navolger van Rembrandt of toegeschreven aan Rembrandt

navolger van <a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a> of toegeschreven aan <a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a>

Afbeeldingsnummer 1001230954
Afmetingen: 522x650 pixels
Licentie onder PUB DOM

Afbeeldingsnummer 0000370357
Afmetingen: 823x1024 pixels
License undetermined

Verder zoeken in RKDimages

Object gegevens

Objectcategorie: schilderij
Drager/materiaal: paneel (eikenhout), olieverf
Vorm/maten: staande rechthoek 25.5 x 20.4 cm

Signatuur/opschrift Informatie over de signatuur, datering, opschrift of merk op de voor- of achterzijde van het kunstwerk

inscriptie verso: 5[0?] / IH
White paint, hand written
sticker verso
Sticker on the back: illegible, has been varnished or painted over

Huidige toeschrijving: navolger van Rembrandt
: of toegeschreven aan Rembrandt
In art-historical literature, there is no consensus as to whether this work is an autograph Rembrandt or not. It is part of a series of several other heads of Christ in possession of different cultural institutions, some of which are attributed to Rembrandt and some to his followers (see De Witt/Ducos 2011, no. 39; Corpus of Rembrandt Paintings 1982-2015, vol. 6 (2015), no. 217a and b).

Datering Exacte of globale datering van het kunstwerk; de zoekmarges van het werk in deze database staan tussen haakjes.: ca. 1656 (1645 - 1658)

The work was first mentioned in art historical literature in 1965, on the occasion of the work’s acquisition by the Fogg Art Museum. Slive then dated the work to the late 1640s, comparing it to six other similar studies of Christ which he dated to the same period (Slive 1965A, p. 38). Bauch disagreed and dated the painting to c. 1655, whereas Gerson agreed with Slive’s dating of the late 1640s (Bauch 1966, no. 213; Gerson 1968, no. 322; Bredius/Gerson 1969, no. 624A). Dendrochronological research during the late 1970s by Bauch and Eckstein revealed a more likely date of 1655 or later (Slive 1978, p. 458; Tümpel 1986, no. 79), but nevertheless the painting has been dated to 1648-52 on many occasions (Schwartz 1984, no. 319; Mortimer/Klingelhofer 1985, no. 191; Sutton 1986, p. 42; Bowron 1990, no. 123; Keyes 2004, p. 176-179). More recently, De Witt and Ducos stated that based on dendrochronology the earliest possible date is 1652, but a more likely date is the second half of the 1650s (De Witt/Ducos 2011, no. 39). The Fogg Art Museum currently dates the work around 1656 (see the online catalog).

Onderwerp

Titel Titel of de benaming van het kunstwerk. Deze kan verschillen van de titel die in (recente) publicaties wordt gegeven.: Christus
Engelse titel: Bust of Christ
Genre: onbepaald
Onderwerpstrefwoorden: historie (genre), nieuwe testament & apocriefen, Christus, borststuk, lichaam naar rechts, hoofd frontaal
Iconclass-code Iconclass-codes en tekstcorrelaten bevatten specifieke scènes en namen. Een Iconclass-code of -notatie is een code uit het veeltalige Iconclass systeem voor onderwerpsontsluiting. Voor meer informatie, zie www.iconclass.nl.: 11D
Christ

Herkomst

Collectie(s)

E. and A. Silberman Galleries, New York City
- 1940 The work appeared in New York in 1939, and was sold in the following year to Thomas Mitchell by E. and A. Silberman Galleries. Mr. A. Silberman noted that the work came from a princely Polish collection, but that the firm's records containing the precise information had disappeared in Europe during the Second World War (Slive 1965A, p. 38).
private collection Thomas Mitchell, Los Angeles (California)
1940 - 1962 Thomas Mitchell bought the work upon advice from Dr. W. R. Valentiner. After his death in 1962 it entered the market again.
Paul Kantor Gallery, New York City/Beverly Hills
- 1964 Sold in 1964 to William A. Coolidge
private collection William A. Coolidge, Boston (Massachusetts)
1964 Acquired the painting as a gift for the Fogg Art Museum
Fogg Museum, Cambridge (Massachusetts) , inv./cat.nr 1964.172
Gift of William A. Coolidge
1964 -

