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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1270
1382
1494
1606
1718
1830
1942
399 results, 1 - 50 shown , page 1 of 8
sample analysis
1 file(s)
sample analysis
2003-10-30
Snit6-1962 = KD13
239 A
Rembrandt 
Bust of an old man c. 1630, Copenhagen, SMK - National Gallery of Denmark,  inv./cat. no. KMS1636
sample analysis
normal light studies
1 file(s)
normal light studies, ultraviolet light studies, sample analysis
(Steen Bjarnhof) 1962-05-06
Snit6-1962 = KD13
Rembrandt 
Bust of an old man c. 1630, Copenhagen, SMK - National Gallery of Denmark,  inv./cat. no. KMS1636
normal light studies
sample analysis
1 file(s)
sample analysis

attributed to Rembrandt 
Man with plumed beret c. 1659-1661, Copenhagen, SMK - National Gallery of Denmark,  inv./cat. no. KMS1384
sample analysis
sample analysis
1 file(s)
sample analysis
(Karin Groen) 1980-07
circle of Rembrandt or attributed to Rembrandt 
A man holding a manuscript c. 1658, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.624
sample analysis
sample analysis
1 file(s)
sample analysis
(Karin Groen) 1980 ‑ 1999
follower of Rembrandt 
Head of Christ 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 17.120.222
sample analysis
sample analysis
1 file(s)
sample analysis
(Karin Groen) 1980-06
Rembrandt 
Portrait of a young woman with a fan dated 1633, New York City, The Metropolitan Museum of Art,  inv./cat. no. 43.125
sample analysis
normal light studies
2 file(s)
normal light studies, sample analysis
(Annetje Boersma, Johanneke Verhave) 2009
Rembrandt or follower of Rembrandt or possibly Barent Fabritius 
Tobit and Anna awaiting the return of their son 1659, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. VdV 65
normal light studies
normal light studies
1 file(s)
normal light studies, X-radiography, infrared reflectography, sample analysis
(Annetje Boersma) 2009
Rembrandt or follower of Rembrandt or possibly Barent Fabritius 
Tobit and Anna awaiting the return of their son 1659, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. VdV 65
normal light studies
normal light studies
1 file(s)
normal light studies, infrared photography, sample analysis
(Annetje Boersma) 2010
Rembrandt or follower of Rembrandt or possibly Barent Fabritius 
Tobit and Anna awaiting the return of their son 1659, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. VdV 65
normal light studies
normal light studies
2 file(s)
normal light studies, sample analysis, infrared photography
2010 ‑ 2011
Rembrandt or follower of Rembrandt or possibly Barent Fabritius 
Tobit and Anna awaiting the return of their son 1659, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. VdV 65
normal light studies
normal light studies
1 file(s)
normal light studies, X-radiography, sample analysis
(Annetje Boersma, Jeroen Giltaij) 2005-11-09
attributed to Rembrandt or studio of Rembrandt 
Man with red baret early 1660s, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2113 (OK)
normal light studies
normal light studies
1 file(s)
normal light studies, sample analysis
(Annetje Boersma) 2007-11
attributed to Rembrandt or studio of Rembrandt 
Man with red baret early 1660s, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2113 (OK)
normal light studies
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn1, see the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn2, right edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn3, right edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn4, lower edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn5, left edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn6, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
0 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn7, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn1, see the sample map for the sample locations
GGBMinerva_x_HermannKuhn2, right edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn3, right edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn4, lower edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn5, left edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn6, upper edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn7, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A89/1-29
Anoniem  
The Entry into Jerusalem, The Arrest of Christ (interior left wing); The Carrying of the Cross, The Crucifixion, The Lamentation, The Annunciation, The Visitation, The Birth, The Adoration of the Magi, The Flight into Egypt, The Holy Family (centre); The Resurrection, The Ascension (interior right wing); The Agony in the Garden (interior left upper wing); The Deposition (interior right upper wing) c. 1510-1520, Den Bosch, Sint-Jan ('s-Hertogenbosch)
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A206/1-8
Meester van het Johannes-Altaar 
Zacharias verlaat met stomheid geslagen de tempel. In de achtergrond: de verkondiging aan Zacharias (links) en de geboorte van Johannes de Doper (rechts); De vlucht van Elisabeth met haar zoon. In de achtergrond: de moord op Zacharias (links) en de kindermoord te Bethlehem (rechts) (oorspronkelijk elkaars keerzijden) c. 1500-1510, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2117, 2118
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A310/1-2
Abraham Bloemaert 
The flute player 1621 (dated), Utrecht, Centraal Museum,  inv./cat. no. 6083b
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A313/1-3
studio of Domenico Ghirlandaio 
Madonna with child c. 1490, Maastricht, Bonnefantenmuseum,  inv./cat. no. 3427
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A315/1-6
Joachim Patinir or studio of Joachim Patinir 
