Rembrandt

Afbeeldingsnummer 1001230940
Afmetingen: 538x650 pixels
Licentie onder PUB DOM

Afbeeldingsnummer IB00061217
Afmetingen: 1764x2122 pixels
License undetermined

Afbeeldingsnummer 0000063108
Afmetingen: 650x568 pixels
License undetermined

Afbeeldingsnummer 0000063055
Afmetingen: 650x568 pixels
License undetermined

Verder zoeken in RKDimages

Object gegevens

Objectcategorie: schilderij
Drager/materiaal: paneel, olieverf
The wood is identified as walnut. The panel displays a series of cracks. A second panel of equal thickness with cradling is glued to the back. The cradle was renewed in 1942 (Corpus of Rembrandt Paintings 1982-2015, vol. 4 (2005), no. IV 13).
Vorm/maten: staande rechthoek 48.9 x 40.2 cm
Unlikely that these are the original dimensions of the painting. The head is set in an unusual narrow frame, compared to other self portraits by Rembrandt and there are saw marks along the lower edge unusual for works on panel by Rembrandt. A reason for reducing the size could be the many cracks in the support. The reduction in size must have taken place prior to 1783, when Von Mechel mentioned the painting in his catalog in its present dimensions (Corpus of Rembrandt Paintings 1982-2015, vol. 4 (2005), no. IV 13).

Signatuur/opschrift Informatie over de signatuur, datering, opschrift of merk op de voor- of achterzijde van het kunstwerk

draagt signatuur linksboven: Rembrandt.f
The signature is partly located on an overpainting applied to a crack in the panel in the left upper corner. This has led the authors of the Corpus of Rembrandt Paintings to conclude that the signature is false. They suggest that the signature was later added in this unusual place to replace an original one that may have been lost when the painting was reduced. The type of letters used exclude the possibility that it was copied from an original signature (Corpus of Rembrandt Paintings 1982-2015, vol. 4 (2005), no. IV 13).

Huidige toeschrijving: Rembrandt

Datering Exacte of globale datering van het kunstwerk; de zoekmarges van het werk in deze database staan tussen haakjes.: ca. 1655 (1652 - 1658)

In art historical literature, the painting was variously dated to 1664 (Smith 1829-1842, vol. 7 (1836), no. 222); 1665 (Hofstede de Groot 1907-1928 (German edition), vol. 6 (1915), no. 581). Since Bredius dated the painting to 1657 (Bredius 1935, no. 49), the painting has been dated to c. 1657 (Bauch 1955, no. 326; Gerson 1968, no. 324; Tümpel 1986, no. 171; Wenen 1991, no. 414); 1657-1659 (Slatkes 1992, no. 262); c. 1655 (Corpus of Rembrandt Paintings 1982-2015, vol. 4 (2005), no. IV 13). Dating the work to the second half of the 1650s is based on comparison with physiognomical features in other self portraits from the same period (Corpus of Rembrandt Paintings 1982-2015, vol. 4 (2005), no. IV 13).

Onderwerp

Titel Titel of de benaming van het kunstwerk. Deze kan verschillen van de titel die in (recente) publicaties wordt gegeven.: Zelfportret
Engelse titel: Self portrait
Genre: portret
Onderwerpstrefwoorden: zelfportret, mansportret, borststuk, hoofd naar rechts, lichaam naar rechts, aanziend, krullend haar, snor, vliegje (sik), baret
: Often referred to as Small self portrait, to distinguish it from the other self portraits by Rembrandt in the Kunsthistorisches Museum in Vienna

Voorgestelden

IB nummer Nummer gerelateerd aan de collectie portret-iconografie RKD.: 61217

Rembrandt van Rijn 1606-07-15 - 1669-10-04

Naam

Rijn, Rembrandt van

Geslacht

Geboren

Leiden (stad) 1606-07-15

Overleden

Amsterdam (stad) 1669-10-04

Functie

Kunstschilder te Leiden en Amsterdam.

