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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1624
1642
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1696
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332 results, 1 - 50 shown , page 1 of 7
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-07
RCE4723, far right edge
Rembrandt 
Bellona dated 1633, New York City, The Metropolitan Museum of Art,  inv./cat. no. 32.100.23
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-06
RCE4749, lower right edge
Rembrandt 
Half length figure of a woman in fanciful costume mid-1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 26.101.9
light microscopy
light microscopy
1 file(s)
light microscopy
(Andreas Burmester) 1985-04-26 ‑ 1986-07-28
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
sample analysis
0 file(s)
sample analysis

DI780_K6, ground sample from the top edge of the painting
possibly Rembrandt and follower of Rembrandt and possibly Ferdinand Bol 
River landscape with a windmill c. 1640 - 1655, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 242
sample analysis
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI660_1, ground with paint layer
Rembrandt 
Self Portrait as Zeuxis c. 1662-1663, Keulen, Wallraf-Richartz-Museum & Fondation Corboud,  inv./cat. no. WRM 2526
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2016-01
DI660_1, ground with paint layer
Rembrandt 
Self Portrait as Zeuxis c. 1662-1663, Keulen, Wallraf-Richartz-Museum & Fondation Corboud,  inv./cat. no. WRM 2526
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2016-01
DI669_3
Rembrandt 
The apostle Simon dated 1661, Zürich, Kunsthaus Zürich - Stiftung Prof. Dr. L. Ruzicka,  inv./cat. no. R. 26
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI669_1
DI669_2
DI669_3
Rembrandt 
The apostle Simon dated 1661, Zürich, Kunsthaus Zürich - Stiftung Prof. Dr. L. Ruzicka,  inv./cat. no. R. 26
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI757_1, bottom edge
Rembrandt 
Christ appearing to Mary Magdalene: Noli me tangere c. 1651, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. GG 235
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI758_1, bottom edge
after Rembrandt 
The circumcision of Christ in or after 1646, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. GG 241
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI759_1, top edge
circle of Rembrandt 
Young scholar reading in a study c. 1630, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. 234
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI760_1, bottom edge
Rembrandt 
Landscape with a thunderstorm c. 1638-1640, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. GG 236
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI765_1, side edge (unknown whether left or right)
Rembrandt or studio of Rembrandt 
Portrait of a man dated 1632, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. GG 232
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI766_1, side edge (unknown whether left or right)
DI771_1, side edge (unknown whether left or right)
Rembrandt or studio of Rembrandt 
Portrait of a woman c. 1633, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. GG 233
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI767_1, left edge
DI767_2, left edge
DI767_3, right edge
Rembrandt 
Portrait of a family c. 1665, Braunschweig, Herzog Anton Ulrich-Museum,  inv./cat. no. GG 238
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI770_1, bottom edge
circle of Rembrandt 
A scholar at his desk c. 1644, Keulen, Wallraf-Richartz-Museum & Fondation Corboud,  inv./cat. no. WRM 2527
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962-10
DI771_1, side edge (unknown whether left or right)
attributed to Rembrandt or follower of Rembrandt 
Christ at the column c. 1646, Keulen, Wallraf-Richartz-Museum & Fondation Corboud,  inv./cat. no. WRM 2528
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, micro-chemical or wet chemical tests
(Hermann Kühn) 1964-12
DI1159_1, background
Rembrandt 
Lucretia dated 1666, Minneapolis (Minnesota), Minneapolis Institute of Arts,  inv./cat. no. 1934.19
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2016-01
DI1159_1, background
Rembrandt 
Lucretia dated 1666, Minneapolis (Minnesota), Minneapolis Institute of Arts,  inv./cat. no. 1934.19
light microscopy
light microscopy
3 file(s)
light microscopy
(Karin Groen)
RCE5086
Rembrandt 
Portrait of a couple as Isaac and Rebecca 1662-1666, Amsterdam, Rijksmuseum,  inv./cat. no. SK-C-216
light microscopy
light microscopy
1 file(s)
light microscopy, SEM-EDX, XRF
(Karin Groen) 1980-07
RCE4701, upper left corner in framing device
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, light microscopy, XRD (Debye-Scherrer), staining tests
(Hermann Kühn) 1973
DI3263_14
follower of Rembrandt 
Bearded old man with a beret c. 1654, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1567
micro-chemical or wet chemical tests
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy, staining tests
(Hermann Kühn) 1973
DI3265_19
after Rembrandt 
Self-portrait with pen, inkpot and sketchbook c. 1657, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1569
micro-chemical or wet chemical tests
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1973
DI3266_54
follower of Rembrandt 
An old man with a stick and beret c. 1645, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1571
light microscopy
light microscopy
1 file(s)
light microscopy, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), optical emission spectography
(Hermann Kühn) 1975
DI3861_24
follower of Rembrandt 
Man wearing a hat decorated with pearls c. 1662-1667, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1570
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1975
DI3862_58, white ground with paint layers from the right edge of the painting
Rembrandt 
Self portrait with a bittern dated 1639, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1561
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, staining tests
(Hermann Kühn) 1975
DI3863_46, brown with white ground from the bottom edge
Rembrandt 
