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Location/area color sample
color of the area where the sample was taken
Date artwork
      
 
 
 
 
 
 
1628
1646
1664
1682
1700
1718
1736
126 results, 1 - 50 shown , page 1 of 3
light microscopy
4 file(s)
light microscopy
(Petria Noble) 2002-07
MH0147_x08, white highlight from white drapery, original panel; after varnish removal
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
3 file(s)
light microscopy
(Petria Noble) 2002-07
MH0147_x09, white highlight on white drapery on added strip; after varnish removal
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998-01-28 ‑ 1998-03-12
MH0146_xB24, pentimento below collar of Block (figure 2)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble, Jørgen Wadum) 1998-01-28 ‑ 1998-03-12
MH0146_xB25, flesh colour below collar of Block (figure 2)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
optical emission spectography
14 file(s)
optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1970 ‑ 1970-10-07
DI2719_01, belt, left of the buckle
DI2719_07, lower left leg
DI2719_06, lower brownish section of his garment
DI2719_08
Rembrandt 
Self portrait as the prodigal son c. 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1559
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1962-10
DI478_01
Rembrandt 
The anatomy lesson of doctor Joan Deyman dated 1656, Amsterdam, Amsterdam Museum,  inv./cat. no. SA 7394
optical emission spectography
light microscopy
4 file(s)
light microscopy, SEM-EDX
(Karin Groen) 1980-06
RCE4718, collar of costume
Rembrandt or Rembrandt and studio of Rembrandt 
Portrait of a man dated 1632, New York City, The Metropolitan Museum of Art,  inv./cat. no. 29.100.3
light microscopy
light microscopy
4 file(s)
light microscopy, XRD
(Karin Groen) 1980-07
RCE4686, in white shirt of Christ
follower of Rembrandt or attributed to Rembrandt 
Christ with a staff c. 1661, New York City, The Metropolitan Museum of Art,  inv./cat. no. 49.7.37
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980
RCE4628, white from collar, near bottom edge (inside strip)
follower of Rembrandt 
Head of Christ 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 17.120.222
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1980-06
RCE4740, collar of costume
Rembrandt 
Portrait of a young woman with a fan dated 1633, New York City, The Metropolitan Museum of Art,  inv./cat. no. 43.125
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x397_01, highlight of the shield of the one of the soldiers on the left
Rembrandt 
The Resurrection c. 1635-1639, München, Alte Pinakothek,  inv./cat. no. 397
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, light microscopy, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1965 ‑ 1965-05
BStGS_x11427_02, white from the collar
Rembrandt 
Self portrait dated 1629, München, Alte Pinakothek,  inv./cat. no. 11427
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy, staining tests
(Hermann Kühn) 1962
BStGS_x398_01, Christ's garment
Rembrandt 
The Ascension dated 1636, München, Alte Pinakothek,  inv./cat. no. 398
optical emission spectography
micro-chemical or wet chemical tests
1 file(s)
micro-chemical or wet chemical tests, staining tests, light microscopy, optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
BStGS_x393_01, cuff of left arm
Rembrandt 
The adoration of the shepherds dated 1646, München, Alte Pinakothek,  inv./cat. no. 393
micro-chemical or wet chemical tests
optical emission spectography
1 file(s)
optical emission spectography, staining tests, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Hermann Kühn) 1963
BStGS_x6471_01, white garment located on right shoulder
Rembrandt 
Christ resurrected dated 1661, München, Alte Pinakothek,  inv./cat. no. 6471
optical emission spectography
optical emission spectography
1 file(s)
optical emission spectography
(Hermann Kühn) 1962 ‑ 1965
DI845_1, collar
circle of Rembrandt 
Rembrandt as a young Man c. 1630-1635, New York City, The Metropolitan Museum of Art,  inv./cat. no. 53.18
optical emission spectography
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_4, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 2001-12-04
RCE5010, bottom edge
Rembrandt 
Minerva in her study c.1631, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 C
light microscopy
light microscopy
7 file(s)
light microscopy
(Louise Groll) 2008-07-18
MH0610_x04, pastose white over brown. Taken from edge of white neck scarf and brown clothing.
circle of Rembrandt 
Praying woman c. 1660, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 610
light microscopy
light microscopy
4 file(s)
light microscopy
(Karin Groen) 1997-01-27
RCE4222, from the paint with protrusions on the left in the collar
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
4 file(s)
light microscopy, SEM-EDX
(Karin Groen, Matthijs de Keijzer) 1997-01-27
RCE4223, white paint from the retouching on the left in the collar
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
4 file(s)
light microscopy, SEM-EDX
(Karin Groen, Shell Research and Technology Centre) 1999-10 ‑ 2001-04
RCE4607, in the white cuff of proper left hand near existing loss
follower of Rembrandt possibly Samuel van Hoogstraten 
Bust of a young woman with a red necklace c. 1645, New York City, The Metropolitan Museum of Art,  inv./cat. no. 2005.331.7
light microscopy
light microscopy
4 file(s)
light microscopy, SEM-EDX
(Gisela Helmkampf, Shell Research and Technology Centre, Karin Groen) 1999-10 ‑ 2000-05
RCE4777, grey, bottom edge
Rembrandt 
Moses breaking the Tables of the Law dated 1659, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811
light microscopy
micro-chemical or wet chemical tests
6 file(s)
micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy, staining tests
(Hermann Kühn) 1973
DI3265_19
after Rembrandt 
Self-portrait with pen, inkpot and sketchbook c. 1657, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1569
micro-chemical or wet chemical tests
light microscopy
3 file(s)
light microscopy, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1975
DI3862_58, white ground with paint layers from the right edge of the painting
Rembrandt 
Self portrait with a bittern dated 1639, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1561
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-04
DI3862_58, white ground with paint layers from the right edge of the painting
Rembrandt 
Self portrait with a bittern dated 1639, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1561
light microscopy
light microscopy
4 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests, staining tests
(Hermann Kühn) 1975
DI3863_46, brown with white ground from the bottom edge