Gehuwd met

Sint Annaparochie 1634-06-27
Saskia van Uylenburgh

Identificatie gebaseerd op: resemblance

Artistiek verband

Artistiek verband met ander werk Zoals een voorbereidende tekening, vergelijkbare compositie, andere versie, herhaling of kopie van het hier beschreven kunstwerk.

als voorbeeld gebruikt voor
Anoniem
Mahogany panel, 50 x 40 cm, signed "n[ach] Rembrandt"

Present whereabouts unknown. Depicts the original in its already reduced state and reproduces damages to such an extent that it must be a relatively late copy (Corpus of Rembrandt Paintings 1982-2015, vol. 4 (2005), no. IV 13).
als voorbeeld gebruikt voor
Anoniem
Signed "n[ach] Rembrandt"

Nineteenth-century copy in a private collection in Bern, Switzerland (Wenen 1972, no. 414, p. 79)
als voorbeeld gebruikt voor
Siegwald Johannes Dahl
Nineteenth-century copy in a private collection in Bergen, Norway (Wright 1982, no. 46)

Herkomst

Collectie(s)

Kaiserliche Gemäldegalerie, Vienna , inv./cat.nr 31, p. 91 (catalogue 1783)
1783 - The painting is first mentioned as part of the collection in the catalog by Christian von Mechel that was published in 1783 in honor of the relocation of the collection to the Upper Belvedere (1776-1781, begun by Maria Theresa (1717-1780) and finished by her son Joseph II (1741-1790), as no. 31: "Von Rimbrandt. Sein eigenes Portrait, in welchem er sich schon bey Jahren in einem dunkeln Pelzrock und rothen Wamms, mit einem grossen runden Hut auf dem Kopf, geschildert hat. Auf Leinw. (sic.) 1 Fuss 6 Zoll hoch, 1 Fuss 3 Zoll breit [= 47.4 x 39.5 cm; Vienna foot, measured in the frame]. Ein Brustbild, Lebensgrösse" (Mechel 1783, no. 31, p. 91).
Kunsthistorisches Museum, Vienna , inv./cat.nr 414
The painting stayed in the imperial collection which was located in the Upper Belvedere until the nineteenth century. Between 1871 and 1891 Gottfried Semper and Karl Hasenauer constructed a new building, the Kunsthistorisches Museum, and the Picture Gallery is still housed on its main floor today.

Tentoonstellingen en literatuur

Tentoonstellingen

Meisterwerke aus Oesterreich Kunstgewerbemuseum Zürich , Zürich (city) , 1946-10-27 - 1947-03-02 , cat. no. 341
Holländer des 17. Jahrhunderts Kunsthaus Zürich , Zürich (city) , 1953-11-04 - 1953-12-20 , cat. no. 118
Mostra di pittura Olandese del seicento [Palazzo delle Esposizioni, Rome] Palazzo delle Esposizioni , Rome , 1954-01-04 - 1954-02-14 , cat no. 118
Rembrandt by himself National Gallery [London] , London (England) , 1999-06-09 - 1999-09-05 , cat. no. 69
Rembrandt zelf Koninklijk Kabinet van Schilderijen Mauritshuis , The Hague (city) , 1999-09-25 - 2000-01-09 , cat. no. 69
Das Zeitalter Rembrandts Graphische Sammlung Albertina , Vienna (city) , 2009-03-04 - 2009-06-21 , cat. no. 57

