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Filter dendrochronological data by type of wood, such as ´oak (Poland/Baltic states)’. Types of wood to select from appear upon starting to type the first letters of the word.
Date artwork
      
 
 
 
 
 
 
-100
252 
604 
956 
1308
1660
2012
15826 results, 351 - 400 shown , page 8 of 317
optical emission spectography
2 file(s)
optical emission spectography, light microscopy, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_5, sample taken from the garment below the collar (see also the photo in the report for the locations of the samples, sample no. 5)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
optical emission spectography
light microscopy
2 file(s)
light microscopy, optical emission spectography, micro-chemical or wet chemical tests
(Andreas Burmester) 1985-05
DI4605_6, sample taken from the upper half of the left edge of the painting(see also the photo in the report for the locations of the samples, sample no. 6)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
10 file(s)
light microscopy
(Andreas Burmester) 1985-04-26 ‑ 1986-07-28
DI4605_1, sample taken from the lower half of the left edge of the painting (see also the photo in the report for the locations of the samples, sample no. 1)
circle of Rembrandt 
The man with the golden helmet c. 1650-1660, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 811 A
light microscopy
light microscopy
5 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer), micro-chemical or wet chemical tests
(Andreas Burmester) 1986 ‑ 1987
DI4733_1, sample was taken from the sky above the tree right from the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 1)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy, XRD (Debye-Scherrer), optical emission spectography
(Andreas Burmester) 1986 ‑ 1987
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy, optical emission spectography, XRD (Debye-Scherrer)
(Andreas Burmester) 1986 ‑ 1987
DI4733_3, sample was taken from the sky in the upper right corner (see also the photo in the report in which the sample locations are marked, sample no. 3)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
optical emission spectography
2 file(s)
optical emission spectography, light microscopy
(Andreas Burmester) 1987-01-07
DI4733_4, sample was taken the right edge of the painting
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
optical emission spectography
light microscopy
2 file(s)
light microscopy
(Jeanine Walcher) 2013-03
DI4733_1, sample was taken from the sky above the tree right from the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 1)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
2 file(s)
light microscopy
(Andreas Burmester) 1986-12
DI4733_3, sample was taken from the sky in the upper right corner (see also the photo in the report in which the sample locations are marked, sample no. 3)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
light microscopy
1 file(s)
light microscopy
(Andreas Burmester) 1986-12
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
light microscopy
sample analysis
1 file(s)
sample analysis
(Andreas Burmester) 1987-01 ‑ 1987-02
DI4733_2, sample was taken from the sky above the tree in the centre of the painting (see also the photo in the report in which the sample locations are marked, sample no. 2)
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
sample analysis
sample analysis
1 file(s)
sample analysis
(Andreas Burmester) 1987-01 ‑ 1987-02
DI4733_4, sample was taken the right edge of the painting
attributed to Govert Flinck 
Landscape with a seven arched bridge c. 1638, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 1932
sample analysis
light microscopy
1 file(s)
light microscopy, GCMS
(Manfred Koller) 1992
Rembrandt 
Woman at an open half door 1654/1657, Berlin, Gemäldegalerie (Staatliche Museen zu Berlin),  inv./cat. no. 828 B
light microscopy
optical emission spectography
1 file(s)
optical emission spectography, micro-chemical or wet chemical tests, light microscopy
(Andreas Burmester) 1987-01
DI438_3a / Q1222, sample taken from grey blue sky
studio of Rembrandt and Rembrandt or studio of Rembrandt free after Rembrandt 
The sacrifice of Abraham (Genesis 22:10-12) dated 1636, München, Alte Pinakothek,  inv./cat. no. 438
optical emission spectography
normal light studies
1 file(s)
normal light studies
2013-03-19
attributed to Rembrandt 
Halffigure of a man with grey curly hair dated 1650, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 560
normal light studies
normal light studies
1 file(s)
normal light studies
2013-03-19
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
normal light studies
normal light studies
1 file(s)
normal light studies
2013-03-19
circle of Rembrandt 
Minerva c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 626
normal light studies
normal light studies
