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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1624
1642
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1732
333 results, 1 - 50 shown , page 1 of 7
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI840_9, bottom edge of the painting
Rembrandt 
Man with a magnifying glass first half 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.621
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1963
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI841_12, from the edge at the upper left corner
Rembrandt 
Aristotle with a bust of Homer dated 1653, New York City, The Metropolitan Museum of Art,  inv./cat. no. 61.198
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962-11 ‑ 1963
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI842_1
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1963
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI843_4
follower of Rembrandt 
Man with a beard c. 1680-1710, New York City, The Metropolitan Museum of Art,  inv./cat. no. 89.15.3
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013
DI844_3
attributed to Rembrandt or follower of Rembrandt 
Portrait of a man second half of the 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 91.26.7
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1962-11 ‑ 1963
DI847_1
Rembrandt 
Portrait of a man holding gloves dated 16[4]8, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.620
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963-06
DI849_1
follower of Rembrandt possibly Abraham van Dijck 
Old woman cutting her nails 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.609
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI852_11, sample taken from the bottom edge of the painting
Rembrandt 
Self portrait dated 1658, New York City, The Frick Collection,  inv./cat. no. 1906.1.97
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI853_5
Rembrandt 
Homer dated 1663, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 584
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI853_5
Rembrandt 
Homer dated 1663, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 584
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI854_4
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI854_4
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy, staining tests
(Hermann Kühn) 1963
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1963
DI856_3
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI856_3
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), optical emission spectography
(Hermann Kühn) 1963
DI857_8
Rembrandt 
Tronie of a man with a feathered beret between 1634 and 1640, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 149
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI857_8
Rembrandt 
Tronie of a man with a feathered beret between 1634 and 1640, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 149
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1963
DI858_2
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI858_2
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI859_1
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
optical emission spectography
XRD (Debye-Scherrer)
1 file(s)
XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests, optical emission spectography, light microscopy
(Hermann Kühn) 1963
DI860_1
Rembrandt 
Saul and David c. 1651-1654 and c. 1655-1658, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 621
XRD (Debye-Scherrer)
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI860_1
Rembrandt 
Saul and David c. 1651-1654 and c. 1655-1658, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 621
light microscopy
XRD (Debye-Scherrer)
1 file(s)
XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests, optical emission spectography, light microscopy
(Hermann Kühn) 1963
DI861_1
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
XRD (Debye-Scherrer)
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1964
DI985_1
follower of Rembrandt 
Portrait of a man 1650s, New York City, The Frick Collection,  inv./cat. no. 1899.1.96
light microscopy
optical emission spectography
2 file(s)
optical emission spectography, light microscopy, micro-chemical or wet chemical tests, GCMS
(Andreas Burmester) 1985-05
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
optical emission spectography
light microscopy
2 file(s)
light microscopy, optical emission spectography, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_6, sample taken from the upper half of the left edge of the painting(see also the photo in the report for the locations of the samples, sample no. 6)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
10 file(s)
light microscopy
(Andreas Burmester) 1985-04-26 ‑ 1986-07-28
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
optical emission spectography
2 file(s)
optical emission spectography, light microscopy
(Andreas Burmester) 1987-01-07
DI4733_4, sample was taken the right edge of the painting
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
optical emission spectography
sample analysis
1 file(s)
sample analysis
(Andreas Burmester) 1987-01 ‑ 1987-02
DI4733_4, sample was taken the right edge of the painting
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
sample analysis
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_ground
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, staining tests
(Hermann Kühn) 1963
BStGS_x6471_ground
Rembrandt 
Christ resurrected dated 1661, München, Alte Pinakothek,  inv./cat. no. 6471
optical emission spectography
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, light microscopy, XRD (Debye-Scherrer), staining tests
(Hermann Kühn) 1962 ‑ 1965
BStGS_x393_ground
Rembrandt 
The adoration of the shepherds dated 1646, München, Alte Pinakothek,  inv./cat. no. 393
micro-chemical or wet chemical tests
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, micro-chemical or wet chemical tests, staining tests
(Hermann Kühn) 1962
BStGS_x396_ground, the sample was taken from the upper rounded edge
Rembrandt 
The Entombment c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 396
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, micro-chemical or wet chemical tests, staining tests
(Hermann Kühn) 1962 ‑ 1965
BStGS_x395_ground, the sample was taken from the rounded upper section, close to the centre of the painting
Rembrandt 
The Descent from the Cross 1632/33, München, Alte Pinakothek,  inv./cat. no. 395
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962
BStGS_x394_ground, the sample was taken from the lower edge of the painting
Rembrandt 
The raising of the cross c. 1633, München, Alte Pinakothek,  inv./cat. no. 394
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_ground, lower left corner
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1962 ‑ 1965
BStGS_x397_ground, lower edge of the painting
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
light microscopy
3 file(s)
light microscopy, SEM-EDX
(Heike Stege, Cornelia Tilenschi) 2003 ‑ 2003-12
K88/1
K88/2
K88/3, Ganymed's garment
K88/4, Ganymed's foot
K88/5
K88/6, left edge of the painting
K88/7, shadow area in Ganymed's hand
K88/8, eagle's wing
K88/9, tassel
K88/10, Ganymed's hair
K88/11, from lighting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
18 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/6, left edge of the painting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
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