Tentoonstellingen en literatuur

Tentoonstellingen

Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University Yale University Art Gallery , New Haven (Connecticut) , 1967-10-12 - 1967-12-03
Rembrandt : A Selection of his Works Busch-Reisinger Museum , Cambridge (Massachusetts) , 1984-10-18 - 1984-12-11
Masterpieces of European Art Busch-Reisinger Museum , Cambridge (Massachusetts) , 1985-06-22 - 1985-09-15
The Portrait Fogg Art Museum/Harvard University , Cambridge (Massachusetts) , 2004-10-15 - 2005-01-09
Rembrandt et la figure du Christ Musée du Louvre , Paris , 2011-04-20 - 2011-07-18 , cat. no. 39
Rembrandt and the face of Jesus Philadelphia Museum of Art , Philadelphia (Pennsylvania) , 2011-08-03 - 2011-10-30 , cat. no. 39
Rembrandt and the face of Jesus Detroit Institute of Arts , Detroit (Michigan) , 2011-11-20 - 2012-02-12 , cat. no. 39

Literatuur

Slive 1965A , p. 38-41
Slive 1965B , p. 407-417
Bauch 1966 , no. 213
Gerson 1968 , no. 322
Bredius/Gerson 1969 , no. 624 A
Slive 1978 , p. 458, 463
Schwartz 1984 , no. 319
Mortimer/Klingelhofer 1985 , no. 191
Sutton 1986 , p. 42
Tümpel 1986 , no. 79
Bowron 1990A , no. 123
Von Sonnenburg/Liedtke 1995 , vol. 1, p. 120
Keyes 2004 , p. 176-179
Wheelock 2005 , p. 122
DeWitt et al. 2011 , no. 39, p. 204-205 for plate 2.5A and 2.5B, p. 244
De Witt/Ducos 2011 , no. 39, p. 204-205 for plate 2.5A and 2.5B, p. 241
Corpus of Rembrandt Paintings 1982-2015 , vol. 6 (2015), no. 217a and b

Christopher Brown, [review] of 'Rembrandt and the Face of Jesus', The Burlington Magazine 154 (2012), p. 375-376, especially p. 375

Beelddocumentatie

Beelddocumentatie

Standplaats afbeelding Locatie van de afbeelding in de beelddocumentatie.

BD/Digital Collection (afb.nr. 1001230954)
BD/Digital Collection (afb.nr. 0000370357)

Project: The Rembrandt Database
RemBench

Technische documentatie

Het RKD beheert een collectie technische documentatie die door externe onderzoekers en musea aan ons is overgedragen of voortkomt uit eigen onderzoek met infraroodreflectografie. Het materiaal waarvan hier de metadata zijn weergegeven, is op afspraak te raadplegen op het RKD. Vooralsnog is niet alle technische documentatie ingevoerd in de database. Regelmatig worden nieuwe gegevens toegevoegd.

4 treffers in RKDtechnical, betreffende:

Type technisch onderzoek

Onderzoeks- en restauratieprojecten

onderzoeksproject Burroughs X-ray documentation project, 1925 — 1944 1 treffersinvolved_persons: Alan Burroughs
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums houses the Alan Burroughs Collection of X-Radiographs, the ﬁrst systematic, large-scale X-ray documentation project assembled to address issues of the authenticity and attribution of paintings. Many of the X-rays were produced between 1925 and 1944 by Burroughs—a Harvard graduate (1920) who became a Fogg Museum research fellow and the keeper of X-ray "shadowgraphs". Today the collection contains approximately 8,000 X-radiographs of over 4,450 paintings from the great collections of America and Europe.
The X-rays can also be found in the online database of the Harvard Art Museums: https://www.harvardartmuseums.org/collections?q=Rembrandt+burroughs

Externe links: Online collection Harvard Art Museum

Permalink: https://rkd.nl/explore/images/232193

Ingevoerd op: 2013-01-21; Laatste wijziging: 2021-12-14

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navolger van Rembrandt of toegeschreven aan Rembrandt

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