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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1626
1644
1662
1680
1698
1716
1734
265 results, 1 - 50 shown , page 1 of 6
light microscopy
3 file(s)
light microscopy
(Hermann Kühn) 1963-06
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1962-10
DI478_01
Rembrandt 
The anatomy lesson of doctor Joan Deyman dated 1656, Amsterdam, Amsterdam Museum,  inv./cat. no. SA 7394
optical emission spectography
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1976
RCE1528, hand Philip
RCE1529, clothing Philip
RCE1530
RCE1531
RCE1532, shadow around face carriage driver
RCE1533, sky
RCE1534, sky
RCE1535, sky
RCE1536, index finger Philip
RCE1537, skin eunuch
RCE1537A, skin eunuch
RCE1538, buildings at the right-hand side, in the background
RCE1539, sky
RCE1540, sky above palm tree
RCE1541
RCE1542
RCE1543
Rembrandt 
The baptism of the Eunuch dated 1626, Utrecht, Museum Catharijneconvent,  inv./cat. no. ABM s380
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-07
RCE4723, far right edge
Rembrandt 
Bellona dated 1633, New York City, The Metropolitan Museum of Art,  inv./cat. no. 32.100.23
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-06
RCE4749, lower right edge
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
4 file(s)
light microscopy, SEM-EDX, XRF
(Karin Groen) 1980-07
RCE4701, upper left corner in framing device
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962-11 ‑ 1963
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1962-11 ‑ 1963
DI847_1
Rembrandt 
Portrait of a man holding gloves dated 16[4]8, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.620
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963-06
DI849_1
follower of Rembrandt possibly Abraham van Dijck 
Old woman cutting her nails 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.609
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI853_5
Rembrandt 
Homer dated 1663, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 584
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI853_5
Rembrandt 
Homer dated 1663, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 584
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI854_4
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI854_4
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy, staining tests
(Hermann Kühn) 1963
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1963
DI856_3
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI856_3
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), optical emission spectography
(Hermann Kühn) 1963
DI857_8
Rembrandt 
Tronie of a man with a feathered beret between 1634 and 1640, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 149
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI857_8
Rembrandt 
Tronie of a man with a feathered beret between 1634 and 1640, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 149
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1963
DI858_2
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI858_2
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI859_1
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
optical emission spectography
XRD (Debye-Scherrer)
1 file(s)
XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests, optical emission spectography, light microscopy
(Hermann Kühn) 1963
DI860_1
Rembrandt 
Saul and David c. 1651-1654 and c. 1655-1658, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 621
XRD (Debye-Scherrer)
XRD (Debye-Scherrer)
1 file(s)
XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests, optical emission spectography, light microscopy
(Hermann Kühn) 1963
DI861_1
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
XRD (Debye-Scherrer)
optical emission spectography
2 file(s)
optical emission spectography, light microscopy, micro-chemical or wet chemical tests, GCMS
(Andreas Burmester) 1985-05
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
optical emission spectography
light microscopy
2 file(s)
light microscopy, optical emission spectography, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_6, sample taken from the upper half of the left edge of the painting(see also the photo in the report for the locations of the samples, sample no. 6)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
10 file(s)
light microscopy
(Andreas Burmester) 1985-04-26 ‑ 1986-07-28
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_ground
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn2, right edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn3, right edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn4, lower edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn5, left edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn6, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
0 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn7, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
2 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn1, see the sample map for the sample locations
GGBMinerva_x_HermannKuhn2, right edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn3, right edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn4, lower edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn5, left edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn6, upper edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn7, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
micro-chemical or wet chemical tests
6 file(s)
micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy, staining tests
(Hermann Kühn) 1973
DI3265_19
after Rembrandt 
Self-portrait with pen, inkpot and sketchbook c. 1657, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1569
micro-chemical or wet chemical tests
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