Mainmenu

REFINE YOUR SEARCH

Type of wood
Filter dendrochronological data by type of wood, such as ´oak (Poland/Baltic states)’. Types of wood to select from appear upon starting to type the first letters of the word.
Date artwork
      
 
 
 
 
 
 
-464
-51 
362 
775 
1188
1601
2014
15938 results, 251 - 300 shown , page 6 of 319
infrared reflectography
1 file(s)
infrared reflectography
(Johanneke Verhave, Margreet Wolters) 2012-01-09
attributed to Michiel van Mierevelt 
Portrait of François Spiering (?-1630) dated 1625, Delft, Stedelijk Museum Het Prinsenhof,  inv./cat. no. PDS 147
infrared reflectography
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI848_1, sample take from the left edge
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_2, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, micro-chemical or wet chemical tests, staining tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_3, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962 ‑ 1963
DI848_4, sample from the flowers in the hair
attributed to Govert Flinck 
A young woman as a shepherdess second half of the 1630s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 60.71.15
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1962-11 ‑ 1963-06
DI849_1
follower of Rembrandt possibly Abraham van Dijck 
Old woman cutting her nails 1650s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.609
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI850_3
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer)
(Hermann Kühn) 1962 ‑ 1963
DI850_1, garment
Willem Drost 
Woman in a fancy dress with a book c. 1654, New York City, The Metropolitan Museum of Art,  inv./cat. no. 30.95.268
light microscopy
infrared reflectography
1 file(s)
infrared reflectography
(Micha Leeflang, Margreet Wolters) 2013-02-18
Nicolaes Maes 
Portrait of an unknown boy late 1660s, Minneapolis (Minnesota), Minneapolis Institute of Arts
infrared reflectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI852_11, sample taken from the bottom edge of the painting
Rembrandt 
Self portrait dated 1658, New York City, The Frick Collection,  inv./cat. no. 1906.1.97
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1962 ‑ 1963
DI853_5
Rembrandt 
Homer dated 1663, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 584
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI853_5
Rembrandt 
Homer dated 1663, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 584
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI854_4
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI854_4
Rembrandt 
Self portrait dated 1669, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 840
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy, staining tests
(Hermann Kühn) 1963
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography, XRD (Debye-Scherrer)
(Hermann Kühn) 1963
DI856_3
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI856_3
Rembrandt 
Two moors dated 1661, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 685
light microscopy
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), optical emission spectography
(Hermann Kühn) 1963
DI857_8
Rembrandt 
Tronie of a man with a feathered beret between 1634 and 1640, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 149
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI857_8
Rembrandt 
Tronie of a man with a feathered beret between 1634 and 1640, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 149
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, light microscopy
(Hermann Kühn) 1963
DI858_2
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI858_2
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, staining tests, micro-chemical or wet chemical tests, XRD (Debye-Scherrer), light microscopy
(Hermann Kühn) 1963
DI859_1
Rembrandt 
Susanna dated 1636, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 147
optical emission spectography
XRD (Debye-Scherrer)
1 file(s)
XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests, optical emission spectography, light microscopy
(Hermann Kühn) 1963
DI860_1
Rembrandt 
Saul and David c. 1651-1654 and c. 1655-1658, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 621
XRD (Debye-Scherrer)
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI860_1
Rembrandt 
Saul and David c. 1651-1654 and c. 1655-1658, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 621
light microscopy
XRD (Debye-Scherrer)
1 file(s)
XRD (Debye-Scherrer), staining tests, micro-chemical or wet chemical tests, optical emission spectography, light microscopy
(Hermann Kühn) 1963
DI861_1
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
XRD (Debye-Scherrer)
light microscopy
1 file(s)
light microscopy, staining tests, micro-chemical or wet chemical tests, optical emission spectography
(Hermann Kühn) 1963
DI861_2, sample of the brocade of the cloak of Pilate
follower of Rembrandt or possibly Arent de Gelder 
Pilate washing his hands 1660s, New York City, The Metropolitan Museum of Art,  inv./cat. no. 14.40.610
light microscopy
light microscopy
1 file(s)
light microscopy, optical emission spectography, staining tests, micro-chemical or wet chemical tests
(Hermann Kühn) 1964
DI985_1
follower of Rembrandt 
Portrait of a man 1650s, New York City, The Frick Collection,  inv./cat. no. 1899.1.96
light microscopy
optical emission spectography
2 file(s)
optical emission spectography, light microscopy, micro-chemical or wet chemical tests, GCMS
(Andreas Burmester) 1985-05
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
optical emission spectography
optical emission spectography
2 file(s)
optical emission spectography, light microscopy, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_2, The sample was taken from the grey cloak below the collar, close to the centre of the lower edge the painting (see also the photo in the report for the locations of the samples, sample no. 2).
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
optical emission spectography
light microscopy
2 file(s)
light microscopy, optical emission spectography, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_3, sample taken from the background in the upper left corner, close to the helmet (see also the photo in the report for the locations of the samples, sample no. 3)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
2 file(s)
light microscopy, optical emission spectography, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_4, sample taken from the background on the left, above the right shoulder (see also the photo in the report for the locations of the samples, sample no. 4)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
optical emission spectography
2 file(s)
optical emission spectography, light microscopy, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_5, sample taken from the garment below the collar (see also the photo in the report for the locations of the samples, sample no. 5)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
optical emission spectography
light microscopy
2 file(s)
light microscopy, optical emission spectography, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_6, sample taken from the upper half of the left edge of the painting(see also the photo in the report for the locations of the samples, sample no. 6)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
10 file(s)
light microscopy
(Andreas Burmester) 1985-04-26 ‑ 1986-07-28
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
5 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Andreas Burmester) 1986 ‑ 1987
DI4733_1, sample was taken from the sky above the tree right from the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 1)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography
(Andreas Burmester) 1986 ‑ 1987
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Andreas Burmester) 1986 ‑ 1987
DI4733_3, sample was taken from the sky in the upper right corner (see also the photo in the report in which the sample locations are marked, sample no. 3)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
optical emission spectography
2 file(s)
optical emission spectography, light microscopy
(Andreas Burmester) 1987-01-07
DI4733_4, sample was taken the right edge of the painting
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4733_1, sample was taken from the sky above the tree right from the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 1)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy
(Andreas Burmester) 1986-12
DI4733_3, sample was taken from the sky in the upper right corner (see also the photo in the report in which the sample locations are marked, sample no. 3)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
1 file(s)
light microscopy
(Andreas Burmester) 1986-12
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
sample analysis
1 file(s)
sample analysis
(Andreas Burmester) 1987-01 ‑ 1987-02
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
sample analysis
sample analysis
1 file(s)
sample analysis
(Andreas Burmester) 1987-01 ‑ 1987-02
DI4733_4, sample was taken the right edge of the painting
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
sample analysis
infrared reflectography
1 file(s)
infrared reflectography
(Christiane Haeseler)
Amico Aspertini 
Portrait of a man c. 1505/06, Frankfurt am Main, Städel Museum,  inv./cat. no. 840
infrared reflectography
light microscopy
1 file(s)
light microscopy, GCMS
(Manfred Koller) 1992
Rembrandt 
Woman at an open half door 1654/1657, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy
(Andreas Burmester) 1987-01
DI438_3a / Q1222, sample taken from grey blue sky
studio of Rembrandt and Rembrandt or studio of Rembrandt free after Rembrandt 
The sacrifice of Abraham (Genesis 22:10-12) dated 1636, München, Alte Pinakothek,  inv./cat. no. 438
optical emission spectography
My selections

My selections

Your current selection will be lost. Are you sure?