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Type of wood
Filter dendrochronological data by type of wood, such as ´oak (Poland/Baltic states)’. Types of wood to select from appear upon starting to type the first letters of the word.
Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1570
1592
1614
1636
1658
1680
1702
Collection location artwork
218 results, 1 - 50 shown , page 1 of 5
light microscopy
1 file(s)
light microscopy, GCMS
(Manfred Koller) 1992
Rembrandt 
Woman at an open half door 1654/1657, , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
infrared reflectography
3 file(s)
infrared reflectography
(Micha Leeflang, Margreet Wolters) 2013-02-15
Rembrandt 
The baptism of the Eunuch dated 1626, , Museum Catharijneconvent,  inv./cat. no. ABM s380
infrared reflectography
not specified
1 file(s)
not specified, x-radiography, sample analysis
1942-05 ‑ 1969-01
Rembrandt 
Self portrait dated 1659, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
not specified
sample analysis
0 file(s)
sample analysis
(Hermann Kühn) 1963-06
Rembrandt 
Self portrait dated 1659, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
sample analysis
sample analysis
0 file(s)
sample analysis
(Karin Groen) 2000-10
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
sample analysis
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2000-05
R1111, loss in lower part of knee: overpaint covering peach-colored original paint
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1992-11
R645, black coat, lower edge of the painting
Rembrandt 
Self portrait dated 1659, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
light microscopy
XRF
21 file(s)
XRF
(Lisha Deming Glinsman) 2012-10
Rembrandt 
Self portrait dated 1659, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
XRF
not specified
1 file(s)
not specified

Rembrandt 
Winter landscape dated 1646, , Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 241
not specified
not specified
1 file(s)
not specified
1930 ‑ 2006
Rembrandt or studio of Rembrandt 
Self portrait with helmet 1634, , Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 237
not specified
infrared reflectography
3 file(s)
infrared reflectography
(Micha Leeflang, Margreet Wolters) 2013-10-21
circle of Rembrandt 
Lot and his daughters c. 1635-1640, , Museum Catharijneconvent,  inv./cat. no. RMCC s132
infrared reflectography
infrared reflectography
6 file(s)
infrared reflectography
(Micha Leeflang, Margreet Wolters) 2013-10-21
studio of Rembrandt or circle of Rembrandt 
Bathsheba receives Davids letter c. 1645, , Museum Catharijneconvent,  inv./cat. no. RMCC s172
infrared reflectography
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1106, orange repaint (?) under signature, front of lectern: damage above "f"
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1107, lower right quadrant of false "archway" at upper left background
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1108, gray-green streaked paint, proper right shoulder
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1109, background near lower right corner of false "archway" at upper left background
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1110, sketchy paint in shadowy area beside knee, lower right
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1112, sword blade near hilt
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1129, soft dull orange streak on shoulder over greenish and blackish lower paint layers
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
3 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2001-05
R1131, reworked shadow area immediately to right of chair and above manuscript
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
not specified
1 file(s)
not specified

attributed to Rembrandt or follower of Rembrandt 
Bust of an old man wearing a golden chain c. 1632, , Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 233
not specified
light microscopy
1 file(s)
light microscopy
(Melanie Gifford) 1999-05 ‑ 2000-05
Rembrandt and studio of Rembrandt 
The Apostle Paul c. 1657, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.59
light microscopy
light microscopy
1 file(s)
light microscopy
(Melanie Gifford) 1992-11
Rembrandt 
Self portrait dated 1659, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
light microscopy
light microscopy
1 file(s)
light microscopy
(Achim Unger, Rathgen-Forschungslabor (Staatliche Museen zu Berlin)) 1992-09-09 ‑ 1992-10-15
Rembrandt 
Woman at an open half door 1654/1657, , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
light microscopy
1 file(s)
light microscopy
(Achim Unger, Rathgen-Forschungslabor (Staatliche Museen zu Berlin)) 1992-09-09 ‑ 1992-10-15
Rembrandt 
Woman at an open half door 1654/1657, , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
light microscopy
1 file(s)
light microscopy
(Achim Unger, Rathgen-Forschungslabor (Staatliche Museen zu Berlin)) 1992-09-09 ‑ 1992-10-15
Rembrandt 
Woman at an open half door 1654/1657, , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
light microscopy
1 file(s)
light microscopy
(Achim Unger, Rathgen-Forschungslabor (Staatliche Museen zu Berlin)) 1992-09-09 ‑ 1992-10-15
Rembrandt 
Woman at an open half door 1654/1657, , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
light microscopy
1 file(s)
light microscopy
(Achim Unger, Rathgen-Forschungslabor (Staatliche Museen zu Berlin)) 1992-09-09 ‑ 1992-10-15
Rembrandt 
Woman at an open half door 1654/1657, , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
not specified
1 file(s)
not specified

