Social structures of seventeenth-century Brussels painters
In October, Painters and Communities in Seventeenth-Century Brussels: A Social History of Art, written by RKD curator Rudy Jos Beerens and published by Leuven University Press, was released. In this book, Beerens examines the interplay between social structures and artistic production in early modern Brussels, providing the first comprehensive overview of the many painters who were active in the capital of the Southern Netherlands.
A Social History of Art
In recent years, there has been growing interest in the social and professional networks of historical artists. Art historians are increasingly studying who interacted with whom and how these connections influenced artistic production. While many of these studies focus on the personal networks of single – often exceptional – artists, this book takes a broader approach, investigating the social history of all 353 painters who joined the Brussels Guild of St. Luke between 1599 and 1706.
Painters and Communities in Seventeenth-Century Brussels thus offers a wider framework for identifying recurring patterns and gaining deeper insights into how specific relationships shaped the artistic and entrepreneurial strategies of these painters. It reveals how social structures and networks influenced the careers of Brussels' masters, showing that artistic success was not simply a result of individual talent.
Innovative Methods
To explore the social lives of seventeenth-century Brussels painters, Rudy Jos Beerens employed both traditional and innovative methods. His research was anchored in archival studies and supplemented with digital techniques. Beerens systematically gathered data from historical sources, such as membership and parish records, to analyze and visualize relationships and larger patterns within the artistic community. He also applied quantitative methods, including network analysis, while qualitative research using case studies provided deeper context and a more nuanced understanding of individual artists and their personal dynamics. This combined approach allows Beerens to highlight both the broader social structures and personal relationships that shaped artistic production.
3. Daniel and Jan Baptist van Heil, Infante Isabella in the gardens of the Coudenberg Palace, c. 1630, City Museum, Brussels
Book Launch at the RKD
To celebrate the publication of Painters and Communities in Seventeenth-Century Brussels, the RKD will host a book launch on Tuesday, October 29. During the event, Rudy Jos Beerens will present his research and findings, followed by a Q&A session and an opportunity for further discussion over drinks. All are welcome to attend this event. More information regarding the book launch can be found on our website.
Painters and Communities in Seventeenth-Century Brussels: A Social History of Art is published in English and spans 318 pages. The richly illustrated book measures 17 x 24.4 cm. Thanks to the support of the Friends of the RKD, it has been printed in full color. The book is available for free in digital format via open access and can be purchased in physical form for € 49 through Leuven University Press and the RKD webshop. You can also read an interview with Rudy Jos Beerens on the Leuven University Press website.