Bust of a young woman smiling possibly Saskia van Uylenburgh dated 1633, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1556
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests
(Hermann Kühn) 1975
DI3864_39, green/brown sample with ground from the left edge of the painting
Rembrandt 
Saskia van Uylenburgh as Flora dated 1641, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1562
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography, staining tests
(Hermann Kühn) 1975
DI3867_51, black/brown sample with grey/brown ground from the bottom edge of the painting
Rembrandt 
The wedding of Samson 1638 (dated), Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1560
light microscopy
light microscopy
1 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography
(Hermann Kühn) 1975
DI3868_29, sample from floor area
DI3868_30, sample with red ground and paint layers from the bottom edge
follower of Rembrandt 
Manoah's sacrifice 1650s, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1563
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Hermann Kühn) 1975
DI3866_34, brown sample with ground from the left edge
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
1 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/6, left edge of the painting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
0 file(s)
light microscopy
(Karin Groen) 1992-07
RCE4513, "spannkant"
Rembrandt and studio of Rembrandt or follower of Rembrandt 
Old woman dated 1655, Stockholm, Nationalmuseum Stockholm,  inv./cat. no. NM 582
light microscopy
light microscopy
1 file(s)
light microscopy, SEM-EDX
(Kathrin Pilz, Iris Schaefer, Caroline von Saint-George) 2006-08 ‑ 2006-09-06
1
2
3
4
6 and 6a
7
8
9
10a and 10b, scarf
11a
12
13, scarf
14, robe
15
16
17
18
19, scarf
20
Rembrandt 
Self Portrait as Zeuxis c. 1662-1663, Keulen, Wallraf-Richartz-Museum & Fondation Corboud,  inv./cat. no. WRM 2526
light microscopy
DTMS
1 file(s)
DTMS
(Annelies van Loon, Katrien Keune) 2006-09
15
16
18
19, scarf
20
Rembrandt 
Self Portrait as Zeuxis c. 1662-1663, Keulen, Wallraf-Richartz-Museum & Fondation Corboud,  inv./cat. no. WRM 2526
DTMS
sample analysis
0 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn7, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
sample analysis
1 file(s)
sample analysis
(Hermann Kühn, Gerhard Pieh) 1987 ‑ 1988
GGBMinerva_x_HermannKuhn1, see the sample map for the sample locations
GGBMinerva_x_HermannKuhn2, right edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn3, right edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn4, lower edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn5, left edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn6, upper edge; see also the sample map for the sample locations
GGBMinerva_x_HermannKuhn7, upper edge; see also the sample map for the sample locations
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
sample analysis
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI852_11, sample taken from the bottom edge of the painting
Rembrandt 
Self portrait dated 1658, New York City, The Frick Collection,  inv./cat. no. 1906.1.97
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1962-10
DI478_01
Rembrandt 
The anatomy lesson of dr. Jan Deyman dated 1656, Amsterdam, Amsterdam Museum,  inv./cat. no. SA 7394
optical emission spectography
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1976
RCE1528, hand Philip
RCE1529, clothing Philip
RCE1530
RCE1531
RCE1532, shadow around face carriage driver
RCE1533, sky
RCE1534, sky
RCE1535, sky
RCE1536, index finger Philip
RCE1537, skin eunuch
RCE1537A, skin eunuch
RCE1538, buildings at the right-hand side, in the background
RCE1539, sky
RCE1540, sky above palm tree
RCE1541
RCE1542
RCE1543
Rembrandt 
The baptism of the Eunuch dated 1626, Utrecht (city), Museum Catharijneconvent,  inv./cat. no. ABM s380
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1999 ‑ 1999-04-01
RCE4533, ground
Rembrandt 
Portrait of a white-haired man dated 1667, Melbourne, National Gallery of Victoria,  inv./cat. no. 2372-4
light microscopy
light microscopy
3 file(s)
light microscopy
(Karin Groen) 2004-06-18 ‑ 2004-09-08
RCE5203
studio of Rembrandt 
The supper at Emmaus 1648, Copenhagen, SMK - National Gallery of Denmark,  inv./cat. no. KMSsp405
light microscopy
light microscopy
3 file(s)
light microscopy
(Karin Groen) 2004-06-18 ‑ 2004-09-08
RCE5205
studio of Rembrandt 
The supper at Emmaus 1648, Copenhagen, SMK - National Gallery of Denmark,  inv./cat. no. KMSsp405
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2000-11-06 ‑ 2001-04-05
RCE4866
Rembrandt 
Head of a man in a turban c. 1661, Kingston (Ontario), Agnes Etherington Art Centre Queen's University,  inv./cat. no. 50-001
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 2000-11-06 ‑ 2001-04-05
RCE4866
Rembrandt 
Head of a man in a turban c. 1661, Kingston (Ontario), Agnes Etherington Art Centre Queen's University,  inv./cat. no. 50-001
light microscopy
SEM-EDX
4 file(s)
SEM-EDX, light microscopy
(Karin Groen, Paul Haner) 1995-10-16 ‑ 2001
RCE4965
studio of Rembrandt or follower of Rembrandt 
Portrait of a young man early 1660s, Saint Louis (Missouri), Saint Louis Art Museum,  inv./cat. no. 90.1950
SEM-EDX
light microscopy
1 file(s)
light microscopy, SEM-EDX
(Karin Groen, Paul Haner) 1995-10-16 ‑ 2001
RCE4965
studio of Rembrandt or follower of Rembrandt 
Portrait of a young man early 1660s, Saint Louis (Missouri), Saint Louis Art Museum,  inv./cat. no. 90.1950
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI814_1, upper edge
Rembrandt 
Self portrait dated 1659, Washington (D.C.), National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2015-11
DI814_1, upper edge
Rembrandt 
Self portrait dated 1659, Washington (D.C.), National Gallery of Art (Washington),  inv./cat. no. 1937.1.72
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1965
DI1217_1, sample was taken from the background at the right edge
attributed to Willem Drost 
The Annunciation to the virgin c. 1650, Prague, Národní Galerie v Praze,  inv./cat. no. O1331
optical emission spectography
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