Discover painter, draftsperson, copyist Francesco Trevisani

Francesco Trevisani

male / Italian

Name variations

This field records and makes accessible name variations, as found in sources. Alternate spellings, nicknames, maiden names - with or without the married name - are included in this category.

: Trevisani, François
Romano (1656-1746)
Trevisani, Francesco (Cavaliere)
Trevisani, Francesco (il Romano)

Qualifications: painter, draftsperson, copyist, poet

Nationality/school: Italian

Born: Koper (Slovenia) 1656-04-09
baptized on April 17, 1656

Deceased: Rome 1746-07-30

Family relationships this field records any family relationship to one or more other artist(s).: son and pupil of the architect Antonio Trevisani

This person/entity in other databases

8 hits in RKDimages as artist
2 hits in RKDlibrary as subject
2 hits in RKDexcerpts as artist

Suggested searches in RKDartists&

Biographical information

Active in

Venetië 1668 - 1678
as a twelve-year-old working in the studio of the painter Antonio Zanchi, also a pupil of the painter Joseph Heintz II
Rome 1678 - 1746
under the patronage of the cardinals Flavio Chigi and Pietro Ottoboni; his first Roman commission was the decoration of the Capella della Crocifissione in the San Silvestro in Capite; in Rome Trevisani not only applied himself to painting, but also practiced poetry

born in

active in

died in

Connections with other artists

Pupil of This field mentions the names of teachers or masters. What is at issue are the teachers who made a significant contribution to the development of a students, as opposed to every instructor they ever had. See also the 'Education' field.: Heintz, Joseph (II)
Maratta, Carlo
Trevisani, Antonio
Zanchi, Antonio
Teacher of This field mentions the names of pupils. What is at issue are the pupils who were significantly influenced by a teacher as opposed to every student someone ever had. See also the 'Education' field.: Beaumont, Claudio Francesco
Carlone, Carlo Innocenzo
Costanzi, Placido
Dupra, Domenico
Loo, Carle van
Lusitano, Vieira
Nazari, Bartolomeo
Rotari, Pietro
Influence on This field specifies the artists influenced by the artist in question, without there being question of an educational setting or servile following.: Bianchi, Pietro
Conca, Giovanni
David, Antonio
Alexander, John (1686-)

Subjects This field specifies the various subject categories or genres that constitute the oeuvre of the artist in question. The contents of this field are generally based more on the documentation available at the RKD than on the literature.: allegory, genre, history (genre), landscape (genre), mythology, portrait, Christian religious scene

Literature

Literature in RKDLibrary: 2 hits in RKDlibrary as subject

Thieme/Becker 1907-1950 , vol. 33 (1939), p. 388
Gerson 1942/1983 , p. 188, note 2
Bénézit 1976 , vol. 10, p. 270
Witt Checklist 1978 , p. 308
Puliti Pagura 2007

R. Rasch, 'Corelli's Contract: Notes on the Publication History of the "Concerti Grossi... Opera Sesta"[1714], Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 46 (1996), no. 2, p. 83-136
F.R. DiFedericio,'A Group of Trevisani Drawings in the Uffizi', Master Drawings 10 (1972), p. 3-14, 49-61
A. Henning, 'Ein künstlerischer Wettstreit auf der Bühne des römischen Barock. Francesco Trevisani und Sebastiano Conca', Dresdener Kunstblätter (2005), no. 4, p. 265-271
D. Bull, ' Francesco Trevisani's "St. Felicity", a gift from Cardinal Ottoboni to the marquis de Torcy', The Burlington Magazine 150 (2008), p. 4-14
'Francesco Trevisiani's Crucifxion', Yale University Art Gallery Bulletin 2010, p. 103-105

Documentation RKD

This field specifies the location of the various RKD documentation materials. Most of the locations refer to our art-historical image documentation. In addition, you will find references to press documentation (clippings and short articles) here.

Project: Gerson Digital : Italy

Comment: kopieerde werk van Correggio en Mazuola voor de Hertog van Modena

Permalink: https://rkd.nl/explore/artists/78180

Creation date: 1992-01-26; Last modified date: 2023-05-16

Explore

Francesco Trevisani

Comments

My selections