atelier van Rembrandt

atelier van <a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a>

Afbeeldingsnummer 0001526310
Afmetingen: 7204x8403 pixels
Licentie onder CC BY-NC-SA door copyright: The J. Paul Getty Museum

Afbeeldingsnummer 0000271083
Afmetingen: 544x650 pixels
License undetermined

Verder zoeken in RKDimages

Object gegevens

Objectcategorie: schilderij
Drager/materiaal: doek, olieverf
Vorm/maten: staande rechthoek 102.9 x 88.3 cm
framed: 129.5 x 116.8 cm

Signatuur/opschrift Informatie over de signatuur, datering, opschrift of merk op de voor- of achterzijde van het kunstwerk

niet gesigneerd, niet gedateerd

Huidige toeschrijving: atelier van Rembrandt
Verworpen toeschrijving: toegeschreven aan Rembrandt
: en toegeschreven aan Gerard Dou

Datering Exacte of globale datering van het kunstwerk; de zoekmarges van het werk in deze database staan tussen haakjes.: ca. 1629-1630 (1629 - 1630)

Onderwerp

Titel Titel of de benaming van het kunstwerk. Deze kan verschillen van de titel die in (recente) publicaties wordt gegeven.: Portret van waarschijnlijk prins Ruprecht van de Palts (1619-1682) en zijn leermeester als "Eli en Samuel"
Andere (oude) titel Andere titels of benamingen die het kunstwerk heeft gehad, of waaronder het ook bekend is. Soms betreft het ook oude (verworpen) identificaties van het onderwerp of van de voorgestgelde.: Prince Rupert of the Palatinate and his Tutor in Historical Dress , Prince Rupert of the Palatinate and an Older Man (possibly his tutor) as Eli and Samuel
Engelse titel: A young scholar and his tutor
Genre: onbepaald
Onderwerpstrefwoorden: historie (genre), portret, figuurvoorstelling, dubbelportret, portrait historié, jongen, oude man, tulband, halsketting, opengeslagen boek, wijzend
Iconclass-code Iconclass-codes en tekstcorrelaten bevatten specifieke scènes en namen. Een Iconclass-code of -notatie is een code uit het veeltalige Iconclass systeem voor onderwerpsontsluiting. Voor meer informatie, zie www.iconclass.nl.: 71F8141
Samuel brought up by Eli
: this could be a portrait of Prince Rupert of the Palatinate (1619-1682) and his tutor as "Eli en Samuel"

Voorgestelden

IB nummer Nummer gerelateerd aan de collectie portret-iconografie RKD.: 93182

Rupert van de Palts 1619-12-27 - 1682-11-29

Naam: waarschijnlijk Palts, Rupert van de
Geslacht: M
Geboren: Praag 1619-12-27
Overleden: Londen (Engeland) 1682-11-29
Functie: Brits vice-admiraal (UK), amateur schilder, tekenaar en prentkunstenaar. Hij was gespecialiseerd in de mezzotinttechniek. Duke of Cumberland; 1642 Knight of the Order of the Garter.

Identificatie gebaseerd op: inheritance

Herkomst

Collectie(s)