Rembrandt 
Bust of a young woman smiling possibly Saskia van Uylenburgh dated 1633, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1556
light microscopy
light microscopy
3 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), staining tests
(Hermann Kühn) 1975
DI3864_39, green/brown sample with ground from the left edge of the painting
Rembrandt 
Saskia van Uylenburgh as Flora dated 1641, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1562
light microscopy
light microscopy
8 file(s)
light microscopy, staining tests, optical emission spectography, XRD (Debye-Scherrer), staining tests
(Hermann Kühn) 1975
DI3865_42, grey and greenish brown sample from the background, with ground
DI3865_41, black sample from the collar
studio of Rembrandt possibly Govert Flinck 
Portrait of a man c. 1633, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1557
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-05
DI3865_42, grey and greenish brown sample from the background, with ground
studio of Rembrandt possibly Govert Flinck 
Portrait of a man c. 1633, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1557
light microscopy
light microscopy
9 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography
(Hermann Kühn) 1975
DI3868_29, sample from floor area
DI3868_30, sample with red ground and paint layers from the bottom edge
follower of Rembrandt 
Manoah's sacrifice 1650s, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1563
light microscopy
light microscopy
4 file(s)
light microscopy
(Jeanine Walcher) 2013-04
DI3868_29, sample from floor area
DI3868_30, sample with red ground and paint layers from the bottom edge
follower of Rembrandt 
Manoah's sacrifice 1650s, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1563
light microscopy
light microscopy
3 file(s)
light microscopy, SEM-EDX
(Heike Stege, Cornelia Tilenschi) 2003 ‑ 2003-12
K88/1
K88/2
K88/3, Ganymed's garment
K88/4, Ganymed's foot
K88/5
K88/6, left edge of the painting
K88/7, shadow area in Ganymed's hand
K88/8, eagle's wing
K88/9, tassel
K88/10, Ganymed's hair
K88/11, from lighting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
5 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/2
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
18 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/6, left edge of the painting
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
9 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/7, shadow area in Ganymed's hand
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
5 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/8, eagle's wing
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
10 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/9, tassel
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
7 file(s)
light microscopy, SEM-EDX
(Cornelia Tilenschi) 2003
K88/10, Ganymed's hair
Rembrandt 
The rape of Ganymede dated 1635, Dresden, Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister,  inv./cat. no. 1558
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962
DI447_K17, very thin reddish white sample from the upper edge of the painting
DI447_14, white from the necklace
DI447_15, yellow ochre from the necklace
DI447_16, black from the cloak at the lower edge of the painting
attributed to Rembrandt or follower of Rembrandt 
Bust of an old man wearing a golden chain c. 1632, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 233
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1970
DI447_14, white from the necklace
DI447_15, yellow ochre from the necklace
DI447_16, black from the cloak at the lower edge of the painting
attributed to Rembrandt or follower of Rembrandt 
Bust of an old man wearing a golden chain c. 1632, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 233
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962
DI451_K16
Rembrandt 
Portrait of a man, possibly Jan Harmensz Krul dated 1633, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 235
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1970 ‑ 1970-01
DI451_32, white from tassel
DI451_33, black from the cloak at the bottom edge of the painting
DI451_34, grey ground sample
DI451_35, red ground sample (lower layer)
Rembrandt 
Portrait of a man, possibly Jan Harmensz Krul dated 1633, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 235
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962
DI480_K14, bottom edge
Rembrandt 
Portrait of Saskia van Uylenburgh c. 1633/34-1642, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 236
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1970
DI480_27, white from the pearl necklace
DI480_28, bright yellow between the necklace elements
DI480_29
DI480_30, ground from the top edge of the painting
Rembrandt 
Portrait of Saskia van Uylenburgh c. 1633/34-1642, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 236
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1970
DI756_55_scraping, right edge of the painting
DI756_55_crosssection, ground from right edge of the painting
DI756_56_scraping, ground from right edge of the painting
Rembrandt 
Jacob blessing Manasseh and Ephraim dated 1656, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 249
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests
(Hermann Kühn) 1978
DI756_01, Jacob's beard at the right edge of the painting, with ground
DI756_02, sample from shadow area white cloth wrapped around waist
DI756_02a, sample from white cloth wrapped around waist
DI756_03, Jacob's beard
DI756_04, brocade in the background
DI756_05, Ephraim's hair
DI756_06, Ephraim's forehead
DI756_07, fox fur
DI756_08, white cloth around waist, partly shadow
DI756_09, Arsenoth's veil
DI756_10, left of Arsenoth
DI756_10a, left of Arsenoth
DI756_11, red blanket
DI756_12, Rahel's cloak
Rembrandt 
Jacob blessing Manasseh and Ephraim dated 1656, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 249
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2014-08
DI756_02a, sample from white cloth wrapped around waist
Rembrandt 
Jacob blessing Manasseh and Ephraim dated 1656, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 249
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2014-08
DI756_07, fox fur
Rembrandt 
Jacob blessing Manasseh and Ephraim dated 1656, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 249
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2014-08
DI756_55_crosssection, ground from right edge of the painting
Rembrandt 
Jacob blessing Manasseh and Ephraim dated 1656, Kassel (Hessen), Gemäldegalerie Alte Meister (Museumslandschaft Hessen Kassel),  inv./cat. no. GK 249
light microscopy
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