compositie no. 3 dated 1917, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 31-1949 / 0338297
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-07-26 ‑ 1993-08-13
A368/1-2
Piet Mondriaan 
Composition with grid 3: lozenge composition dated 1918, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. Sch-1956-0078 / 0333267
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-07-26 ‑ 1993-09-15
A369/1
Piet Mondriaan 
Composition with grid 9: checkerboard composition with light colors dated 1919, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 167-1971 / 0334327
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-04-26 ‑ 1993-04-28
A363/1-3
Piet Mondriaan 
Composition with large red plane, yellow, black, gray and blue dated 1921, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 0333329 / sch-1957-0071
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-04-26 ‑ 1993-07-05
A364/1-5
Piet Mondriaan 
Composition with red, black, yellow, blue and grey dated 1921, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 0333163 / sch-1955-0022
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-04-26 ‑ 1994-01-03
A362/1-10
Piet Mondriaan 
Compositie met rood, blauw, zwart, geel en grijs dated 1921, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 0334328 / sch-1971-0170
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-03-15 ‑ 1993-07-06
A359/1-13
Piet Mondriaan 
Tableau I dated 1921, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 0334327 / sch-1971-0169
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer) 1993-07-26 ‑ 1993-09-20
A370/1-2
Piet Mondriaan 
Lozenge composition with four yellow lines dated 1933, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. 20-1933
sample analysis
sample analysis
0 file(s)
sample analysis
(Eugène Langendijk, J.R.J. van Asperen de Boer) 1985-10-09 ‑ 1985-10-29
246/1 - 246/6
Piet Mondriaan 
Composion no. I dated 1929, Kyoto, The National Museum of Modern Art (Kyoto)
sample analysis
sample analysis
0 file(s)
sample analysis
(Eugène Langendijk, J.R.J. van Asperen de Boer) 1985-09-04 ‑ 1993-09-17
A244/1
Piet Mondriaan 
Composition with blue, yellow, red, black, and gray dated 1922, Amsterdam, Stedelijk Museum Amsterdam,  inv./cat. no. no. A 1996
sample analysis
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