private collection Elizabeth Stuart (Queen of Bohemia), Heidelberg/The Hague/Rhenen/London
Possibly the painting was in this collection. See: T. Pennant, The journey from Chester to London, Dublin 1783, p.i. Research on the early provenance of this painting is currently (November 2015) in progress at the Getty Museum.
1630 - 1662 by bequest to William Craven (1st Earl of Craven), 1662
private collection William Craven (1st Earl of Craven), London / Coombe Abbey, Warwickshire / Ashdown Park, Berkshire / Hamstead Marshall, Berkshire
1662 - 1697 by inheritance to William Craven (2nd baron of Craven) 1697
private collection William Craven (2nd Earl of Craven - reverted), Coombe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1697 - 1711 by inheritance to William Craven (3rd baron of Craven), 1711
private collection William Craven (3rd baron of Craven - reverted), Combe Abbey (Coventry)/Ashdown House (Oxfordshire)/Hamstead Marshall
1711 - 1739 by inheritance to Fulwar Craven (4th baron of Craven), 1739
private collection Fulwar Craven (4th baron of Craven - reverted), Coombe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1739 - 1764 by inheritance to William Craven (5th baron of Craven), 1764
private collection William Craven (5th baron of Craven - reverted), Coombe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1764 - 1769 by inheritance to William Craven (6th baron of Craven), 1769
private collection William Craven (6th baron of Craven - reverted), Coombe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1769 - 1791 by inheritance to William Craven (1st Earl of Craven), 1791
private collection William Craven (7th Baron-1st Earl of Craven), Coombe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1791 - 1825 by inheritance to William Craven (2nd Earl of Craven), 1825
private collection William Craven (2nd Earl of Craven - reverted), Coombe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1825 - 1866 by inheritance to George Grimston Craven (3rd Earl of Craven), 1866
private collection George Grimston Craven (3rd Earl of Craven - 2nd creation), Combe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1866 - 1883 by inheritance to George Robert Craven (4th Earl of Craven), 1883
private collection William George Robert Craven ( (4th Earl of Craven - 2nd creation), Combe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1883 - 1921 by inheritance to Cornelia Martin Craven (Countess of Craven), 1921
private collection Cornelia Countess of Craven (née Martin), Combe Abbey, Warwickshire/Ashdown Park, Berkshire/Hamstead Marshall, Berkshire
1921 - 1961 Upon her death, held in trust by the Trustee of Cornelia Martin Craven.
private collection Trustee of Cornelia Martin Craven, Coventry
1961 - 1968 sold at auction, November 27, 1968 to Herman Shickman Gallery
Herman Shickman Gallery, New York City
1968 sold to Christian Humann, about 1968
private collection Christian Humann, New York City
1968 - 1982 by inheritance to Edgar Humann, 1982
private collection Edgar Humann, New York City
1982 - 1984 sold to Herman Shickman Gallery, 1984
Herman Shickman Gallery, New York City
1984 sold to the J. Paul Getty Museum, 1984
J. Paul Getty Museum, Los Angeles (California)/Malibu (California) , inv./cat.nr 84.PA.570
1984 -

Veiling(en)

Sotheby's (London (England)) 1968-11-27, lotnr. 87
Inbrenger Trustee of Cornelia Martin Craven
Naam koper : New York Herman Shickman Gallery

Tentoonstellingen en literatuur

Tentoonstellingen

Society of arts (Birmingham 1831) Birmingham (Great Britain) , 1831 , cat. no. 64
Society of arts (Birmingham 1833) Birmingham (Great Britain) , 1833 , cat. no. 134
Coventry 1840 Mechanics' Institution , Coventry , 1840 , cat. no. 33
Society of Arts (Birmingham 1842) Birmingham (Great Britain) , 1842 , cat. no. 54
Pictures by Italian, Spanish, Flemish, Dutch, French and English masters [...] [1853] British Institution , London (England) , 1853 , cat. no. 47
Art treasures of the United Kingdom Art Treasures Palace , Manchester , 1857-05-05 - 1857-10-07 , cat. no. 919
Dutch pictures 1450-1750 Royal Academy of Arts , London (England) , 1952-11-22 - 1953-03-01 , cat. no. 200
Rembrandt after three hundred years : an exhibition of Rembrandt and His Followers Art Institute of Chicago , Chicago (Illinois) , 1969-10-26 - 1969-12-07 , cat. no. 37
Rembrandt after three hundred years : an exhibition of Rembrandt and His Followers Minneapolis Institute of Arts , Minneapolis (Minnesota) , 1969-12-22 - 1970-02-01 , cat. no. 37
Rembrandt after three hundred years : an exhibition of Rembrandt and His Followers Detroit Institute of Arts , Detroit (Michigan) , 1970-02-24 - 1970-04-05 , cat. no. 37
Leselust : Niederländische Malerei von Rembrandt bis Vermeer Schirn Kunsthalle , Frankfurt am Main , 1993 - 1994-01-02 , cat. no. 24
Der junge Rembrandt : Rätsel um seine Anfänge Gemäldegalerie Alte Meister Staatliche Museen Kassel , Kassel (Hessen) , 2001-11-03 - 2002-01-27 , cat. no. 66
Het mysterie van de jonge Rembrandt Museum Het Rembrandthuis , Amsterdam (city) , 2002-02-20 - 2002-05-26 , cat. no. 66
Jonge Rembrandt Museum De Lakenhal , Leiden (city) , 2019-11-02 - 2020-02-09 , cat. no. 129

