Rembrandt

Afbeeldingsnummer 0001526260
Afmetingen: 6974x8674 pixels
Licentie onder CC BY-NC-SA

Afbeeldingsnummer IB00061219
Afmetingen: 845x1058 pixels
License undetermined

Afbeeldingsnummer 0000063098
Afmetingen: 650x568 pixels
License undetermined

Afbeeldingsnummer 0000369863
Afmetingen: 425x529 pixels
License undetermined

Afbeeldingsnummer 0000063128
Afmetingen: 650x568 pixels
License undetermined

Verder zoeken in RKDimages

Object gegevens

Objectcategorie: schilderij
Drager/materiaal: doek, olieverf
Vorm/maten: staande rechthoek 86 x 70.5 cm
As only the “t” of the signature remains, at least 7 cm of the canvas must have been cut off (Martin 1967). This is confirmed by the presence of cusping that extends further into the canvas on the right-hand side than on the left. The painting was probably reduced on all sides: ca. 7 cm on the left, ca. 4 cm on the right, and between 5 and 10 cm at top and bottom (Corpus of Rembrandt Paintings vol. 4).

Signatuur/opschrift Informatie over de signatuur, datering, opschrift of merk op de voor- of achterzijde van het kunstwerk

resten van signatuur en datering linksonder: ....t.f. / 1669

Huidige toeschrijving: Rembrandt

Datering Exacte of globale datering van het kunstwerk; de zoekmarges van het werk in deze database staan tussen haakjes.: 1669 gedateerd (1669)

Onderwerp

Titel Titel of de benaming van het kunstwerk. Deze kan verschillen van de titel die in (recente) publicaties wordt gegeven.: Zelfportret op drieënzestigjarige leeftijd
Engelse titel: Self portrait at the age of 63
Genre: portret
Onderwerpstrefwoorden: mansportret, zelfportret, oude man, ten halven lijve, hoofd naar rechts, lichaam naar rechts, aanziend, handen gevouwen, snor, vliegje (sik), jas, bontkraag, muts

Voorgestelden

IB nummer Nummer gerelateerd aan de collectie portret-iconografie RKD.: 61219

Rembrandt van Rijn 1606-07-15 - 1669-10-04

Naam

Rijn, Rembrandt van

Geslacht

Geboren

Leiden (stad) 1606-07-15

Overleden

Amsterdam (stad) 1669-10-04

Functie

Kunstschilder te Leiden en Amsterdam.

Gehuwd met

Sint Annaparochie 1634-06-27
Saskia van Uylenburgh

Identificatie gebaseerd op: resemblance

Herkomst

Collectie(s)

private collection William van Huls, London
- 1722-08-06 date of auction
private collection Thomas Brodrick, Peper Harow (Surrey)
According to George Vertue, bought at the William van Huls sale in 1722. Vertue, who saw the painting in 1722, stated: “at Mr Brodericks Membr parliament a fine head of Rhinbrants own picture bought at Mr Van huls Sale” (Oxford 1934).
1722-08-06 - 1730 After Thomas Brodrick’s death, by descent to his nephew Alan Brodrick, 2nd Viscount Midleton. MacLaren/Brown 1991 stated that the painting was inherited by his brother, Alan Brodrick, 1st Viscount Midleton (MacLaren/Brown 1991, p. 337). However, the 1st Viscount Midleton had predeceased his brother Thomas in 1728 (Bikker/Schapelhouman/Krekeler 2014, online supplement p. 23).
private collection Alan Brodrick (2nd Viscount Midleton), Peper Harow (Surrey)
by descent to the collection of the Viscounts Midleton at Peper Harow, Godalming
1730 - 1747
private collection George Alan Brodrick (5th Viscount Midleton), Peper Harow (Surrey)
- 1851-07-31 date of auction
National Gallery (London), London (England) , inv./cat.nr NG221
1851-07-31 - date of auction

Veiling(en)

Wilson, Londen (Engeland), 1722-08-06, lotnr. 22
Inbrenger: William van Huls
Naam koper : Thomas Brodrick, 80

according to an annotation in a copy of the sale catalogue [RKD, The Hague], Lugt no. 299: “22 Rembrandt - His own Picture £ 80”
Christie (London (England)) 1851-07-31, lotnr. 78
Inbrenger 5th Viscount Middleton George Alan Brodrick
Naam koper : National Gallery

, Lugt no. 20466: “Rembrandt. 78 Portrait of the Painter, in a Red Dress, Trimmed with Fur, a cap on his head, his hands clasped. A superb example. In the finest time and manner of the great master.” Sold for 430 - 10, according to annotations in copies of the sale catalogue [RKD, The Hague].