1 file(s)
normal light studies
2013-03-19
circle of Rembrandt attributed to Carel Fabritius or circle of Carel Fabritius 
Study of an old man 1654, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 828
normal light studies
light microscopy
3 file(s)
light microscopy
(Hermann Kühn) 1963-06
DI855_7
possibly Rembrandt and studio of Rembrandt or studio of Rembrandt or circle of Rembrandt or attributed to Rembrandt 
Tronie of an old man c. 1630, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 565
light microscopy
infrared photography
2 file(s)
infrared photography
(Koninklijk Kabinet van Schilderijen Mauritshuis) 2008
after Rembrandt 
Study of an old woman after c. 1631, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 556
infrared photography
light microscopy
2 file(s)
light microscopy
(Andreas Burmester) 1986 ‑ 1987
DI1318_1
Rembrandt 
The Holy Family c. 1634, München, Alte Pinakothek,  inv./cat. no. 1318
light microscopy
light microscopy
12 file(s)
light microscopy
(Petria Noble) 1997-10-28
MH0146_x02, lower right
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble) 1997-11-11
MH0146_x03, Dr. Tulps jacket, fill over original black
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
4 file(s)
light microscopy
(Petria Noble) 1997-11-11
MH0146_x05, chair back, lower left, red glaze
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1997-11-12
MH0146_x06, background, behind the head of Hartmantz (figure 3)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
10 file(s)
light microscopy
(Jørgen Wadum) 1997-11-12
MH0146_x07, hair Hartmantz (figure 3) and forehead
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1997-11-12
MH0146_x08, left forehead Harmantz (figure 3)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
5 file(s)
light microscopy
(Petria Noble) 1998-01-26
MH0146_xB12, face of Slabbraen (figure 4), left of moustache, flesh paint layer
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble) 1998-01-27 ‑ 1998-05-11
MH0146_xB13, background, near nose of Colevelt (figure 7), before varnish removal
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
12 file(s)
light microscopy
(Petria Noble) 1998-02-04
MH0146_xB15, face of Colevelt (figure 7, far left), forehead; before varnish removal
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
9 file(s)
light microscopy
(Petria Noble) 1998-02
MH0146_xB16, background, upper left edge
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
5 file(s)
light microscopy
(Petria Noble) 1998-05-18
MH0146_xB17, cloak of Dr. Tulp; thick brushstroke in contour; before varnish removal
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble) 1998-02
MH0146_x18, face of Dr. Tulp, crease near right eye (after varnish removal)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998-01-28 ‑ 1998-02-24
MH0146_xB20, pentimento of Corpse's left arm under Tulp's jacket
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998-01-28 ‑ 1998-02-24
MH0146_xB21, vivid brushstrokes in background, between figures 3 & 1
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
3 file(s)
light microscopy
(Jørgen Wadum) 1998-01-28 ‑ 1998-02-24
MH0146_xB22, face of Hartmantz (figure 3)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998-01-28 ‑ 1998-03-12
MH0146_xB23, background
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998-01-28 ‑ 1998-03-12
MH0146_xB24, pentimento below collar of Block (figure 2)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble, Jørgen Wadum) 1998-01-28 ‑ 1998-03-12
MH0146_xB25, flesh colour below collar of Block (figure 2)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble, Jørgen Wadum) 1997 ‑ 1998
MH0146_x19
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998-06-26
MH0146_xB26, back of chair, close to bottom edge of painting
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Jørgen Wadum) 1998
MH0146_xB29
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
3 file(s)
light microscopy
(Petria Noble, Jørgen Wadum) 1997 ‑ 1998
MH0146_xB30
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
1998
MH0146_xB31
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
12 file(s)
light microscopy
1998
MH0146_xB32
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
1998
MH0146_xB33
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
3 file(s)
light microscopy
(Jørgen Wadum) 1998
MH0146_xB35
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble) 1998-05-28
MH0146_xB36, shoulder Jacob de Wit (figure 5)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
light microscopy
6 file(s)
light microscopy
(Petria Noble) 1998-05-28
MH0146_xB37, face Adriaen Slabbraen (figure 4), hairline (shadow)
Rembrandt 
The anatomy lesson of Dr Nicolaes Tulp dated 1632, The Hague, Koninklijk Kabinet van Schilderijen Mauritshuis,  inv./cat. no. 146
light microscopy
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