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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1630
1637
1644
1651
1658
1665
1672
37 results, 1 - 37 shown , page 1 of 1
light microscopy
7 file(s)
light microscopy
(Petria Noble) 2002-03-27
MH0147_x01, upper left spandrel, blanched sky paint, without varnish
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
4 file(s)
light microscopy
(Petria Noble) 2002-03-27
MH0147_x02, upper left background, original sky, with varnish; here the paint is relatively thick and blanched
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
5 file(s)
light microscopy
(Petria Noble) 2002-09-05 ‑ 2003
MH0147_x19, upper left grey sky
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy
(Andreas Burmester) 1987-01
DI438_3a / Q1222, sample taken from grey blue sky
studio of Rembrandt free after Rembrandt 
The sacrifice of Abraham dated 1636, München, Alte Pinakothek,  inv./cat. no. 438
optical emission spectography
XRF
1 file(s)
XRF, optical emission spectography, micro-chemical or wet chemical tests, PLM
(Achim Unger) 2001-02-19
823_Unger
Rembrandt 
The abduction of Proserpina c. 1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 823
XRF
light microscopy
4 file(s)
light microscopy, SEM-EDX
(Karin Groen) 1999-10-08
RCE4618
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
light microscopy
light microscopy
0 file(s)
light microscopy, SEM-EDX
(Karin Groen) 1999-10-15
RCE4618
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
light microscopy
light microscopy
3 file(s)
light microscopy, SEM-EDX
(Heike Stege, Cornelia Tilenschi) 2003 ‑ 2003-12
K88/1
K88/2
K88/3, Ganymed's garment
K88/4, Ganymed's foot
K88/5
K88/6, left edge of the painting
K88/7, shadow area in Ganymed's hand
K88/8, eagle's wing
K88/9, tassel
K88/10, Ganymed's hair
K88/11, from lighting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
4 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/1
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
8 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/11, from lighting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Hermann Kühn) 1970 ‑ 1970-01
DI780_01, sample of the upper layer of the sky in the background at the left edge
DI780_02, sample of a lower layer of the sky in the background at the left edge
DI780_03, white ground from the upper right hand corner
DI780_04, sample from the boat
DI780_05, sample from the horseman
possibly Rembrandt and follower of Rembrandt and possibly Ferdinand Bol 
River landscape with a windmill c. 1640 - 1655, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 242
light microscopy
light microscopy
1 file(s)
light microscopy, SEM-EDX
(Karin Groen) 1999-10-08
RCE4618
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
light microscopy
light microscopy
1 file(s)
light microscopy
(Petria Noble) 2002-03-27
MH0147_x01, upper left spandrel, blanched sky paint, without varnish
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
1 file(s)
light microscopy
(Petria Noble) 2002-03-27
MH0147_x02, upper left background, original sky, with varnish; here the paint is relatively thick and blanched
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
1 file(s)
light microscopy
(Petria Noble) 2002-07
MH0147_x16, upper left original sky; paint is relatively thin and non-blanched, but appears brown and transparent
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
1 file(s)
light microscopy
(Petria Noble) 2002-09-05 ‑ 2003
MH0147_x19, upper left grey sky
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
1 file(s)
light microscopy
(Carol Pottasch) 2005-07-15
MH0147_x16, upper left original sky; paint is relatively thin and non-blanched, but appears brown and transparent
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy
(Andreas Burmester) 1987-01
DI438_3a / Q1222, sample taken from grey blue sky
studio of Rembrandt free after Rembrandt 
The sacrifice of Abraham dated 1636, München, Alte Pinakothek,  inv./cat. no. 438
optical emission spectography
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2079, upper right
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-05-27 ‑ 1980
RCE2080
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2068, yellow of banner
RCE2069, left, the turmoil of battle
RCE2070, partially cleaned spot
RCE2071, air, above the turmoil of battle
RCE2072, dark spot, the turmoil of battle
RCE2073, below the horse, above the lions head
RCE2074, foreground
RCE2075, sword
RCE2076, above lion
RCE2077, visible ground
RCE2078, at the right
RCE2079, upper right
RCE2080
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2070, partially cleaned spot
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2071, air, above the turmoil of battle
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
1 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2078, at the right
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2078, at the right
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2079, upper right
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-05-27 ‑ 1980
RCE2080
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
2 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2070, partially cleaned spot
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-04-24 ‑ 1980
RCE2071, air, above the turmoil of battle
Rembrandt 
The concord of the state c. 1636-1641, Rotterdam, Museum Boijmans Van Beuningen,  inv./cat. no. 1717 (OK)
light microscopy
light microscopy
5 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Andreas Burmester) 1986 ‑ 1987
DI4733_1, sample was taken from the sky above the tree right from the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 1)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography
(Andreas Burmester) 1986 ‑ 1987
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Andreas Burmester) 1986 ‑ 1987
DI4733_3, sample was taken from the sky in the upper right corner (see also the photo in the report in which the sample locations are marked, sample no. 3)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4733_1, sample was taken from the sky above the tree right from the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 1)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy
(Andreas Burmester) 1986-12
DI4733_3, sample was taken from the sky in the upper right corner (see also the photo in the report in which the sample locations are marked, sample no. 3)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
1 file(s)
light microscopy
(Andreas Burmester) 1986-12
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
sample analysis
1 file(s)
sample analysis
(Andreas Burmester) 1987-01 ‑ 1987-02
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
sample analysis
light microscopy
3 file(s)
light microscopy
(Petria Noble) 2002-07
MH0147_x16, upper left original sky; paint is relatively thin and non-blanched, but appears brown and transparent
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
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