Literatuur

London 1853 , no. 47
London 1857 , no. 919
Schneider 1932 , nr. 12
London 1952-1953 , no. 200
Nicolson 1953 , p. 33. no. 200
Van Gelder 1953B , p. 37
London 1968 , no. 87
Judson 1969 , no. 37
Klessmann 1979 , p. 91, under no. 28
Corpus of Rembrandt Paintings 1982-2015 , vol. 1 (1982), p. 565-566, under no. C 19
Brown 1983A , p. 663-671
Fredericksen 1985 , p. 262
Los Angeles 1985 , p. 207, no. 131
Sutton 1986 , p. 141
Lunsingh Scheurleer/Fock/Van Dissel 1986-1992 , vol. 2 (1987), p. 205
Van Leeuwen/Broos/Buijsen 1990 , p. 107
Schulze/Jensen Adams 1993 , no. 24
Von Sonnenburg/Liedtke 1995 , vol. 2, p. 13
Fleischer/Scott 1997 , p. 236, 239, 242 (note 40)
Jaffé 1997 , p. 36
Wetering e.a 2001 , no. 66
Van Straten/Moerman 2005 , p. 206, 207 , as Rembrandt, finished by Dou
Vogelaar/Korevaar 2005 , p. 17, 19 , as Rembrandt and Dou
Bomford et al. 2006 , p. 64, 69 note 16 , as Rembrandt and Dou
Dudok van Heel 2006 , p. 197-198, 234 notes 167, 168 , as Rembrandt and Dou
Wheelock/Dickey et al. 2008 , p. 138-139, no. 29
Krempel/Neumeister 2005- , vol. 3 (2010), p. 505-506, no. 674
Corpus of Rembrandt Paintings 1982-2015 , vol. 6 (2015), p. 59
Schnackenburg 2016 , p. 120-121, 147, ill. 177 , as by Rembrandt and Gerard Dou, 'Prince Rupert of the Palatine with his tutor as Samuel and Eli'
Brown et al. 2019 , no. 129

T. Pennant, The journey from Chester to London, Dublin 1783, p.i.
T. Maiden, The beauties of England and Wales: or original delineations, topographical, historical, and descriptive of each county, vol. 15, London 1814, p. 56
Catalogue of pictures, chiefly by the old masters of the Italian, Spanish, and Flemisch schools, Birmingham 1831, no. 64
Catalogue of pictures, chiefly by the old masters of the Italian, Flemish and Spanish schools, Birmingham 1833, no. 134
Catalogue of the exhibition at the Coventry Mechanics' Institution, Coventry 1840, no. 33
Catalogue of pictures by deceased masters of the Italian, Spanish, Flemish, and English schools, Birmingham 1842, no. 54
Catalogue of pictures at Combe Abbey, Warwickshire, the seat of William Earl of Craven, 1866, no. 12
B. B. Fredericksen, Catalogue of the paintings in the J. Paul Getty Museum, Malibu 1972, p. 77, under no. 95
B. B. Fredericksen, Masterpieces of painting in the J. Paul Getty Museum. rev. ed., Malibu 1988, no. 23
S. West, Portraiture, Oxford 2004, p. 134-135, no. 83
A. L. Thomas, A house divided: Wittelsbach confessional court cultures in the Holy Roman Empire, c. 1550-1650, Leiden/Boston 2010, p. 314, 316

Beelddocumentatie

Beelddocumentatie

Standplaats afbeelding Locatie van de afbeelding in de beelddocumentatie.

TD/Digital collection (afb.nr. 0001526310)
BD/Digital Collection (afb.nr. 0000271083)

Project: The Rembrandt Database

Technische documentatie

Het RKD beheert een collectie technische documentatie die door externe onderzoekers en musea aan ons is overgedragen of voortkomt uit eigen onderzoek met infraroodreflectografie. Het materiaal waarvan hier de metadata zijn weergegeven, is op afspraak te raadplegen op het RKD. Vooralsnog is niet alle technische documentatie ingevoerd in de database. Regelmatig worden nieuwe gegevens toegevoegd.

11 treffers in RKDtechnical, betreffende:

Type technisch onderzoek

Onderzoeks- en restauratieprojecten

restauratie, 1968 1 treffersAccording to Mark Leonard, in his 1985 treatment report, the painting was likely restored in 1968 (varnishing and repaint)
verwerving, 1984 1 treffers
restauratie, 1984-11 — 1985-02 7 treffersinvolved_persons: Mark W. Leonard
Studied and documented with normal light, UV, infrared, microscopy and X-radiography
Treatment: varnish and repaint removal, consolidation of flaking paint, filling of losses, retouching, varnishing
studie, 2001 — 2001-06-04 2 treffersinvolved_persons: Mark W. Leonard; Ernst van de Wetering; David A. Scott (conservation scientist)
Study on attribution, supported by (new) XRF studies, normal light and X-radiography studies

Externe links: website museum

Permalink: https://rkd.nl/explore/images/202265

Ingevoerd op: 2011-02-10; Laatste wijziging: 2022-09-14

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