Tentoonstellingen en literatuur

Tentoonstellingen

Exhibition of Portraits National Gallery [London] , London (England) , 1939
Picture of the month National Gallery [London] , London (England) , 1942-10-07 - 1942-11-03
Exhibition of Returned Pictures National Gallery [London] , London (England) , 1945-05
Artist's Eye : Richard Hamilton National Gallery [London] , London (England) , 1978-07-05 - 1978-08-31
Art in the making : Rembrandt National Gallery [London] , London (England) , 1988-10-12 - 1989-01-17 , cat. no. 20
Rembrandt by himself (Glasgow, 1990) Glasgow Art Gallery , Glasgow (Scotland) , 1990-12-07 - 1991-01-20
Rembrandt och hans tid : människan i centrum = Rembrandt and his age : focus on man Nationalmuseum Stockholm , Stockholm (city) , 1992-10-02 - 1993-01-06 , cat. no. 64
Rembrandt by himself National Gallery [London] , London (England) , 1999-06-09 - 1999-09-05 , cat. no. 84
Rembrandt zelf Koninklijk Kabinet van Schilderijen Mauritshuis , The Hague (city) , 1999-09-25 - 2000-01-09 , cat. no. 84
De keuze van Vincent : Van Goghs musée imaginaire Van Gogh Museum , Amsterdam (city) , 2003-02-14 - 2003-06-15 , cat. no. 72
Rembrandt : the late works National Gallery [London] , London (England) , 2014-10-15 - 2015-01-18 , cat. no. 3

Literatuur

Michel 1893 , p. 486, 556
Bode/Hofstede de Groot 1897-1905 , vol. 6 (1901), no. 433
Hofstede de Groot 1907-1927 (English edition) , vol. 6 (1916), no. 551
Oxford 1934 , p. 9
Bredius 1935 , no. 55
MacLaren 1960 , p. 317-318
Bauch 1966 , no. 339
Martin 1967 , p. 355
Gerson 1968 , no. 415
Haak 1968 , p. 333
Bredius/Gerson 1969 , no. 55
Strauss/Van der Meulen 1979 , p. 581
Wright 1982 , no. 57
Schwartz 1984 , no. 422
Tümpel 1986 , no. 178
Broos 1987 , p. 311-315
Alpers 1988 , p. 32-33
Bomford/Brown/Roy 1988 , no. 20
Mills/White 1989 , p. 69-71
Chapman 1990 , p. 130-132
Brown/Kelch/ Van Thiel 1991 , p. 23, no. 290
MacLaren/Brown 1991 , p. 336-337
Slatkes 1992 , no. 270
Stückelberger 1996 , p. 99
Mitchell/Roberts 1996 , p. 161-162
Van de Wetering 1997 , p. 168
Schama 1999 , p. 678
White et al. 1999 , p. 233-225, no. 84
Dudok van Heel 2000 , p. 2-40
Wauschkuhn 2002 , fig. 21
Van de Wetering 2002 , p. 27-42
Stolwijk et al. 2003 , no. 72
Bond/Woodall/Clark 2005 , p. 59
Corpus of Rembrandt Paintings 1982-2015 , vol. 4 (2005), no. IV 27
Bomford et al. 2006 , p. 191, no. 21
Schwartz/Calster 2006 , p. 312
Wieseman 2007 , no. 19
Bikker/Schapelhouman/Krekeler 2014 , p. 52-53, cat. no. 3
Corpus of Rembrandt Paintings 1982-2015 , vol. 6 (2015), no. 321

'The note-books of George Verue relating to artists and collections in England', The Walpole Society 22 (1933-1934), p. 9
A. Sturgis, Faces, Londen 1998, p. 63-64

Beelddocumentatie

Beelddocumentatie

Standplaats afbeelding Locatie van de afbeelding in de beelddocumentatie.

TD/Digital collection (afb.nr. 0001526260)
BD/RKD/1820 - IB/XVIIC op Rijn (afb.nr. IB00061219)
, standplaats origineel BD/RKD/0612 - ONS/Portraits: Rembrandt and School (afb.nr. 0000063098)
BD/Digital Collection (afb.nr. 0000369863)
, standplaats origineel BD/RKD/0700 - ONS/Dated Works (afb.nr. 0000063128)

Project: The Rembrandt Database
RemBench

Technische documentatie

Het RKD beheert een collectie technische documentatie die door externe onderzoekers en musea aan ons is overgedragen of voortkomt uit eigen onderzoek met infraroodreflectografie. Het materiaal waarvan hier de metadata zijn weergegeven, is op afspraak te raadplegen op het RKD. Vooralsnog is niet alle technische documentatie ingevoerd in de database. Regelmatig worden nieuwe gegevens toegevoegd.

