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toegeschreven aan Rembrandt

Portret van Dirck van Os (1590-1668), ca. 1658
Omaha (Nebraska), , inv./cat.nr. 1942.30
toegeschreven aan <a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a> toegeschreven aan <a class="recordlink artists" href="/explore/artists/66219" title="Rembrandt"><span class="text">Rembrandt</span></a>
herkomst
Object gegevens
Objectcategorie
schilderij
Drager/materiaal
doek, olieverf
Vorm/maten
staande rechthoek 101 x 86 cm
Signatuur/opschrift
Informatie over de signatuur, datering, opschrift of merk op de voor- of achterzijde van het kunstwerk
  • opschrift rechtsboven: D. VAN OS [DIJCK-GRA]EF VAN D[E BEEMSTER]
    In the collection catalogue of 1987 it is mentioned that the coat of arms and inscription on the painting are not later additions (Duffy-Zeballos/Flescher 2014, p. 32, 34, 37-38). However, during restoration in 2012 it was found that the inscription and the coat of arms are certainly later additions (Corpus of Rembrandt Paintings 1982-2015, vol. 6 (2015). no. 263).
Huidige toeschrijving
toegeschreven aan Rembrandt
This painting was always regarded as an autograph Rembrandt until doubted by Gerson in 1968 (Gerson 1968, no. 400). Since then the painting was viewed by art-histrorians, with Bauch as exception, as a painting by someone from Rembrandt's circle (Bauch 1966, no. 428; Tümpel 1986, no. A 100; Day/Sturges 1987, no. 36). In the collection catalogue of 1987 its was suggested that the painter could be Jürgen Ovens, student of Rembrandt (Day/Sturges 1987, no. 36). After restoration in 2012, during which the later added embellishments to the costume and other additions were removed, the painting was reattributed to Rembrandt (Duffy-Zeballos/Flescher 2014, p. 32, 34, 37-38; Corpus of Rembrandt Paintings 1982-2015, vol. 6 (2015), p. 648-649, no. 263).
Datering
Exacte of globale datering van het kunstwerk; de zoekmarges van het werk in deze database staan tussen haakjes.
ca. 1658 (1650 - 1665)
In the art-historical literature, the painting is dated variously, to 1650-1660 (Day/Sturges 1987, no. 36, p. 52-54); c. 1658 (Corpus of Rembrandt Paintings 1982-2015, vol. 6 (2015), p. 648-649, no. 263; online collection catalogue, accessed on 2016-12-14); c. 1660 (Bauch 1966, no. 428); c. 1662 (Hofstede de Groot 1907-1928, vol. 6 (1915), p. 281, no. 664); c. 1663-1665 (Slatkes 1992, no. 173).
Voorgestelden
IB nummer
Nummer gerelateerd aan de colletie portret-iconografie RKD.
16020
Identificatie gebaseerd op
coat of arms, inscription
Herkomst
Tentoonstellingen en literatuur
Documentatie
Ingevoerd op: 2014-12-23; Laatste wijziging: 2017-10-26

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