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Date artwork
      
 
 
 
 
 
 
1330
1399
1468
1537
1606
1675
1744
1776 results, 1 - 50 shown , page 1 of 36
X-radiography
0 file(s)
X-radiography, sample analysis, light microscopy, optical emission spectography, stereomicroscopy, ultraviolet light studies, sample analysis
(Caroline van der Elst) 1998 ‑ 1998-12-04
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
X-radiography
SEM-EDX
0 file(s)
SEM-EDX, normal light studies, stereomicroscopy, light microscopy
(Petria Noble, Caroline van der Elst, Karin Groen, Nicola Costaras-Newman) 1995 ‑ 2004
Rembrandt 
Laughing man c. 1629/1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 598
SEM-EDX
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI851_1, sample taken from the bands; see also the photo in the report indicating the location where the sample was taken
Rembrandt 
Portrait of Nicolaes Ruts dated 1631, New York City, The Frick Collection,  inv./cat. no. 1943.1.150
optical emission spectography
normal light studies
1 file(s)
normal light studies, stereomicroscopy, infrared reflectography, X-radiography, ultraviolet light studies, XRD, optical emission spectography, light microscopy
(Carol Pottasch, Caroline van der Elst) 1998
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
normal light studies
light microscopy
0 file(s)
light microscopy, SEM-EDX, normal light studies, stereomicroscopy
(Elmer Kolfin, Petria Noble, Caroline van der Elst, Carol Pottasch) 1998-12-01 ‑ 2000-01-17
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
normal light studies
0 file(s)
normal light studies, light microscopy, SEM-EDX
(Jørgen Wadum, Elmer Kolfin, Petria Noble) 1999 ‑ 2000
Rembrandt 
Portrait of an elderly man dated 1667, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 1118
normal light studies
light microscopy
0 file(s)
light microscopy, SEM-EDX, infrared reflectography, normal light studies
(Jørgen Wadum, Caroline van der Elst, Petria Noble, Elmer Kolfin) 1998 ‑ 2000
after Rembrandt or possibly Rembrandt 
Self portrait with gorget c. 1629, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 148
light microscopy
X-radiography
0 file(s)
X-radiography, infrared photography, normal light studies, light microscopy, micro-chemical or wet chemical tests
1968 ‑ 1978
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
X-radiography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI837_13, bottom right corner
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
Flora skirt, paint sample of the skirt
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI838_2a, edge of the painting
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI838_2a, edge of the painting
Rembrandt 
Flora probably c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.10
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI839_6, edge of the painting
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI839_6, edge of the painting
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962-11 ‑ 1963
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
0 file(s)
light microscopy, SEM-EDX
(Caroline van der Elst, Karin Groen, Petria Noble) 1998-01-23 ‑ 1999-03-09
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1970
BStGS_x394_02
Rembrandt 
The raising of the cross c. 1633, München, Alte Pinakothek,  inv./cat. no. 394
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1970
BStGS_x394_03
Rembrandt 
The raising of the cross c. 1633, München, Alte Pinakothek,  inv./cat. no. 394
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1970
BStGS_x394_04, sample taken from the area at the lower left
Rembrandt 
The raising of the cross c. 1633, München, Alte Pinakothek,  inv./cat. no. 394
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_01, highlight of the shield of the one of the soldiers on the left
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_02, red drapery on the right shoulder of the figure in the lower centre
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_02, white from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_03, yellow from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-04
BStGS_x11427_04
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-04
BStGS_x11427_05, left shoulder
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_01, Christ's garment
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_02, right wing of the angel left to the centre
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_03, right wing of the angel right to the centre
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1962
BStGS_x398_04, right wing of the angel right to the centre
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, staining tests, light microscopy, optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
BStGS_x393_01, cuff of left arm
Rembrandt 
The adoration of the shepherds dated 1646, München, Alte Pinakothek,  inv./cat. no. 393
micro-chemical or wet chemical tests
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, staining tests, light microscopy, optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
BStGS_x393_02, taken from the oil lamp
Rembrandt 
The adoration of the shepherds dated 1646, München, Alte Pinakothek,  inv./cat. no. 393
micro-chemical or wet chemical tests
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1962-11 ‑ 1963
DI847_1
Rembrandt 
Portrait of a man holding gloves dated 16[4]8, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.620
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_2, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, micro-chemical or wet chemical tests, staining tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_3, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_4, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963-06
DI849_1
follower of Rembrandt possibly Abraham van Dijck 
Old woman cutting her nails 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.609
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_1, garment
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
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