47 treffers in RKDtechnical, betreffende:

Type technisch onderzoek

sample

dwarsdoorsnede NG221_x01, 1966-11-23 2 treffers
achtergrond (all layers of background down to canvas from damage to right of head)
dwarsdoorsnede NG221_x02, 1966-11-23 1 treffers
incarnaat (flesh, cheek, small damage above mouth)
damaged sample, no value
verfmonster NG221_x07, 1966-11-23 1 treffers
niet gespecificeerd
sample missing
sample taken by Joyce Plesters?
verfmonster NG221_x06, 1966-11-23 1 treffers
niet gespecificeerd
sample taken by Joyce Plesters?
sample missing
verfmonster NG221_x05, 1966-11-23 1 treffers
niet gespecificeerd
sample missing
sample taken by Joyce Plesters?
dwarsdoorsnede NG221_x08, 1966-11-23 2 treffers
textiel (scarlet red of sleeve near wrist)
dwarsdoorsnede NG221_x04, 1966-11-23 1 treffers
niet gespecificeerd
very puzzling, possibly not original?
schraapsel NG221_s03, 1966-11-23 1 treffers
niet gespecificeerd
unmounted fragment, not embedded
dwarsdoorsnede NG221_x09, 1988-03-07 2 treffers
textiel (plum-coloured coat, lower left corner)
dwarsdoorsnede NG221_x10, 1988-03-07 2 treffers
textiel (lighter plum colour of coat)
dwarsdoorsnede NG221_x11, 1988-03-07 2 treffers
achtergrond (greyish-brown background, upper left corner)
dwarsdoorsnede NG221_x12, 1988-03-07 2 treffers
achtergrond (background painted over original 1st stage of turban (white))
Bomford e.a. 2006, p. 192, fig. 213
sample was analysed with PIXE (but no records of results found)
dwarsdoorsnede NG221_x14, 1988-03-07 2 treffers
incarnaat (flesh of cheek)
Bomford e.a. 2006, p. 192, fig. 212
dwarsdoorsnede NG221_x15, 1988-03-07 2 treffers
textiel (red from sleeve, cuff, duller red, from edge of loss)
Bomford e.a. 2006, p. 194, fig. 217
verfmonster NG221_s16, 1988-03-07 1 treffers
textiel (bright red highlight from cuff)
sample missing
verfmonster NG221_s17, 1988-03-07 1 treffers
textiel (bright yellow ochre-coloured highlight from cuff)
sample missing
verfmonster NG221_s18, 1988-03-07 1 treffers
textiel (white from band of cap)
sample missing
dwarsdoorsnede NG221_x13, 1988-03-07 2 treffers
achtergrond (darker background, to right of head)

Onderzoeks- en restauratieprojecten

onderzoeksproject Burroughs X-ray documentation project, 1925 — 1944 1 treffersinvolved_persons: Alan Burroughs
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums houses the Alan Burroughs Collection of X-Radiographs, the ﬁrst systematic, large-scale X-ray documentation project assembled to address issues of the authenticity and attribution of paintings. Many of the X-rays were produced between 1925 and 1944 by Burroughs—a Harvard graduate (1920) who became a Fogg Museum research fellow and the keeper of X-ray "shadowgraphs". Today the collection contains approximately 8,000 X-radiographs of over 4,450 paintings from the great collections of America and Europe.
The X-rays can also be found in the online database of the Harvard Art Museums: https://www.harvardartmuseums.org/collections?q=Rembrandt+burroughs
restauratie, 1962 — 1967 10 treffersinvolved_persons: Helmut Ruhemann
Proposed treatment 1963: removal of lining canvas and strip-lining; removal old varnish and all discolored repaintings; retouching; revarnishing.
restauratie, 1998 1 treffersAcrylic paint smeared over picture surface whilst on exhibition at the National Gallery. Paint removed and revarnished.
onderzoeksproject Art in the making: Rembrandt, 2006 1 treffers
involved_persons: David Bomford; Jo Kirby Atkinson; Ashok Roy; Raymond White; Axel Rüger
The 2006 publication of "Art in the Making: Rembrandt" is a revised and updated volume of the 1988 catalog "Art in the Making: Rembrandt".
The aim of the National Gallery's exhibition series "Art in the Making" is to present technical research carried out by the National Gallery's conservation and scientific departments and to discuss the results in combination with art-historical information. For the "Art in the Making: Rembrandt" exhibition in 1988 it was the aim to gain a better understanding of the materials Rembrandt used and his work methods, which would then, it was hoped, allow for clearer conclusions on the authorship of the many paintings that had traditionally been attributed to his hand.
The researchers and authors relied on the analysis of the materials, connoisseurship of the images and surfaces, and interpretation and analysis of X-rays, infrared photographs, paint crosse sections, studies using raking light, UV, stereomicroscope, dendrochronology, etc.
onderzoeksproject Charisma 2011, 2011-03-29 — 2011-04-01 27 treffersinvolved_persons: Annelies van Loon; Ashok Roy
In 2011-2012, as part of The Rembrandt Database project and supported by CHARISMA/Archlab, the paint samples and paint sample documentation of the National Gallery London’s "Self Portrait at the Age of 63" (inv. no. 221) and "Saskia van Uylenburgh as Flora" (inv. no. 4930) were inventoried by Annelies van Loon. With the help of Ashok Roy the samples were re-examined under the light microscope, repolished (where necessary) and re-photographed. Information about the pigment composition and paint build-up, along with new insights and results of SEM-EDX and other analysis (where performed), were updated and described in a newly generated paint sample form. For this, reports on sample analyses from the files of the National Gallery in London were used.

Externe links: Online collection National Gallery London

Permalink: https://rkd.nl/explore/images/29937

Ingevoerd op: 2000-04-03; Laatste wijziging: 2022-11-23

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