Ádám Mányoki

male / Hungarian
painter, court painter
in the service of Prince Franz II Rákóczi and later court painter of August the Strong
Szokolya (Hungary) 1673
Dresden 1756-08/1756-08-06
buried on 6 August 1756
See also
In this field, you will find references to names of groups or to the artists that made/make up groups. You may also come across references to other artists if there was/is question of collaboration without a joint name. This is the case, for instance, with artists who rendered parts of works by other artists (such as with P.P Rubens and J. Brueghel I).
This person/entity in other databases
Biographical information
Active in
  • Celle
    first training
  • Lüneburg
    as a pupil of Andreas Scheits
  • Salzdahlum
    copied many paintings in Schloss Salzdahlum, a.o. Nicolas de Largilière and Rembrandt
  • Hamburg
  • Hannover
    studied by Andreas Scheits
  • Berlin 1703 - 1707
    in the service of the Prussian court
  • Boedapest 1707
    in the service of Prince Franz II Rákóczi, whom he had met at the court in Berlin
  • Noordelijke Nederlanden (historische regio) 1709 - 1710
    sent by Prince Franz II Rákóczi on a diplomatic mission to Holland, where he also studied art (Saur 2015)
  • Berlin 1710
  • Danzig (hist.) 1711
    went with Rákóczi in exile to Danzig
  • Warschau 1711 - 1713
    followed Prince Franz II Rákóczi to Poland; he painted the portrait of King August II in 1717, appointed as court painter. Sent by August the Strong to Dresden, Berlin and Dessau to make portraits
  • Dresden 1713
  • Berlin
  • Dessau (Saksen-Anhalt) 1714
  • Leipzig 1718
  • Wenen 1723
  • Boedapest 1724 - 1731
  • Dresden 1731
    worked alternately in Dresden and Leipzig until his death; became court painter for August III; he resigned the post in 1753 over a quarrel about unpaid salary
  • Leipzig
  • Dresden 1756
    Died completely destitute, after squandering his fortune on alchemy
born in
active in
died in
This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.
Entered on: 1992-01-18; Modification on: 2018-06-18


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