Panoramisch landschap met grazende ezel (fragment van een Rust op de vlucht naar Egypte), Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2474
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A317/1-3
Joachim Patinir 
Landscape withthe destruction of Sodom and Gomorrah: Lot and his family flee to Zoar, carrying their belongings; an angel may be showing the way (Genesis 19:24-29), Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2312
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A318/1-6
circle of Meester van het Johannes-Altaar 
De kruisdraging c. 1500, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. S 25
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A321/1-6
Jheronimus Bosch 
De H. Christoforus draagt het Christuskind c. 1490-1505, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. St. 26
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A322/1-5
Herri met de Bles 
Kustlandschap met de H. Christoforus c. 1535-1545, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2437
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A219/1-4
Abraham Bloemaert 
Adoration of the shepherds c. 1615, Utrecht, Centraal Museum,  inv./cat. no. 14281
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A320/1-7
Abraham Bloemaert 
Adoration of the shepherds c. 1615, Utrecht, Centraal Museum,  inv./cat. no. 14281
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A323/1-3
Meester van de Amsterdamse Dood van Maria 
Portrait of Dirck Borre van Amerongen and Maria van Snellenberg 150s0s, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2464
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A324/1-5
after Abraham Bloemaert 
The devil sowing tares among the wheat (Matt. 13:24-30), Utrecht, Centraal Museum,  inv./cat. no. 9575
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A319/1-5
Abraham Bloemaert 
Mercury lulls Argus into sleep by making music (Ovid, Met. I:668-720) c. 1592-1596, Utrecht, Centraal Museum,  inv./cat. no. 22657
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A325/1-7
Abraham Bloemaert 
Farm landscape with Tobias and the angel 1610-1620, Utrecht, Centraal Museum,  inv./cat. no. 21031
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A326/1-3
after Abraham Bloemaert 
Head of an old man 1640-1650, Utrecht, Centraal Museum,  inv./cat. no. 5315; cat. 1952 nr. 24
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A327/1-9
Abraham Bloemaert 
Landscape with Latona (Ovid, Metamorphoses) 1646 (dated), Utrecht, Centraal Museum,  inv./cat. no. 2573
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A328/1-8
Jan Provoost 
Het dispuut van de H. Catharina van Alexandrië met keizer Maximinus en de vijftig wijzen te Alexandrië (binnenzijde links), de H. Catharina (buitenzijde links; in grisaille) c. 1500-1510, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1682
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A329/1-4
Abraham Bloemaert 
Predication of St. John c. 1600, Amsterdam, Rijksmuseum,  inv./cat. no. SK A 3746
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A330/1-7
Abraham Bloemaert 
Farm landscape with the rest on the flight into Egypt 1605-1610, Utrecht, Centraal Museum,  inv./cat. no. 5570
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A332/1-4
Anoniem  follower of Joachim Patinir 
St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; c. 1525, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2120
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A333/1-7
attributed to Meester van de Aanbidding te Lille 
De aanbidding van de herders (links), de aanbidding van de Wijzen (midden), de rust op de vlucht naar Egypte (rechts) c. 1520, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1959
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A335/11-15 en 19-20
Anoniem  
Saints Laurence and Sebastian with Jacobus and Vincentius Pauw and Petrus Sasz. (left); The last supper (middle); Saints George and John the Evangelist with Digna Sasz. (right) c. 1525, Utrecht, Centraal Museum,  inv./cat. no. 10246
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A336/1-6
Pieter Saenredam 
Interieur van de Grote of Sint Laurenskerk te Alkmaar c. 1665, Alkmaar, Stedelijk Museum Alkmaar,  inv./cat. no. 21281
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A337/1-3
Pieter Bruegel (I) 
The building of the tower of Babel (Genesis 11:3-5) c. 1568, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 2443
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A339/1
manner of Frans Hals (I) 
Rommelpotspeler, , Private collection
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A346/1-2
Odilon Redon 
Stilleven met paprika en citroen c. 1901, The Hague, Gemeentemuseum Den Haag,  inv./cat. no. SCH-1977-0082
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A340/1-9
Meester van de Aanbidding Von Groote 
Drieluik met de geboorte van Christus (links); De aanbidding der Koningen (midden); De vlucht naar Egypte (rechts) c. 1520, Utrecht, Museum Catharijneconvent,  inv./cat. no. ABM s68
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A347/1-5
attributed to Jacob Cornelisz. van Oostsanen 
De geboorte first quarter 16th century, Utrecht, Centraal Museum,  inv./cat. no. 10229
sample analysis
sample analysis
0 file(s)
sample analysis
(J.R.J. van Asperen de Boer)
A351/1-15
Jan van Coninxloo (II) 
Drieluik met Johannes de Doper en de Farizeeën (middenpaneel); de prediking van Johannes de Doper (binnenzijde linkerluik); Johannes doopt Christus in de Jordaan (binnenzijde rechterluik); Johannes de Doper (buitenzijde linkerluik); Berbel van der Noot en de H. Barbara (buitenzijde rechterluik) 1557, Amsterdam, Rijksmuseum,  inv./cat. no. SK-A-2587
sample analysis
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