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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1270
1382
1494
1606
1718
1830
1942
474 results, 1 - 50 shown , page 1 of 10
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0 file(s)
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manner of Jan van Scorel or attributed to Jan Swart van Groningen 
The Queen of Sheba comes before Solomon with a large following bringing numerous gifts (1 Kings 10:1-2 ; 2 Chronicles 9:1-2) second kwart 16th century, Amsterdam, Rijksmuseum,  inv./cat. no. SK-A-669
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0 file(s)
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Jan Swart van Groningen 
De wonderbare vermenigvuldiging van de broden en vissen c. 1530-1540, Groningen (town), Groninger Museum,  inv./cat. no. 1957-213
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0 file(s)
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Hendrick ter Brugghen 
De roeping van Mattheus dated 1621, Utrecht, Centraal Museum,  inv./cat. no. 5088
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0 file(s)
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Hendrick ter Brugghen 
Sleeping Mars 1629 (?) (dated), Utrecht, Centraal Museum,  inv./cat. no. 5460
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0 file(s)
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Hendrick ter Brugghen 
The parable of the rich man and poor Lazarus 1625 (dated), Utrecht, Centraal Museum,  inv./cat. no. 1151
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0 file(s)
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Hendrick ter Brugghen 
De vrolijke drinker, Utrecht, Centraal Museum,  inv./cat. no. 11480
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0 file(s)
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attributed to Meester van de Aanbidding te Lille 
De aanbidding van de herders (links), de aanbidding van de Wijzen (midden), de rust op de vlucht naar Egypte (rechts) c. 1520, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1959
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0 file(s)
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Rogier van der Weyden and studio of Rogier van der Weyden 
The descent from the Cross second half 1450s of first half 1460s, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 264
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0 file(s)
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Dirck van Baburen 
Singing lute player 1622 (dated), Utrecht, Centraal Museum,  inv./cat. no. 11481
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0 file(s)
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after Abraham Bloemaert 
The devil sowing tares among the wheat (Matt. 13:24-30), Utrecht, Centraal Museum,  inv./cat. no. 9575
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0 file(s)
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Abraham Bloemaert 
Adoration of the shepherds c. 1615, Utrecht, Centraal Museum,  inv./cat. no. 14281
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0 file(s)
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Abraham Bloemaert 
The flute player 1621 (dated), Utrecht, Centraal Museum,  inv./cat. no. 6083b
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0 file(s)
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Abraham Bloemaert 
Head of an elderly man 1647 (dated), Utrecht, Centraal Museum,  inv./cat. no. 7369
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0 file(s)
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Abraham Bloemaert 
De boerin 1632 (dated), Utrecht, Centraal Museum,  inv./cat. no. 11222
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0 file(s)
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Abraham Bloemaert 
Farm landscape with Tobias and the angel 1610-1620, Utrecht, Centraal Museum,  inv./cat. no. 21031
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0 file(s)
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Abraham Bloemaert 
Mercury lulls Argus into sleep by making music (Ovid, Met. I:668-720) c. 1592-1596, Utrecht, Centraal Museum,  inv./cat. no. 22657
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0 file(s)
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after Jheronimus Bosch 
De bruiloft te Kana (Johannes 2:1-11) c. 1561 of later, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. St. 25
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0 file(s)
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Jan van Coninxloo (II) 
Drieluik met Johannes de Doper en de Farizeeën (middenpaneel); de prediking van Johannes de Doper (binnenzijde linkerluik); Johannes doopt Christus in de Jordaan (binnenzijde rechterluik); Johannes de Doper (buitenzijde linkerluik); Berbel van der Noot en de H. Barbara (buitenzijde rechterluik) 1557, Amsterdam, Rijksmuseum,  inv./cat. no. SK-A-2587
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0 file(s)
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Lucas Cranach (I) or studio of Lucas Cranach (I) 
Venus en Amor 1533 (dated), Maastricht, Bonnefantenmuseum,  inv./cat. no. 3596
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0 file(s)
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Meester van de Aanbidding te Antwerpen 
De H. Familie, Delft, Stedelijk Museum Het Prinsenhof
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0 file(s)
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manner of Joos van Cleve or attributed to Cornelis van Cleve free after Gerard David 
Maria met kind, papvoerend uit een tinnen bakje c. 1520-1530, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1504
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0 file(s)
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Pieter Saenredam 
Het transept van de Mariakerk in Utrecht, gezien vanuit het noordoosten 1637, Amsterdam, Rijksmuseum,  inv./cat. no. A 858
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0 file(s)
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Pieter Saenredam 
Het middenschip en koor van de Mariakerk in Utrecht, gezien vanuit het westen 1647, Amsterdam, Rijksmuseum,  inv./cat. no. A 851
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0 file(s)
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Pieter Saenredam 
The old town hall at Dam Square in Amsterdam 1657 (dated), Amsterdam, Rijksmuseum,  inv./cat. no. SK-C-1409
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0 file(s)
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attributed to Pieter Soutman 
Officers and non-commissioned officers of the Kloveniersdoelen, Haarlem dated 1642, Haarlem, Frans Halsmuseum,  inv./cat. no. OSI-313
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0 file(s)
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Isaac Claesz. van Swanenburg 
Self-portrait of Isaac Claesz. van Swanenburg (1537-1614) 1568 (dated), Leiden, Stedelijk Museum De Lakenhal,  inv./cat. no. S 1738
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light microscopy
3 file(s)
light microscopy
(Hermann Kühn) 1963-06
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
optical emission spectography
14 file(s)
optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1970 ‑ 1970-10-07
DI2719_01, belt, left of the buckle
DI2719_07, lower left leg
DI2719_06, lower brownish section of his garment
DI2719_08
Rembrandt 
Self portrait as the prodigal son c. 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1559
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1962-10
DI478_01
Rembrandt 
The anatomy lesson of doctor Joan Deyman dated 1656, Amsterdam, Amsterdam Museum,  inv./cat. no. SA 7394
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI614_2, left edge
Rembrandt 
Jacob wrestling with the angel c. 1659, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, optical emission spectography, staining tests
(Hermann Kühn) 1962
attributed to Rembrandt 
Old man with a red cap c. 1650, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 I
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI837_13, bottom right corner
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI837_13, bottom right corner
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
Flora skirt, paint sample of the skirt
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI838_2a, edge of the painting
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI838_2a, edge of the painting
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI839_6, edge of the painting
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI839_6, edge of the painting
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962-11 ‑ 1963
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_01, highlight of the shield of the one of the soldiers on the left
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_02, red drapery on the right shoulder of the figure in the lower centre
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_02, white from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_03, yellow from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-04
BStGS_x11427_04
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
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