Haman erkent zijn noodlot (Ester 6: 6-10), late jaren 1640
doek, olieverf, 127 x 116 cm
- Huidige toeschrijving
- Rembrandt
In 1989 Liedtke rejected the painting and suggested an attribution to a pupil working under Rembrandt's immediate influence, possibly Samuel van Hoogstraten (Liedtke 1989, p. 157-160). - Verworpen toeschrijving
- Rembrandt late jaren 1640
- Datering
late jaren 1640
Those who accepted the attribution to Rembrandt generally dated the painting c. 1665. In 1989 Liedtke rejected the painting and based on the painting technique suggested a date in the late 1640s (Liedtke 1989, p. 157-160).
- Titel
- Haman erkent zijn noodlot (Ester 6: 6-10)
- Andere/oude titel
- David and Uriah (2 Samuel 11:14)
- Genre
- Onderwerpstrefwoorden
- Iconclass
Haman's discomfiture: Ahasuerus orders the royal robes and his horse to be bestowed on Mordecai- see Tümpel 1986 for the different identifications of the subject of the painting
- Object
- Drager/techniek
- Vorm/maten
- 127 x 116 cm
- Artistiek verband
- Collectie(s)
- John Blackwood
tot 1769 - Catharina de Grote (tsarina van Rusland)
vanaf 1769 - Hermitage , inv./cat.nr. ГЭ-752
vanaf 1773
- John Blackwood
- Tentoonstellingen
- Dutch and Flemish paintings from the Hermitage, Metropolitan Museum of Art , 1988-03-26 - 1988-06-05, cat. no. 26
- Rembrandt Harmensz. van Rijn (1606-1669), Nagoya City Art Museum , 1982-11-06 - 1982-11-21, cat. no. 10
- Rembrandt : his teachers and his pupils, Yamaguchi Prefectural Museum of Art , 1992-08-07 - 1992-09-16, cat. no. 12
- Rembrandt : his teachers and his pupils, Kawamura Memorial Museum of Art , 1992-06-13 - 1992-08-02, cat. no. 12
- Rembrandt : his teachers and his pupils, Bunkamura Museum of Art , 1992-04-15 - 1992-06-07, cat. no. 12
- Dutch and Flemish paintings from the Hermitage, Art Institute of Chicago , 1988-07-09 - 1988-09-18, cat. no. 26
- Rembrandt Harmensz. van Rijn (1606-1669), Bridgestone Museum of Art/Ishibashi Foundadion , 1982-09-11 - 1982-11-03, cat. no. 10
- Literatuur in RKDLibrary
- Hofstede de Groot 1907-1928 (German edition), vol. 6 (1914), no. 48
- Bredius 1935, no. 531
- Levinson-Lessing/Krol/Rusakov 1958, vol. 2, no. 752
- Bauch 1966, no. 39
- Gerson 1968, no. 357
- Bredius/Gerson 1969, no. 531
- Krol et al. 1981, vol. 2, no. 752
- Linnik/Kamon 1982, no. 10
- Tümpel 1986, no. 31
- Loewinson/Egorova 1987, no. 28
- Howard/Sokolova 1988, no. 26
- Liedtke 1989A, p. 157-160
as by a pupil working under Rembrandt's immediate influence, possibly Samuel van Hoogstraten - Tokyo 1992A, no. 12
- Sumowski 1983-1994, vol. 6 (1994), p. 3528, note 19
as studio of Rembrandt, not by Samuel van Hoogstraten
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