Literatuur

Mechel 1783 , no. 31, p. 91
Smith 1829-1842 , vol. 7 (1836), no. 222
Vosmaer 1877 , p. 559
Bode 1883 , no. 125, p. 544, 575
Von Engerth 1884 , no. 1143
Dutuit 1885 , p. 34
Von Wurzbach 1886 , no. 365
Michel 1893 , p. 507, 650
Von Frimmel 1894-1895 , vol. 2 (1895), p. 77
Bode/Hofstede de Groot 1897-1905 , vol. 7 (1902), no. 505
Moes 1897-1905 , vol. 2 (1905), no. 6693.53
Vienna 1907 , no. 1268
Rosenberg/Valentiner 1909 , p. 478
Hofstede de Groot 1907-1928 (German edition) , vol. 6 (1915), no. 581
Weisbach 1926 , p. 88
Glück 1928A , p. 326, 327
Benesch 1935 , p. 59
Bredius 1935 , no. 49
Vienna 1938 , no. 1268
Pinder 1943 , p. 88
Zurich 1946 , no. 341
Zurich 1953 , no. 118
Rome 1954 , no. 118
Vienna 1963A , no. 290
Bauch 1966 , no. 326
Oberhammer 1966-1967 , vol. 1 (1966), no. 44
Erpel 1967 , no. 89
Gerson 1968 , no. 324
Bredius/Gerson 1969 , no. 49
Demus 1972 , no. 414
Wright 1982 , no. 46, ill. 78 , not ill. 83 as referred to by Wright
Tümpel 1986 , no. 171
Chapman 1990 , p. 87-88
Haja et al. 1991 , no. 414, p. 513
Slatkes 1992 , no. 262
Corpus of Rembrandt Paintings 1982-2015 , vol. 4 (2005), no. IV 13
Schröder/Bisanz-Prakken/Fischer 2009 , no. 57
Corpus of Rembrandt Paintings 1982-2015 , vol. 6 (2015), no. 256

M. Meier-Siem, Rembrandt, Selbstbildnisse im Röntgenbild, Röntgenbrief 11, Du Pont Fotowerke Adox GmbH, Frankfurt am Main 1971, fig. 13, 14
J. Bauch and D. Eckstein, 'Woodbiological investigations on panels of Rembrandt paintings', Wood Science and Technology 15 (1981), p. 251-263, esp. p. 254

Beelddocumentatie

Beelddocumentatie

Standplaats afbeelding Locatie van de afbeelding in de beelddocumentatie.

BD/Digital Collection (afb.nr. 1001230940)
BD/RKD/1820 - IB/XVIIC op Rijn (afb.nr. IB00061217)
, standplaats origineel BD/RKD/0612 - ONS/Portraits: Rembrandt and School (afb.nr. 0000063108)
, standplaats origineel BD/RKD/0704 - ONS/Artist's Portraits (afb.nr. 0000063055)

Project: RemBench
The Rembrandt Database

Technische documentatie

Het RKD beheert een collectie technische documentatie die door externe onderzoekers en musea aan ons is overgedragen of voortkomt uit eigen onderzoek met infraroodreflectografie. Het materiaal waarvan hier de metadata zijn weergegeven, is op afspraak te raadplegen op het RKD. Vooralsnog is niet alle technische documentatie ingevoerd in de database. Regelmatig worden nieuwe gegevens toegevoegd.

4 treffers in RKDtechnical, betreffende:

Type technisch onderzoek

Onderzoeks- en restauratieprojecten

onderzoeksproject Burroughs X-ray documentation project, 1925 — 1944 1 treffersinvolved_persons: Alan Burroughs
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums houses the Alan Burroughs Collection of X-Radiographs, the ﬁrst systematic, large-scale X-ray documentation project assembled to address issues of the authenticity and attribution of paintings. Many of the X-rays were produced between 1925 and 1944 by Burroughs—a Harvard graduate (1920) who became a Fogg Museum research fellow and the keeper of X-ray "shadowgraphs". Today the collection contains approximately 8,000 X-radiographs of over 4,450 paintings from the great collections of America and Europe.
The X-rays can also be found in the online database of the Harvard Art Museums: https://www.harvardartmuseums.org/collections?q=Rembrandt+burroughs
studie, 1974 1 treffersThis painting was probably studied in 1974 with X-radiography at the Rijksmuseum in Amsterdam.

Permalink: https://rkd.nl/explore/images/29944

Ingevoerd op: 2000-04-03; Laatste wijziging: 2020-04-22

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