studio of Rembrandt possibly Carel Fabritius 
Girl with a broom 1646-1651, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.74
not specified
not specified
1 file(s)
not specified

studio of Rembrandt 
Portrait of Rembrandt 1650s, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.70
not specified
not specified
1 file(s)
not specified

follower of Rembrandt 
Study of an old man probably late 17th century, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.63 (659)
not specified
not specified
1 file(s)
not specified

studio of Rembrandt possibly Willem Drost 
Half length figure of a bearded man, traditionally known as The Philosopher c. 1653, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.66 (662)
not specified
not specified
1 file(s)
not specified

studio of Rembrandt 
Joseph accused by Potiphar's wife dated 1655, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.79
not specified
not specified
1 file(s)
not specified

studio of Rembrandt or follower of Rembrandt 
Head of an old man c. 1661 or later, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.58
not specified
not specified
1 file(s)
not specified

Rembrandt or follower of Rembrandt 
Lucretia dated 1664, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.76
not specified
not specified
1 file(s)
not specified

Rembrandt or studio of Rembrandt 
The circumcision dated 1661, , National Gallery of Art (Washington),  inv./cat. no. 1942.9.60
not specified
not specified
1 file(s)
not specified

Rembrandt 
Portrait of a young man seated at a table c. 1660, , National Gallery of Art (Washington),  inv./cat. no. 1937.1.77
not specified
ultraviolet light studies
1 file(s)
ultraviolet light studies
(Kurt Wehlte) 1962
studio of Rembrandt 
'Self portrait' of Rembrandt with a red beret c. 1660, , Staatsgalerie Stuttgart,  inv./cat. no. 2614
ultraviolet light studies
x-radiography
6 file(s)
x-radiography
(Paul Coremans) 1962
studio of Rembrandt 
'Self portrait' of Rembrandt with a red beret c. 1660, , Staatsgalerie Stuttgart,  inv./cat. no. 2614
x-radiography
x-radiography
1 file(s)
x-radiography, sample analysis, ultraviolet light studies, infrared examination, light microscopy
(Kurt Wehlte, Paul Coremans, Christian Wolters) 1962-10-26 ‑ 1962-10-29
studio of Rembrandt 
'Self portrait' of Rembrandt with a red beret c. 1660, , Staatsgalerie Stuttgart,  inv./cat. no. 2614
x-radiography
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4991
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4991
RCE4992
RCE4993
RCE4994
RCE4990
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4992
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4993
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4994
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4990
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE5108
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE5108
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4995, Left-hand edge, over the edge, area where the green clothing of the furthermost moor can be seen in the copy (where it is light) and where, in the original, light drawing can be seen.
RCE4996, left-hand edge, over the edge, area where the green clothing of the furthermost moor can be seen in the copy (where it is light) and where, in the original, light drawing can be seen
RCE4997, left-hand edge, 1.5 cm further over the edge, area where the green clothing of the furthermost moor can be seen in the copy (where it is light) and where, in the original, light drawing can be seen
RCE4998, left-hand edge area where the green clothing of the furthermost moor can be seen in the copy (where it is light) and where, in the original, light drawing can be seen
RCE4999, left-hand edge area where the green clothing of the furthermost moor can be seen in the copy (where it is light) and where, in the original, light drawing can be seen
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-03 ‑ 2002-09-09
RCE4995, Left-hand edge, over the edge, area where the green clothing of the furthermost moor can be seen in the copy (where it is light) and where, in the original, light drawing can be seen.
Rembrandt 
Samson threatening his father in law dated 163(5), , Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 802
light microscopy
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